Author | : John Sartain |
Publisher | : |
Total Pages | : 94 |
Release | : 1885 |
Genre | : Encaustic painting |
ISBN | : |
Author | : John Sartain |
Publisher | : |
Total Pages | : 94 |
Release | : 1885 |
Genre | : Encaustic painting |
ISBN | : |
Author | : John Sartain |
Publisher | : |
Total Pages | : 76 |
Release | : 1885 |
Genre | : Encaustic painting |
ISBN | : |
Author | : John Sartain |
Publisher | : Nabu Press |
Total Pages | : 80 |
Release | : 2014-01 |
Genre | : |
ISBN | : 9781293482896 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ On The Antique Painting In Encaustic Of Cleopatra: Discovered In 1818 John Sartain, Cosimo Ridolfi (marchese), Reinhold Schoener G. Gebbie & co., 1885 Encaustic painting
Author | : John Sartain |
Publisher | : |
Total Pages | : 72 |
Release | : 2019-05-29 |
Genre | : |
ISBN | : 9780368874383 |
What did Cleopatra really look like? On the front cover is a replica of the original painting of Cleopatra, commissioned by Octavian Augustus on August 12, 30 BC. Furious at her suicide, which deprived him of his plans to make her take part in the Roman tradition of parading prisoners in chains through the streets of Rome, Octavian ordered the artist Timomachus (who had earlier painted Cleopatra for Mark Antony) to create a new portrait of the Queen at the moment of her death. The finished portrait, in the encaustic technique, was mounted on a cart that was drawn slowly along the route of the victory parade. It caused a sensation and was viewed by thousands. Later, Octavian had it placed in the Temple of Venus as an offering where it was kept on public display for many years. Many years later, the Emperor Hadrian acquired it for his extensive art collection that was housed at his villa in Tivoli, outside of Rome. The painting, at some time after Hadrian's death, was place in a wooden crate and hidden in a cellar at Hadrian's Villa. It lay hidden and forgotten until 1818 when it was rediscovered in a lot of scrap lumber. The painting, broken into 14 pieces, was painstakingly reassembled and copied. The image alongside was created by 3D computer modeling techniques combined with digital illustration, and is based on the Greco-Roman sculptures of Cleopatra, antique engravings of Octavian's Portrait of Cleopatra, and detailed eye-witness descriptions from writers, artists and reporters who viewed the painting when it toured Europe in the 19th century. This remarkable book tells the story of the painting and its history in full.
Author | : Reinhold Schoener |
Publisher | : Andesite Press |
Total Pages | : 80 |
Release | : 2015-08-12 |
Genre | : |
ISBN | : 9781298811752 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : John Sartain |
Publisher | : Blurb |
Total Pages | : 72 |
Release | : 2018-01-18 |
Genre | : History |
ISBN | : 9781389055164 |
What did Cleopatra really look like? On the front cover is a replica of the original painting of Cleopatra, commissioned by Octavian Augustus on August 12, 30 B.C. Furious at her suicide, which deprived him of his plans to make her take part in the Roman tradition of parading prisoners in chains through the streets of Rome, Octavian ordered the artist Timomachus (who had earlier painted Cleopatra for Mark Antony) to create a new portrait of the Queen at the moment of her death. The finished portrait, in the encaustic technique, was mounted on a cart that was drawn slowly along the route of the victory parade. It caused a sensation and was viewed by thousands. Later, Octavian had it placed in the Temple of Venus as an offering where it was kept on public display for many years. Many years later, the Emperor Hadrian acquired it for his extensive art collection that was housed at his villa in Tivoli, outside of Rome. The painting, at some time after Hadrian's death, was place in a wooden crate and hidden in a cellar at Hadrian's Villa. It lay hidden and forgotten until 1818 when it was rediscovered in a lot of scrap lumber. The painting, broken into 14 pieces, was painstakingly reassembled and copied. The image alongside was created by 3D computer modeling techniques combined with digital illustration, and is based on the Greco-Roman sculptures of Cleopatra, antique engravings of Octavian's Portrait of Cleopatra, and detailed eye-witness descriptions from writers, artists and reporters who viewed the painting when it toured Europe in the 19th century. This remarkable book tells the story of the painting and its history in full.
Author | : Diana E. E. Kleiner |
Publisher | : Harvard University Press |
Total Pages | : 351 |
Release | : 2009-06-30 |
Genre | : History |
ISBN | : 0674039661 |
In this beautifully illustrated book, we experience the synthesis of Cleopatra's and Rome's defining moments through surviving works of art and other remnants of what was once an opulent material culture. This culture best chronicles Cleopatra's legend and suggests her subtle but indelible mark on the art of imperial Rome at the critical moment of its inception.