War Is a Force that Gives Us Meaning

War Is a Force that Gives Us Meaning
Author: Chris Hedges
Publisher: PublicAffairs
Total Pages: 156
Release: 2014-04-08
Genre: History
ISBN: 1610395107

General George S. Patton famously said, "Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so!" Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable.

Meaning and Force

Meaning and Force
Author: Frangois Recanati
Publisher: CUP Archive
Total Pages: 298
Release: 1987
Genre: Language Arts & Disciplines
ISBN: 9780521303538

John Searle's Philosophy of Language

John Searle's Philosophy of Language
Author: Savas L. Tsohatzidis
Publisher: Cambridge University Press
Total Pages: 308
Release: 2007-10-18
Genre: Philosophy
ISBN: 9780521685344

This is a volume of original essays on key aspects of John Searle's philosophy of language. It examines Searle's work in relation to current issues of central significance, including internalism versus externalism about mental and linguistic content, truth-conditional versus non-truth-conditional conceptions of content, the relative priorities of thought and language in the explanation of intentionality, the status of the distinction between force and sense in the theory of meaning, the issue of meaning scepticism in relation to rule-following, and the proper characterization of 'what is said' in relation to the semantics/pragmatics distinction. Written by a distinguished team of contemporary philosophers, and prefaced by an illuminating essay by Searle, the volume aims to contribute to a deeper understanding of Searle's work in philosophy of language, and to suggest innovative approaches to fundamental questions in that area.

Propositional Structure and Illocutionary Force

Propositional Structure and Illocutionary Force
Author: Jerrold J. Katz
Publisher: Harvard University Press
Total Pages: 276
Release: 1980
Genre: Language Arts & Disciplines
ISBN: 9780674716155

This book offers a new theory of the structure of propositions, which provides a uniform treatment of constative and performative sentences. Jerrold Katz shows that performatives can enter into logically valid arguments, even though, as Austin claimed, they can't be true or false. Katz also argues that âeoespeech act theoryâe is not a theory at all, but an assortment of observations about heterogeneous aspects of the performance of speech acts. He shows that a better explanation of speech acts is given by a grammatical account of the iIIocutionary potential of sentences and a separate pragmatic account of how this potential is realized in actual speech situtations. Katz provides such a grammatical account, which makes it possible for the first time to explain the iIIocutionary potential of sentences within grammar.

On War

On War
Author: Carl von Clausewitz
Publisher:
Total Pages: 388
Release: 1908
Genre: Military art and science
ISBN:

Philosophy in America

Philosophy in America
Author: Max Black
Publisher: Routledge
Total Pages: 306
Release: 2014-06-03
Genre: Philosophy
ISBN: 1317853466

This is Volume V of twenty-two of a collection on 20th Century Philosophy. Originally published in 1964, this collection contains original papers assembled and representative in their styles, methods, and preoccupations. The various problems here discussed where to the author both important and unsolved: if others are stimulated to make further progress in solving them, the main purpose of this collection will have been achieved.

The Cambridge Companion to Newton

The Cambridge Companion to Newton
Author: I. Bernard Cohen
Publisher: Cambridge University Press
Total Pages: 518
Release: 2002-04-25
Genre: Biography & Autobiography
ISBN: 9780521656962

Newton's philosophical analysis of space and time /Robert Disalle --Newton's concepts of force and mass, with notes on the Laws of Motion /I. Bernard Cohen --Curvature in Newton's dynamics /J. Bruce Brackenridge and Michael Nauenberg --Methodology of the Principia /George E. Smith --Newton's argument for universal gravitation /William Harper --Newton and celestial mechanics /Curtis Wilson --Newton's optics and atomism /Alan E. Shapiro --Newton's metaphysics /Howard Stein --Analysis and synthesis in Newton's mathematical work /Niccolò Guicciardini --Newton, active powers, and the mechanical philosophy /Alan Gabbey --Background to Newton's chymistry /William Newman --Newton's alchemy /Karin Figala --Newton on prophecy and the Apocalypse /Maurizio Mamiani --Newton and eighteenth-century Christianity /Scott Mandelbrote --Newton versus Leibniz : from geomentry to metaphysics /A. Rupert Hall --Newton and the Leibniz-Clarke correspondence /Domenico Bertoloni Meli.

Expression and Meaning

Expression and Meaning
Author: John R. Searle
Publisher: Cambridge University Press
Total Pages: 206
Release: 1979
Genre: Language Arts & Disciplines
ISBN: 9780521313933

A direct successor to Searle's Speech Acts (C.U.P. 1969), Expression and Meaning refines earlier analyses and extends speech-act theory to new areas including indirect and figurative discourse, metaphor and fiction.

Musical Forces

Musical Forces
Author: Steve Larson
Publisher: Indiana University Press
Total Pages: 243
Release: 2012-01-31
Genre: Music
ISBN: 0253005493

Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence—as well as his skill as a jazz pianist—to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrated how rhythm and meter arise from, and are given meaning by, these same musical forces.