| Author | : Alan McCluskey |
| Publisher | : Springer |
| Total Pages | : 302 |
| Release | : 2015-10-07 |
| Genre | : Fiction |
| ISBN | : 1137503386 |
In this work, Alan McCluskey explores materialism, in its many conceptual forms, in the contemporary cosmopolitan novel. The author applies a 'cosmopolitan materialist' lens to the novels of Caryl Phillips, J. M. Coetzee, and Philip Roth: three contemporary authors who hail from different parts of the world and produce highly dissimilar novels.
| Author | : Elif Toprak Sakız |
| Publisher | : Springer Nature |
| Total Pages | : 240 |
| Release | : 2023-12-19 |
| Genre | : Literary Criticism |
| ISBN | : 3031449959 |
This book investigates how culture and economics define novel forms of cosmopolitanism and cosmopolitan fiction. Tracing cosmopolitanism’s transition from universalism to vernacularism, the book opens up new avenues for reading cosmopolitan fiction by offering a precise and convenient set of terminology. The figure of the cosmoflâneur identifies a contemporary cosmopolitan character’s urban mobility and wandering consciousness in interaction with the global and the local. Posthuman cosmopolitanism also extends the meaning of cosmopolitan which comes to embrace the nonhuman alongside the human element. Defining narrative glocality, political hyper-awareness, and narrative immediacy, the book thoroughly explores how cosmopolitan narration forges direct responses to the contemporary world in postmillennial cosmopolitan novels. All of these concepts are elaborated in Ian McEwan’s Saturday (2005), Zadie Smith’s NW (2012), Salman Rushdie’s The Golden House (2017), and Kazuo Ishiguro’s Klara and the Sun (2021), to which world-engagement is central.
| Author | : Dominic Head |
| Publisher | : Cambridge University Press |
| Total Pages | : 227 |
| Release | : 2017-04-07 |
| Genre | : Literary Criticism |
| ISBN | : 1107039134 |
This book re-evaluates the rural English novel in the twentieth century in relation to the recognised artistic responses to modernity. It argues that the most important writers in this tradition have had a very significant bearing on the trajectory of English cultural life through the modernist period and beyond.
| Author | : Yvonne Liebermann |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 292 |
| Release | : 2023-06-06 |
| Genre | : Literary Criticism |
| ISBN | : 3111067386 |
Up until fairly recently, memory used to be mainly considered within the frames of the nation and related mechanisms of group identity. Building on mechanisms of inclusion and exclusion, this form of memory focused on the event as a central category of meaning making. Taking its cue from a number of Anglophone novels, this book examines the indeterminate traces of memories in literary texts that are not overtly concerned with memory but still latently informed by the past. More concretely, it analyzes novels that do not directly address memories and do not focus on the event as a central meaning making category. Relegating memory to the realm of the latent, that is the not-directly-graspable dimensions of a text, the novels that this book analyses withdraw from overt memory discourses and create new ways of re-membering that refigure the temporal tripartite of past, present and future and negotiate what is ‘memorable’ in the first place. Combining the analysis of the novels’ overall structure with close readings of selected passages, this book links latency as a mode of memory with the productive agency of formal literary devices that work both on the micro and macro level, activating readers to challenge their learned ways of reading for memory.
| Author | : Arshad Ahammad A. |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 194 |
| Release | : 2021-06-02 |
| Genre | : Literary Collections |
| ISBN | : 152757041X |
The papers in this book, covering a wide range of themes such as history, globalisation, colonialism, trauma, ecology, cinema, science, post-humanism, feminisms, and alternative sexualities, explore the structures of power that bring about and contour the prevailing, stereotypical and hegemonic notions of identity, gender and culture. The focal point of these interactions is the perpetual dissemination of ideas which stimulate the knowledge system with its roots spread across diverse scholarly disciplines. This collection will be of great interest to academicians, scholars, researchers, and students, as it explores various discourses in literature, cultural studies, literary theory and film studies.
| Author | : Rozita Dimova |
| Publisher | : Berghahn Books |
| Total Pages | : 175 |
| Release | : 2013-10-01 |
| Genre | : Social Science |
| ISBN | : 1782380418 |
In post-1991 Macedonia, Barok furniture came to represent affluence and success during a period of transition to a new market economy. This furniture marked the beginning of a larger Baroque style that influenced not only interior decorations in people’s homes but also architecture and public spaces. By tracing the signifier Baroque, the book examines the reconfiguration of hierarchical relations among (ethnic) groups, genders, and countries in a transnational context. Investigating how Baroque has come to signify larger social processes and transformations in the current rebranding of the country, the book reveals the close link between aesthetics and politics, and how ethno-national conflicts are reflected in visually appealing ornamentation.
| Author | : Ksenia Chizhova |
| Publisher | : Columbia University Press |
| Total Pages | : 186 |
| Release | : 2021-01-12 |
| Genre | : Literary Criticism |
| ISBN | : 0231547471 |
The lineage novel flourished in Korea from the late seventeenth to the early twentieth century. These vast works unfold genealogically, tracing the lives of several generations. New storylines, often written by different authors, follow the lives of the descendants of the original protagonists, offering encyclopedic accounts of domestic life cycles and relationships. Elite women transcribed these texts—which span tens and even hundreds of volumes—in exquisite vernacular calligraphy and transmitted them through generations in their families. In Kinship Novels of Early Modern Korea, Ksenia Chizhova foregrounds lineage novels and the domestic world in which they were read to recast the social transformations of Chosŏn Korea and the development of early modern Korean literature. She demonstrates women’s centrality to the creation of elite vernacular Korean practices and argues that domestic-focused genres such as lineage novels, commemorative texts, and family tales shed light on the emergence and perpetuation of patrilineal kinship structures. The proliferation of kinship narratives in the Chosŏn period illuminates the changing affective contours of familial bonds and how the domestic space functioned as a site of their everyday experience. Drawing on an archive of women-centered elite vernacular texts, Chizhova uncovers the structures of feelings and conceptions of selfhood beneath official genealogies and legal statutes, revealing that kinship is as much a textual as a social practice. Shedding new light on Korean literary history and questions of Korea’s modernity, this book also offers a broader lens on the global rise of the novel.
| Author | : Ku-ming (Kevin) Chang |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 428 |
| Release | : 2021-01-18 |
| Genre | : History |
| ISBN | : 3110698757 |
This volume is the first comparative history that studies the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout – an important subject of codicology – first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. The contributions to this volume are firmly rooted in local cultures and together address global, comparative themes that are significant for multiple disciplines, such as intellectual and cultural history of knowledge (both humanistic and scientific), global history, literary and media studies, aesthetics, and studies of material culture, among other fields.
