Ohio Jazz

Ohio Jazz
Author: David Meyers
Publisher: The History Press
Total Pages: 0
Release: 2012
Genre: History
ISBN: 9781609495756

Most jazz historians give short shrift to the Buckeye state, regarding as a go-through rather than a go-to place. However, the fact is jazz has been practiced in Ohio and with a vengeance. For 30 years, these authors have been researching and documenting the history of music, particularly jazz in Ohio. Their 1999 exhibit at the Ohio Historical Society, Jazz Ohio " ran for twelve months before portions of it moved to the Rock and Roll Hall of Fame. The exhibit inspired the book, and much of what you will read here has never been brought together in one place before and it may well change the way you think about jazz. And Ohio."

Theatrical Jazz

Theatrical Jazz
Author: Omi Osun Joni L. Jones
Publisher: Black Performance and Cultural
Total Pages: 0
Release: 2023-01-08
Genre: Literary Criticism
ISBN: 9780814252079

The first full-length study of the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note.

Ohio Valley Jazz Festival, The

Ohio Valley Jazz Festival, The
Author: Scott M. Santangelo
Publisher: Arcadia Publishing
Total Pages: 96
Release: 2017
Genre: History
ISBN: 1467124621

"Cincinnati, Ohio, might have seemed like an unlikely choice to host the nation's largest annual R&B concert, but thanks to local promoter Dino Santangelo, the Ohio Valley Jazz Festival would become the 'Granddaddy of them all.' The first festival was held in 1962 at the Carthage Fairgrounds, but the event would continue to grow--moving to Crosley Field in 1964 and then Riverfront Stadium in 1971--to become the nation's biggest two-day stadium concert. The Ohio Valley Jazz Festival would eventually feature the most popular R&B artists of the day and draw audiences from as far as 500 miles away. The festival pioneered stadium concert production, generated millions for the regional economy, and eased the Greater Cincinnati community's difficult cultural transition throughout the turbulent 1960s and 1970s"--Back cover.

Kinds of Blue

Kinds of Blue
Author: Jürgen E. Grandt
Publisher: Ohio State University Press
Total Pages: 180
Release: 2004
Genre: Language Arts & Disciplines
ISBN: 0814209807

Tatum's Town

Tatum's Town
Author: Bob Dietsche
Publisher:
Total Pages: 211
Release: 2017-04-01
Genre:
ISBN: 9780692765135

Author Robert Dietsche is a Toledo born jazz historian and jazz critic who has resided in the Portland, Oregon area most of his life. Tatum's Town is the jazz history of his hometown, Toledo, Ohio, a city well known for producing and supporting great jazz. Well-researched and heavily illustrated with photographs of Toledo's jazz greats and jazz hotspots, Tatum's Town offers an exciting look at Toledo's jazz heritage from 1915 through the 1970s.Written with a sense of rhythm and finesse, Dietsche vividly describes Toledo's infamous after hour joints, speakeasies, and dive bars, as well as the town's classy night clubs, cocktail lounges, ballrooms, and supper clubs. Dietsche tells the lost history of the town's brothels, gaming halls, and jute joints, Toledo's notorious underside, where Toledo's jazz was born. Toledo's great jazz venues, the Trianon Ballroom, Centennial Terrace, Chateau La France, Kim Wa Low's, Fifi's, Aku-Aku and Rusty's Jazz Café are fondly recalled. The book provides a history of Toledo's most famous jazz personalities including Candy Johnson, El Meyers, Buddy Sullivan, Gene Parker, Bill Takas, Jimmy Harrison, and the "Queen of Toledo Jazz", Margaret "Rusty" Monroe. The lives of the author's talented Toledo high school friends, the jazz greats Arv Garrison, Charlie Mewhort, and Bob White, as well as the future movie and book critic, Fred Lutz, are chronicled. Dietsche details the life of the greatest jazz piano player who ever lived, the renowned Toledoan, Art Tatum. This jazz narrative makes it quite clear why Toledo is Tatum's town. Dietsche is author of Jump Town: The Golden Years of Portland Jazz, 1942-1957. Dietsche owned and operated downtown Portland's legendary used record store, Django Record Company, from 1977 to 1999.

Music in Ohio

Music in Ohio
Author: William Osborne
Publisher: Kent State University Press
Total Pages: 680
Release: 2004
Genre: History
ISBN: 9780873387750

Music has played an important role in Ohio's cultural vitality. This work offers a comprehensive look at music as it has been practised in Ohio from the 18th century onwards, from folk to jazz to rock to the polka. It also examines the music of the Moravians, Mormons, and Welsh.

Columbus

Columbus
Author: David Meyers
Publisher: Arcadia Publishing
Total Pages: 132
Release: 2008-08-11
Genre: Photography
ISBN: 1439621306

Columbus has long been known for its musicians. Unlike New York, San Francisco, Kansas City, Nashville, or even Cincinnati, however, it has never had a definable scene. Still, some truly remarkable music has been made in this musical crossroads by the many outstanding musicians who have called it home. Since 1900, Columbus has grown from the 28th- to the 15th-largest city in the United States. During this period, it has developed into a musically vibrant community that has nurtured the talents of such artists as Elsie Janis, Ted Lewis, Nancy Wilson, Rahsaan Roland Kirk, Dwight Yoakam, Bow Wow, and Rascal Flatts. But, in many instances, those who chose to remain at home were as good and, perhaps, even better.

Metal, Rock, and Jazz

Metal, Rock, and Jazz
Author: Harris M. Berger
Publisher: Wesleyan University Press
Total Pages: 353
Release: 2012-01-01
Genre: Social Science
ISBN: 0819571822

A lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene. This vivid ethnography of the musical lives of heavy metal, rock, and jazz musicians in Cleveland and Akron, Ohio shows how musicians engage with the world of sound to forge meaningful experiences of music. Unlike most popular music studies, which only provide a scholar's view, this book is based on intensive fieldwork and hundreds of hours of in-depth interviews. Rich descriptions of the musical life of metal bars and jazz clubs get readers close to the people who make and listen to the music. Of special interest are Harris M. Berger's interviews with Timmy "The Ripper" Owens, now famous as lead singer for the pioneering heavy metal band, Judas Priest. Owens and other performers share their own experiences of the music, thereby challenging traditional notions of harmony and musical structure. Using ideas from practice theory and phenomenology, Berger shows that musical perception is a kind of practice, both creatively achieved by the listener and profoundly informed by social context.