"This multidisciplinary project studies religious murals that were painted by Christianized Maya artists in the first centuries after the conquest of Mexico. Solari and Williams study the paintings, all of which are based in the Yucatán Peninsula, from an art history perspective, along with the printed sources referencing the murals. At the same time, they examine the chemical signatures left by the murals' pigments and the techniques used in their production through state-of-the-art imaging technologies. By using these methodologies, the authors seek to explain the many ways in which cultural and material exchange took place between the Spanish and Maya peoples. At first glance, murals depicting Spanish ideals of Western Christianity would appear to be an obvious and frequent tool of oppression in the Yucatán, as they were elsewhere in the Americas, but they were also a form of agency for Indigenous people as a means to shape these narratives with their own subtle imagery and ideas drawn from Mayan cosmologies and cultural traditions. These painters used European pictorial techniques, such as perspective, while also using local materials to create vivid pigments and colors never before seen in murals in Europe. The authors seek to trace how the initial and continued use of these material sources to create these images led to a much more localized form of Catholicism that continues to be practiced by Mayan speakers today"--