Parting the Curtains

Parting the Curtains
Author: Ditza Katz
Publisher:
Total Pages:
Release: 2015-07-21
Genre:
ISBN: 9780970029867

A practical, reader-friendly guide, with up-to-date information and a good dose of self-respect that will help every woman age 25 and older navigate her sexual journey. Whether you use this book as a reference, an educational tool, or a preventive manual, our aim is that it will answer your questions in a way that embraces female sexuality without medicalizing or sensationalizing it. This book can also be used by mental health and medical professionals, as well as by members of the clergy, for counseling individuals and couples grappling with sexual difficulties.

We Snap in Silence

We Snap in Silence
Author: LaVender Shedrick Williams
Publisher: LaVender Williams
Total Pages: 76
Release: 2009-05-22
Genre: Self-Help
ISBN: 0557087082

What's behind your makeup? We Snap In Silence reveals a secret many women share, but hide. Women are burning the candle at both ends, wives are helping their husbands, yet can't find time to help themselves, and mothers are loving, yet losing it. A retired Navy mom reveals the pain she masked while on her journey to finding perfect peace as a woman, wife, and homeschooling mom.

HERmione

HERmione
Author: Hilda Doolittle
Publisher: New Directions Publishing
Total Pages: 256
Release: 1981-11-17
Genre: Fiction
ISBN: 0811222330

“H. D's wit, sense of rhythm, and control of language prove the inadequacy of the imagist label that is so often applied to this writer.” —Library Journal This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a "find,' a posthumous treasure. In writing HERmione, H.D. returned to a year in her life that was "peculiarly blighted." She was in her early twenties––"a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place… Waves to fight against, to fight against alone…'I am Hermione Gart, a failure’––she cried in her dementia, 'l am Her, Her, Her."' She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as "Her”––the poet H.D. Perdita Schaffner, H.D.'s daughter, who can remember back to the time in 1927 when her mother was barricaded with her typewriter behind a locked door, working on this very novel, has provided a charming and telling introduction.

Cinematic Fictions

Cinematic Fictions
Author: David Seed
Publisher: Liverpool University Press
Total Pages: 327
Release: 2012-01-01
Genre: Performing Arts
ISBN: 1846318122

The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cinema' as a single or stable entity. Some novelists drew on silent film; others looked to the Russian theorists for inspiration; and yet others turned to continental film-makers rather than to Hollywood. Film itself was constantly evolving during the first decades of the twentieth century and the writers discussed here engaged in a kind of dialogue with the new medium, selectively pursuing strategies of montage, limited point of view and scenic composition towards their different ends. Contrasting a diverse range of cinematic and literary movements, this will be compulsory reading for scholars of American literature and film.

Lone Star Lover

Lone Star Lover
Author: Debbi Rawlins
Publisher: Harlequin
Total Pages: 217
Release: 2010-03-01
Genre: Fiction
ISBN: 1426849796

Being transported to a small Texas town in the 1860s is the last thing Ranger Jake Malone expected. But living in the past does come with one hot, sizzling advantage—the doctor's assistant Rebecca Swanson. Rebecca's life is filled with danger, and is about to get worse if the unsavory men in the town get their way. She's desperate to escape and Jake's willing to help her. But can she trust him? Lucky for her, Jake's sworn to do whatever it takes to keep her safe by his side…and in his bed.

Women of the Left Bank

Women of the Left Bank
Author: Shari Benstock
Publisher: University of Texas Press
Total Pages: 837
Release: 2010-06-28
Genre: Literary Criticism
ISBN: 0292782985

A “valuable and intriguing” study of the lives and works of literary women who shaped expatriate Paris (NPR). Focusing on some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the early twentieth century, from Anais Nin to Alice B. Toklas and beyond, this book shines new light on how gender was experienced and expressed during an important moment in modern literary history. "Shari Benstock . . . weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines in some depth the writing produced by poets, journalists and novelists, thus combining literary criticism and social history in a seamless running narrative.” —NPR “Through their writings, including unpublished and newly available documentary sources of the period, Djuna Barnes, Nancy Cunard, Jean Rhys, Gertrude Stein, Edith Wharton and others are revealed as significant in the development of modernism, imagism and other avant-garde movements in which they were overshadowed or ignored by their male counterparts. . . . Benstock tracks the sexually liberated lifestyles and the creative originality of these women with a wealth of documentation.” —Publishers Weekly “An inspiration, setting a standard for literary history and feminist criticism that will be difficult to surpass.” —American Literature