Author | : Thomas Burke |
Publisher | : |
Total Pages | : 316 |
Release | : 1919 |
Genre | : English fiction |
ISBN | : |
Author | : Thomas Burke |
Publisher | : |
Total Pages | : 316 |
Release | : 1919 |
Genre | : English fiction |
ISBN | : |
Author | : Thomas Burke |
Publisher | : Wildside Press LLC |
Total Pages | : 286 |
Release | : 2003-01-01 |
Genre | : Fiction |
ISBN | : 0809531402 |
The sequel to "Limehouse Nights" presents more stories set in London's Chinatown.
Author | : Thomas Burke |
Publisher | : |
Total Pages | : 288 |
Release | : 1921 |
Genre | : Detective and mystery stories, English |
ISBN | : |
Author | : Anne Veronica Witchard |
Publisher | : Routledge |
Total Pages | : 512 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 135187943X |
Focusing on Thomas Burke's bestselling collection of short stories, Limehouse Nights (1916), this book contextualises the burgeoning cult of Chinatown in turn-of-the-century London. London's 'Chinese Quarter' owed its notoriety to the Yellow Perilism that circulated in Britain at the fin-de-siècle, a demonology of race and vice masked by outward concerns about degenerative metropolitan blight and imperial decline. Anne Witchard's interdisciplinary approach enables her to displace the boundaries that have marked Chinese studies, literary studies, critiques of Orientalism and empire, gender studies, and diasporic research, as she reassesses this critical moment in London's history. In doing so, she brings attention to Burke's hold on popular and critical audiences on both sides of the Atlantic. A much-admired and successful author in his time, Burke in his Chinatown stories destabilizes social orthodoxies in highly complex and contradictory ways. For example, his writing was formative in establishing the 'queer spell' that the very mention of Limehouse would exert on the public imagination, and circulating libraries responded to Burke's portrayal of a hybrid East End where young Cockney girls eat Chow Mein with chopsticks in the local cafés and blithely gamble their housekeeping money at Fan Tan by banning Limehouse Nights. Witchard's book forces us to rethink Burke's influence and shows that China and chinoiserie served as mirrors that reveal the cultural disquietudes of western art and culture.
Author | : Howard Pollack |
Publisher | : Univ of California Press |
Total Pages | : 938 |
Release | : 2007-01-15 |
Genre | : Music |
ISBN | : 0520933141 |
This comprehensive biography of George Gershwin (1898-1937) unravels the myths surrounding one of America's most celebrated composers and establishes the enduring value of his music. Gershwin created some of the most beloved music of the twentieth century and, along with Jerome Kern, Irving Berlin, and Cole Porter, helped make the golden age of Broadway golden. Howard Pollack draws from a wealth of sketches, manuscripts, letters, interviews, books, articles, recordings, films, and other materials—including a large cache of Gershwin scores discovered in a Warner Brothers warehouse in 1982—to create an expansive chronicle of Gershwin’s meteoric rise to fame. He also traces Gershwin’s powerful presence that, even today, extends from Broadway, jazz clubs, and film scores to symphony halls and opera houses. Pollack’s lively narrative describes Gershwin’s family, childhood, and education; his early career as a pianist; his friendships and romantic life; his relation to various musical trends; his writings on music; his working methods; and his tragic death at the age of 38. Unlike Kern, Berlin, and Porter, who mostly worked within the confines of Broadway and Hollywood, Gershwin actively sought to cross the boundaries between high and low, and wrote works that crossed over into a realm where art music, jazz, and Broadway met and merged. The author surveys Gershwin’s entire oeuvre, from his first surviving compositions to the melodies that his brother and principal collaborator, Ira Gershwin, lyricized after his death. Pollack concludes with an exploration of the performances and critical reception of Gershwin's music over the years, from his time to ours.
Author | : Thomas Burke |
Publisher | : Valancourt Books |
Total Pages | : 123 |
Release | : 2016-01-05 |
Genre | : Fiction |
ISBN | : 1943910219 |
Perhaps no writer of the early 20th century had a better knowledge of London than Thomas Burke (1886-1945), and his collection Night-Pieces(1935) contains eighteen of his most haunting tales of that immense city’s dark back alleys, shadowy courts, and mysterious houses. In Burke’s London, anything might happen. You might turn round a corner and find yourself back in your childhood. A casual drink with a stranger might end with you—quite literally—losing your head. That pale, slightly sinister-looking man sitting across the restaurant might be a murdered corpse, returned from the dead. And those footsteps you hear following you as you walk along a foggy street, faintly lit by gaslight . . . well, let’s just say you had better not look behind you . . . A groundbreaking and undeservedly neglected volume, Night-Piecescontains a wide variety of weird and outré tales, ranging from stories of crime and murder to tales of ghosts, zombies, and the supernatural. This is the first reprint of Burke’s collection since its original publication and reproduces the jacket art of the first British edition.
Author | : Paul Newland |
Publisher | : Rodopi |
Total Pages | : 321 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : 9042024542 |
Paul Newland's illuminating study explores the ways in which London's East End has been constituted in a wide variety of texts - films, novels, poetry, television shows, newspapers and journals. Newland argues that an idea or image of the East End, which developed during the late nineteenth century, continues to function in the twenty-first century as an imaginative space in which continuing anxieties continue to be worked through concerning material progress and modernity, rationality and irrationality, ethnicity and 'Otherness', class and its related systems of behaviour.The Cultural Construction of London's East End offers detailed examinations of the ways in which the East End has been constructed in a range of texts including BBC Television's EastEnders, Monica Ali's Brick Lane, Walter Besant's All Sorts and Conditions of Men, Thomas Burke's Limehouse Nights, Peter Ackroyd's Hawksmoor, films such as Piccadilly, Sparrows Can't Sing, The Long Good Friday, From Hell, The Elephant Man, and Spider, and in the work of Iain Sinclair.