Oregon Painters

Oregon Painters
Author: Ginny Allen
Publisher:
Total Pages: 360
Release: 2021-04
Genre:
ISBN: 9780870710537

The book is an expanded, pictorial review of the history of painting in Oregon from 1859-1959. The first edition was published as an encyclopedia and index of Oregon painters with historical data about the evolution of painting styles, educational institutions, and exhibition venues in the Northwest; this book expands the focus on the history of painting in Oregon, adding essays on Impressionism and Modernism while using more and better visual examples to illustrate the strength of the state's early painters. In addition, the original indexed content has been edited and condensed. Oregon Painters fills an important niche, as little has been written about the early history of Northwest art and this volume serves as a valuable resource for discovering artists who remain largely unknown but whose works continue to gain in reputation and value.

Oregon Painters

Oregon Painters
Author: Ginny Allen
Publisher: University of Washington Press
Total Pages: 0
Release: 1999
Genre: Artists
ISBN: 9780875952710

Richly illustrated with colour plates of paintings from institutional and private collections as well as black-and-white photographs, this reference guide is a comprehensive study of early Oregon painters. Listings for over 500 Oregon artists offer biographical details and note where their work was shown and where it is now held. Additional essays on early art museums and art organizations, art galleries and exhibition spaces, and the Federal Art Projects of the 1930s show how the state created itself artistically.

Oregon: A History

Oregon: A History
Author: Gordon B. Dodds
Publisher: W. W. Norton & Company
Total Pages: 273
Release: 1977-11-17
Genre: History
ISBN: 0393348644

To many Americans, Oregon is an idyllic, fruitful garden on the northwestern shore of a troubled urban nation. But, as author Gordon B. Dodds explains in this thoughtful history, behind that image lies the story of a state that has retained many of the conservative values of its first settlers while accommodating the forces of national development. Generations of Oregonians have searched out and found a moderate path where quiet competence, self-restraint, loyalty, and trust have been the greatest virtues. Today, Oregonians can be proud that other Americans look to their state "for inspiration in responsible government, civil personal relationships, and respect for the natural world." Whether they look with nostalgia or anticipation, the future will judge.

The Oregon Companion

The Oregon Companion
Author: Richard H. Engeman
Publisher: Timber Press
Total Pages: 433
Release: 2009-09-01
Genre: History
ISBN: 1604691476

What's the connection between Ken Kesey and Nancy's Yogurt? How about the difference between a hoedad and a webfoot? What became of the Pixie Kitchen and the vanished Lambert Gardens? The Oregon Companion is an A–Z handbook of over 1000 people, places, and things. From Abernethy and beaver money to houseboats, railroads, and the Zigzag River, an intrepid public historian separates fact from fiction — with his sense of humor intact. Entries include towns and cities, counties, rivers, lakes, and mountains; people who have left a mark on Oregon; industries, products, crops, and natural resources. Includes more than 160 historical black and white photos. This entertaining and delightfully meticulous compendium is an essential reference for anyone curious about Oregon.

Brave Intuitive Painting-Let Go, Be Bold, Unfold!

Brave Intuitive Painting-Let Go, Be Bold, Unfold!
Author: Flora Bowley
Publisher:
Total Pages: 132
Release: 2012-05
Genre: Art
ISBN: 1592537685

Adopt a spontaneous, bold, and fearless approach to painting as a process of discovery—one that results in lush and colorful finished works that will beg to be displayed. This inspiring and encouraging book for both novice and experienced painters teaches how to create colorful, exciting, expressive paintings through a variety of techniques, combining basic, practical painting principles with innovative personal self-expression. Flora S. Bowley's fun and forgiving approach to painting is based on the notion that “You don't begin with a preconceived painting in mind; you allow the painting to unfold.” Illustrating how to work in layers, Flora gives you the freedom to cover up, re-start, wipe away, and change courses many times along the way. Unexpected and unique compositions, color combinations, and subject matter appear as you allow your paintings to emerge in an organic, unplanned way while working from a place of curiosity and letting go of fear. —Learn techniques for working with vibrant color and avoiding mud. —Make rich and varied marks with a variety of unexpected tools. —Break compositional rules. —Embrace nonattachment as a way to keep exploring. —Keep momentum by moving your body and staying positive. —Work with what's working to let go of struggle. —Connect more deeply to the world around you to stay inspired. —Embrace layers to create rich complex paintings. —Find rhythm by spiraling between chaos and order.

Ray Stanford Strong, West Coast Landscape Artist

Ray Stanford Strong, West Coast Landscape Artist
Author: Mark Humpal
Publisher: University of Oklahoma Press
Total Pages: 401
Release: 2017-12-14
Genre: Art
ISBN: 0806159952

Throughout his long and prolific career, Ray Stanford Strong (1905–2006) strove to capture the essence of the western American landscape. An accomplished painter who achieved national fame during the New Deal era, Strong is best known for his depiction of landscapes in California and Oregon, rendered in his signature plein air style. This beautiful volume, featuring more than 100 color and black-and-white illustrations, is the first comprehensive exploration of Strong’s life and artistry. Through family papers, archives, photographs, and a two-year series of interviews conducted with the artist personally, Mark Humpal traces Strong’s journey from his childhood on an Oregon berry farm to his artistically formative years in New York and San Francisco. After moving back to the West Coast, Strong produced important works for the WPA, executed major diorama projects for two world expositions, helped organize the Santa Barbara Art Institute, and served as teacher and mentor for a new generation of plein air artists. But, as Humpal emphasizes, Strong distinguished himself by resisting the drumbeat of the avant-garde. During an era when many artists were experimenting with abstract expressionism, Strong never relinquished his personal vision and adherence to a more traditional style. With his outgoing personality, he forged friendships and associations with such prominent artists as Frank Vincent DuMond, Maynard Dixon, Ansel Adams, Frank Lloyd Wright, and John Steinbeck. Ultimately, Strong had little concern for his place in the sweep of art history. The proficiency he achieved through years of formal and informal study allowed him to craft a personal style difficult to categorize but unique and engaging. By expanding our understanding and appreciation of Strong’s artistic contributions, this book offers a fitting tribute to one of America’s finest landscape artists.