Looking at European Sculpture

Looking at European Sculpture
Author: Jane Bassett
Publisher: Getty Publications
Total Pages: 104
Release: 1997
Genre: Art
ISBN: 9780892362912

This book offers definitions of the techniques, processes, and materials used in the production of postclassical European sculpture. Concise and readable explanations of the technical terms most frequently encountered by the museum-goer are presented in an easily portable format. With numerous illustrations drawn from the collections of the J. Paul Getty Museum and the Victoria and Albert Museum - most of them in color - this volume will be indispensable to all readers wishing to increase their enjoyment and understanding of European sculpture.

Looking at European Sculpture

Looking at European Sculpture
Author: Jane Bassett
Publisher:
Total Pages: 103
Release: 1997
Genre: Sculpture
ISBN: 9781851772209

This is a short, illustrated dictionary of the terms most commonly used by artists and art historians when discussing the making of Western sculpture.

Masterpieces of the J. Paul Getty Museum: European Sculpture

Masterpieces of the J. Paul Getty Museum: European Sculpture
Author: Peter Fusco
Publisher: Getty Publications
Total Pages: 130
Release: 1997-11-13
Genre: Art
ISBN: 0892365137

The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.

The Making of Sculpture

The Making of Sculpture
Author: Marjorie Trusted
Publisher: Victoria & Albert Museum
Total Pages: 204
Release: 2007-11
Genre: Art
ISBN:

This is an accessible historical and technical guide to the materials and techniques of European sculpture, based on the collections at the V&A. Casting, carving, and modeling practices are explored from medieval times onwards. Each chapter concentrates on a specific material or category. Beautiful color photography highlights the works and illustrates contemporary workshop practices.

Looking at European Ceramics

Looking at European Ceramics
Author: David Harris Cohen
Publisher: Getty Publications
Total Pages: 92
Release: 1993
Genre: Porcelain, European
ISBN: 9780892362165

Looking at European Ceramics presents concise and readable explanations of the technical terms most frequently encountered by museum-goers. It will be invaluable to all those wishing to increase their understanding and enjoyment of European ceramics.

The Art of Looking Up

The Art of Looking Up
Author: Catherine McCormack
Publisher: White Lion Publishing
Total Pages: 243
Release: 2019-10-29
Genre: Art
ISBN: 0711242178

The Art of Looking Up surveys spectacular ceilings around the globe that have been graced by the brushes of great artists including Michelangelo, Marc Chagall and Cy Twombly. From the floating women and lotus flowers of the Senso-ji Temple in Japan, to the religious iconography that adorns places of worship from Vienna to Istanbul, all the way to bold displays like the Chihuly glass flora suspended from the lobby of the Bellagio Hotel in Las Vegas: this book takes you on a tour of the extraordinary artworks that demand an alternative viewpoint. History of art expert Catherine McCormack guides you through the stories behind the artworks – their conception, execution, and the artists that visualised them. In many cases, these artworks also make bold but controlled political, religious or cultural statements, revealing much about the society and times in which they were created. Divided by these social themes into four sections – Religion, Culture, Power and Politics – and pictured from various viewpoints in glorious colour photography, tour the astounding ceilings of these and more remarkable locations: Vatican Palace, Rome, Italy Blenheim Palace, Oxfordshire, UK Louvre Museum, Paris, France Dali Theatre-Museum, Figueres, Catalonia Museum of the Revolution, Havana, Cuba Capitol Building, Washington, DC, USA Four eight-page foldout sections showcase some of the world's most spectacular ceilings in exquisite detail. First and foremost, this is a visual feast, but also a desirable art book that challenges you to seek out fine art in more unusual places and question the statements they may be making.

The Art of the Multitude

The Art of the Multitude
Author: Jonathan Vickery
Publisher: Campus Verlag
Total Pages: 0
Release: 2016
Genre: Art and society
ISBN: 9783593505640

Art and culture are marginalised from mainstream debates on democracy and society, particularly with the current turbulence in Europe and the global significance of a coherent European identity and sense of cultural unity. This book explores the power of participation in art works for the formation of public memory, for the commemoration of historical events, and for an urban landscape that articulates cultural identity and recognition. The public works of German conceptual artist Jochen Gerz are a fulcrum of our exploration, but the framework is more broadly the European experience of war, conflict, peace and reconciliation, with many other relevant works from the last 25 years in Europe under discussion. The common characteristic of art works under discussion is that people of different backgrounds are invited to participate, regardless of nationality, language, religion, political affiliation or class."

European Art of the Fifteenth Century

European Art of the Fifteenth Century
Author: Stefano Zuffi
Publisher: Getty Publications
Total Pages: 384
Release: 2005
Genre: Art
ISBN: 9780892368310

Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century

Figuration/Abstraction

Figuration/Abstraction
Author: Charlotte Benton
Publisher: Routledge
Total Pages: 356
Release: 2017-07-05
Genre: Art
ISBN: 1351567047

The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offers a number of alternative readings, and demonstrates strategic uses of figuration and abstraction across East and West. Encompassing sites of memory (including war memorials and Holocaust memorials), state, civic and corporate sculpture, as well as temporary and unexecuted projects, the book shows that persuasive advocates of figuration were to be found in the West, while in the East imaginative experiments in abstraction were proposed in the name of Social Realism. Presenting fresh insights into sculptural practice in the period between 1945 and 1968, this book brings together a wide range of authors, some of whom have never before been published in English. Their essays are complemented by extracts from documentary texts, which give a flavour of contemporary debates, and a biographical section includes entries on many sculptors who will be unfamiliar to an English-speaking audience.