Author | : Neil Larsen |
Publisher | : U of Minnesota Press |
Total Pages | : 176 |
Release | : 1990 |
Genre | : Philosophy |
ISBN | : 1452901627 |
Author | : Neil Larsen |
Publisher | : U of Minnesota Press |
Total Pages | : 176 |
Release | : 1990 |
Genre | : Philosophy |
ISBN | : 1452901627 |
Author | : Neil Larsen |
Publisher | : U of Minnesota Press |
Total Pages | : 175 |
Release | : 1990 |
Genre | : Philosophy |
ISBN | : 0816617856 |
Annotation A critique of high modernism from a newly formulated Marxist perspective, achieved through analyses of texts by Marx and Adorno, Manet's paintings, and the works of several Latin American writers. Annotation(c) 2003 Book News, Inc., Portland, OR (booknews.com).
Author | : Neil Allyn Larsen |
Publisher | : |
Total Pages | : 400 |
Release | : 1986 |
Genre | : Aesthetics, Mexican |
ISBN | : |
Author | : Neil Larsen |
Publisher | : U of Minnesota Press |
Total Pages | : 249 |
Release | : 1995 |
Genre | : History |
ISBN | : 0816625832 |
Author | : Fredric Jameson |
Publisher | : Duke University Press |
Total Pages | : 474 |
Release | : 1992-01-06 |
Genre | : Literary Criticism |
ISBN | : 9780822310907 |
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
Author | : Marianne DeKoven |
Publisher | : Princeton University Press |
Total Pages | : 268 |
Release | : 1991-10-27 |
Genre | : Literary Criticism |
ISBN | : 9780691014968 |
Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.
Author | : Walter L. Adamson |
Publisher | : Univ of California Press |
Total Pages | : 324 |
Release | : 1983-01-01 |
Genre | : Political Science |
ISBN | : 9780520050570 |
As a result of his inquiry into the nature of class, culture, and the state, Antonio Gramsci became one of the most influential Marxist theorists. Hegemony and Revolution is the first full-fledged study of Gramsci's Prison Notebooks in the light of his pre-prison career as a socialist and communist militant and a highly original Marxist intellectual. Walter Adamson shows how Gramsci's concepts of revolution grew out of his experience with the Turin worker councils of 1919-1920 as well as his experience combatting the Fascist movement.For Gramsci, revolution meant the steady ascension of a mass-based, educated, and organized "collective will," in which the final seizure of power would be the climax of a broader educative process. Success depended on countering not just the coercive power of the existing economic and political order but also the cultural hegemony of the state. A "counter-hegemony" for Gramsci required the leadership of an organized political party, but at its core lay his conviction that the common people were capable of self-enlightenment and could produce an alternative conception of the world that challenged the prevailing hegemonic culture.Adamson shows how these ideas, which Gramsci developed prior to his imprisonment, led him to a highly original concept of "subaltern" class movements that cohere not just on the basis of economic interest but by virtue of religious, ideological, regional, folkloric, and other sorts of cultural ties as well. These ideas of Gramsci have had enormous influence on a wide variety of subsequent cultural theories including postcolonialism and Foucault-style analyses of discursive practices.
Author | : David Michael Levin |
Publisher | : Univ of California Press |
Total Pages | : 426 |
Release | : 1993-11-08 |
Genre | : Medical |
ISBN | : 9780520079731 |
"A genuine contribution to the literature . . . important especially to specialists in Continental philosophy but also to historians, literary theorists, and others who read recent European philosophy and who thus would want to think through the problem of the hegemony of vision."—David Hoy, University of California, Santa Cruz
Author | : Russell A. Berman |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 292 |
Release | : 1989 |
Genre | : Literary Criticism |
ISBN | : 9780299120849 |
Are the arguments of the Frankfurt School still relevant? Modern Culture and Critical Theory investigates this question in the context of important issues in contemporary cultural politics: neoconservatism and new social movements, discontents with modernity and debates on postmodernism, the political hegemony of Ronald Reagan, and the cultural hegemony of structuralism and poststructuralism. Russell Berman thoughtfully explores the theories of Horkheimer, Adorno, Benjamin, Lyotard, and Foucault and their relevance to both historical and contemporary issues in literature, politics, and the arts.