Author | : J. L. Styan |
Publisher | : Cambridge University Press |
Total Pages | : 238 |
Release | : 1983-06-09 |
Genre | : Drama |
ISBN | : 9780521296298 |
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Author | : J. L. Styan |
Publisher | : Cambridge University Press |
Total Pages | : 238 |
Release | : 1983-06-09 |
Genre | : Drama |
ISBN | : 9780521296298 |
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Author | : J. L. Styan |
Publisher | : Cambridge University Press |
Total Pages | : 224 |
Release | : 1981 |
Genre | : Drama |
ISBN | : 9780521296281 |
This 1981 volume begins with the French revolt against naturalism in theatre and then covers the European realist movement.
Author | : J. L. Styan |
Publisher | : Cambridge University Press |
Total Pages | : 244 |
Release | : 1983-06-09 |
Genre | : Drama |
ISBN | : 9780521296304 |
Modern drama in theory and ... /J.L. Styan.-v.3.
Author | : Siddhartha Biswas |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 115 |
Release | : 2017-08-21 |
Genre | : Performing Arts |
ISBN | : 1527502600 |
Over the last few centuries, the world as we know it has seen remarkable change and the arts – including theatre – have faced new challenges. Theatre is now no longer a simple point of entertainment laced with instruction or dissent, but is perceived as a more collaborative idea that looks at ever-changing paradigms. All over the world, theatre now is a dynamic process that simultaneously retains tradition and delves into extreme experimentations. This book represents a starting point for a much-needed critical interrogation. It looks at the constant features of European theatre and brings in some Indian elements, positing both in their respective locations, as well as looking at the symbiosis that has been functioning for some time.
Author | : David Krasner |
Publisher | : John Wiley & Sons |
Total Pages | : 420 |
Release | : 2011-11-07 |
Genre | : Literary Criticism |
ISBN | : 1405157577 |
Covering the period 1879 to 1959, and taking in everything from Ibsen to Beckett, this book is volume one of a two-part comprehensive examination of the plays, dramatists, and movements that comprise modern world drama. Contains detailed analysis of plays and playwrights, connecting themes and offering original interpretations Includes coverage of non-English works and traditions to create a global view of modern drama Considers the influence of modernism in art, music, literature, architecture, society, and politics on the formation of modern dramatic literature Takes an interpretative and analytical approach to modern dramatic texts rather than focusing on production history Includes coverage of the ways in which staging practices, design concepts, and acting styles informed the construction of the dramas
Author | : E. Creedon |
Publisher | : Springer |
Total Pages | : 212 |
Release | : 2015-07-22 |
Genre | : Performing Arts |
ISBN | : 1137527412 |
By concentrating on Sam Shepard's visual aesthetics, Emma Creedon argues that a consideration of Shepard's plays in the context of visual and theoretical Surrealism illuminates our understanding of his experimental approach to drama.
Author | : P. Murphy |
Publisher | : Springer |
Total Pages | : 273 |
Release | : 2015-12-04 |
Genre | : Literary Criticism |
ISBN | : 0230583857 |
Hegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.
Author | : John Louis Styan |
Publisher | : Cambridge ; New York : Cambridge University Press |
Total Pages | : 250 |
Release | : 1981-01 |
Genre | : Drama 20th century History and criticism |
ISBN | : 9780521230681 |
Author | : John Howard |
Publisher | : Universitat de València |
Total Pages | : 298 |
Release | : 2022-04-13 |
Genre | : Literary Collections |
ISBN | : 8491349588 |
This first critical biography of radio broadcaster, stage director, and auteur filmmaker Michael Cacoyannis examines his prolific body of work within the socio-political context of his times. Best known as a bold modernist for triple-Oscar-winner ‘Zorba the Greek’, Michael likewise was hailed as an astute classicist for his inventive interpretations of Euripides. Working across several continents and languages, he forwarded feminist, humanist, and pacifist agendas, as he further innovated crafty LGBT narratives of unprecedented artistry and complexity. Despite intense persecution during the Cold War red scare and lavender scare, his casts and crews of frugal cosmopolitans critiqued racism, militarism, sexism, homophobia, and transphobia. Avoiding censorship, job loss, and jail, Michael thereby laid foundations for the 1990s new queer cinema and set the stage for empowering dramas of socio-economic justice in the third millennium. Over his long life and productive career, Michael exposed and espoused the vital truths up his sleeve.