The Moral Art of Philip Massinger

The Moral Art of Philip Massinger
Author: Ira Clark
Publisher: Bucknell University Press
Total Pages: 332
Release: 1993
Genre: Drama
ISBN: 9780838752258

"The Moral Art of Philip Massinger views the successor of Shakespeare and Fletcher in a new sociopolitical position: one of accommodation based on a moderate reformation of the tradition of the old hierarchy of inherited degree, patriarchy, and patronage. In addition, author Ira Clark claims a superior aesthetic position for tragicomedy as a sophisticated, elaborate synthesis of dramatic conventions in complex multiple plots filled with reversals, recognitions, miraculous conversations, and reconciliations after clashes of absolutes. The genre's complex testing of characters, discovery of their failures, and reintegration of them into a reformed society focuses central sociopolitical and moral issues for an allegedly decadent but actually deeply troubled society. Finally, the study takes into its account Massinger's many collaborations with John Fletcher, which are generally ignored. In sum, this work attempts to revise obsolete views of the dominant playwright just before the closing of the theaters and the opening of the English Civil War." ""A Case for Massinger" presents a critical history of why Massinger is unappreciated, traces his life with an eye to his ideal of patronage and his emphasis on gratitude, and outlines the rest of the work. "Models for Massinger the Apprentice" focuses on the techniques of tragicomedy as Massinger learned them from his three masters. The Queen of Corinth, written with Fletcher, serves as an exemplum of what this master collaborator taught him about tragicomedy. The City Madam. which obviously alludes to Volpone, serves as an example of the traditions of the estates morality play, satiric style, and metadrama, which Jonson transmitted to Massinger. The Duke of Milan and The Emperor of the East, with motifs borrowed from Othello, serve as exempla of how Massinger used traditional dramatic allusions to present social issues." ""Massinger's Political Plays in their Time" focuses on the sociopolitical inclinations that Massinger consistently presented through his collaborations and solo plays. Primarily the issues revolved around the relative value of court and country, monarchism and parliamentary balance, hereditary degree and social mobility, and conspicuous consumption and martial maintenance. "Massinger's Tragedies and Satiric Tragicomedies in their Social and Family Settings" focuses on the social, family, and personal preferences that Massinger presented in his work: a concerned patriarchy, a greater voice for women, and the rights of inheritance by younger sons. "Massinger's Tragicomedy" circles around to view all of Massinger's artistic and sociopolitical themes by way of readings of a collaborative tragicomedy and a solo tragicomedy: The Elder Brother (with Fletcher) and The Guardian."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Staging Spectatorship in the Plays of Philip Massinger

Staging Spectatorship in the Plays of Philip Massinger
Author: Professor Joanne Rochester
Publisher: Ashgate Publishing, Ltd.
Total Pages: 186
Release: 2013-04-28
Genre: Literary Criticism
ISBN: 1409475824

The playwrights composing for the London stage between 1580 and 1642 repeatedly staged plays-within and other metatheatrical inserts. Such works present fictionalized spectators as well as performers, providing images of the audience-stage interaction within the theatre. They are as much enactments of the interpretive work of a spectator as of acting, and as such they are a potential source of information about early modern conceptions of audiences, spectatorship and perception. This study examines on-stage spectatorship in three plays by Philip Massinger, head playwright for the King's Men from 1625 to 1640. Each play presents a different form of metatheatrical inset, from the plays-within of The Roman Actor (1626), to the masques-within of The City Madam (1632) to the titular miniature portrait of The Picture (1629), moving thematically from spectator interpretations of dramatic performance, the visual spectacle of the masque to staged 'readings' of static visual art. All three forms present a dramatization of the process of examination, and allow an analysis of Massinger's assumptions about interpretation, perception and spectator response.

Philop Massinger's The Bondsman

Philop Massinger's The Bondsman
Author: Benjamin Townley Spencer
Publisher: Princeton University Press
Total Pages: 359
Release: 2015-12-08
Genre: Literary Criticism
ISBN: 1400878446

Contents Preface, v Introduction, 1 I. Date of Composition, 1 II. Editions, 2 III. Stage History, 8 IV. Sources, 11 V. Classical Ideas, 43 VII. Textual Note, 69 Text, 76 Notes, 161 Appendix I: Influences, 257 Appendix II: Publishers and Printers, 260 Bibliography, 262 Originally published in 1932. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Philip Massinger

Philip Massinger
Author: Alfred Hamilton Cruickshank
Publisher: Good Press
Total Pages: 299
Release: 2020-03-16
Genre: Fiction
ISBN:

"Philip Massinger" by Alfred Hamilton Cruickshank is a comprehensive and insightful literary biography that sheds light on the life and works of the renowned English playwright, Philip Massinger. Cruickshank's meticulous research and literary analysis bring to life the creative genius behind Massinger's remarkable plays. This biography offers a captivating glimpse into the literary world of Elizabethan and Jacobean drama and the profound impact of Massinger's contributions.

Massinger

Massinger
Author: Dr Martin Garrett
Publisher: Routledge
Total Pages: 256
Release: 2002-09-11
Genre: Literary Criticism
ISBN: 1134967578

Martin Garrett's comprehensive collection presents and explains the history of the critical reception to Massinger's work from the early seventeenth to the late nineteenth century. The volume includes extensive selections from the writings of Pepys, Goldsmith, Coleridge, Hazlitt, Lamb and Swinburne, as well as briefer comments from Scott, Byron and Keats. Responses to Massinger's plays from writers as diverse as Boswell, Mrs Thrale, Dickens and Elizabeth Barrett Browning are discussed in Martin Garrett's introduction, which also includes an account of the plays' original political and theatrical context.

The end of the old drama. Philip Massinger (1583-1640) ; Nathaniel Field (1587-1633) ; John Webster (died c1630) ; Cyril Tourneur (fl. 1603-c1613) ; John Ford (1586-c1640 or post) ; James Shirley (1596-1666) ; Minor dramatists of this period ; Dramatists who wrote both before and after the Civil War and Commonwealth periods ; Academical plays ; Masque-writers of the reigns of James I and Charles I ; Historical review of the period from Shakspere to the Civil War ; The stage under James I and Charles I ; Summary of the literary history of the drama in this period ; Summary of the achievements of our dramatic literature in this period

The end of the old drama. Philip Massinger (1583-1640) ; Nathaniel Field (1587-1633) ; John Webster (died c1630) ; Cyril Tourneur (fl. 1603-c1613) ; John Ford (1586-c1640 or post) ; James Shirley (1596-1666) ; Minor dramatists of this period ; Dramatists who wrote both before and after the Civil War and Commonwealth periods ; Academical plays ; Masque-writers of the reigns of James I and Charles I ; Historical review of the period from Shakspere to the Civil War ; The stage under James I and Charles I ; Summary of the literary history of the drama in this period ; Summary of the achievements of our dramatic literature in this period
Author: Sir Adolphus William Ward
Publisher:
Total Pages: 624
Release: 1899
Genre: Dramatists, English
ISBN:

Alphabetical Finding List

Alphabetical Finding List
Author: Princeton University. Library
Publisher:
Total Pages: 752
Release: 1921
Genre: Library catalogs
ISBN: