| Author | : Jonathan Shailor |
| Publisher | : Jessica Kingsley Publishers |
| Total Pages | : 307 |
| Release | : 2011 |
| Genre | : Psychology |
| ISBN | : 1849058237 |
This book will provide valuable reading for drama therapists, theatre artists, probation workers, prison educators, psychologists, and anyone else interested in the role of the performing arts in criminal justice. --Book Jacket.
| Author | : Fredmund Malik |
| Publisher | : Campus Verlag |
| Total Pages | : 409 |
| Release | : 2015-07-09 |
| Genre | : Business & Economics |
| ISBN | : 3593502631 |
Whatever Fredmund Malik writes, carries weight. This book provides everything you need to know about effective management and day-to-day executive life - in terms that are concrete, practical and productive. The author answers the question of how executives can operate effectively and successfully and accomplish their organizational objectives. Now a classic among economics texts, this book contains the essential know-how for managers in both profit and not-for-profit sectors.
| Author | : James E. Johnson |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 546 |
| Release | : 2015-02-05 |
| Genre | : Education |
| ISBN | : 1475807961 |
The Handbook of the Study of Play brings together in two volumes thinkers whose diverse interests at the leading edge of scholarship and practice define the current field. Because play is an activity that humans have shared across time, place, and culture and in their personal developmental timelines—and because this behavior stretches deep into the evolutionary past—no single discipline can lay claim to exclusive rights to study the subject. Thus this handbook features the thinking of evolutionary psychologists; ethologists and biologists; neuroscientists; developmental psychologists; psychotherapists and play therapists; historians; sociologists and anthropologists; cultural psychologists; philosophers; theorists of music, performance, and dance; specialists in learning and language acquisition; and playground designers. Together, but out of their varied understandings, the incisive contributions to The Handbook take on vital questions of educational policy, of literacy, of fitness, of the role of play in brain development, of spontaneity and pleasure, of well-being and happiness, of fairness, and of the fuller realization of the self. These volumes also comprise an intellectual history, retrospective looks at the great thinkers who have made possible the modern study of play.
| Author | : Richard Ward |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 125 |
| Release | : 2013-04-27 |
| Genre | : Religion |
| ISBN | : 1467437646 |
The New Testament books were written to be read aloud. The original audiences of these texts would have been unfamiliar with our current practice of reading silently and processing with our eyes rather than our ears, so we can learn much about the New Testament through performing it ourselves. Richard Ward and David Trobisch are here to help. Bringing the Word to Life walks the reader through what we know about the culture of performance in the first and second centuries, what it took to perform an early New Testament manuscript, the benefits of performance for teaching, and practical suggestions for exploring New Testament texts through performance today.
| Author | : Kaveh Askari |
| Publisher | : Indiana University Press |
| Total Pages | : 336 |
| Release | : 2014-05-29 |
| Genre | : Performing Arts |
| ISBN | : 0861969103 |
Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it. In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party—projectionist, local talent, accompanist or backstage crew—and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the twentieth century shaped performances on and beside the screen.
| Author | : Ingo Schulze |
| Publisher | : Vintage |
| Total Pages | : 594 |
| Release | : 2009-10-06 |
| Genre | : Fiction |
| ISBN | : 0307277984 |
In his long-awaited new novel, renowned German author Ingo Schulze provides a rich and nuanced panorama of a world in transition. East Germany, January 1990. Enrico Türmer–man of the theater, aspiring novelist–has turned his back on the art world and joined a startup newspaper. Before long, the former aesthete and rebel becomes obsessed with personal gain, and in a series of letters to his sister, a friend, and a would-be lover, Enrico vividly muses on his capitalist ventures and latent worldly ambitions. As Schulze peels away the layers of Enrico’s previous existence, his antihero’s reinvention comes to embody all the questionable aspects not only of life in the old Germany, but of life in the Germany just taking form.
| Author | : Steven Hadley |
| Publisher | : Taylor & Francis |
| Total Pages | : 190 |
| Release | : 2023-12-04 |
| Genre | : Social Science |
| ISBN | : 1003824218 |
This book presents a wide range of new audience studies research in the performing arts to provide a diversity of perspectives from scholarship, policy, management and practice. It explores the insights different methodologies, carried out with different kinds of audiences, can contribute both to our immediate understanding of audiences and to the future development of audience research. The book showcases research across the myriad fields that contribute to audience scholarship, highlighting the ability of audience research to engage thinkers and practitioners, from across often falsely divided art forms and academic fields. Together in one volume, these different methodologies explore the potential complementarity of evolving approaches to audience research and provide an in-depth opportunity for investigating innovative methods. Focusing on the need to understand audiences in a deeper and richer way, this volume offers a crucible of thinking and re-thinking about how society understands the impact of arts and culture on audiences. Audience Data and Research: Perspectives from Cultural Policy, Arts Management and Practice serves as a catalyst to stimulate new critical debate on the potential of empirical audience research to provide fresh insights into questions of audience enrichment and cultural value. It will be a key resource for scholars and researchers of audience studies, media and cultural studies, performance arts research, arts management, and cultural policy. This book was originally published as a special issue of Cultural Trends.
| Author | : Joshua Chambers-Letson |
| Publisher | : NYU Press |
| Total Pages | : 330 |
| Release | : 2018-08-07 |
| Genre | : Art |
| ISBN | : 1479846465 |
Winner, 2019 ATHE Outstanding Book Award, given by the Association for Theatre in Higher Education Winner, 2018 Errol Hill Award in African American theater, drama, and/or performance studies, presented by the American Society for Theatre Research A new manifesto for performance studies on the art of queer of color worldmaking. After the Party tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the exemplary work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, and with additional appearances by Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, After the Party considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of José Esteban Muñoz alongside prominent scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, Joshua Chambers-Letson maps a portrait of performance’s capacity to produce what he calls a communism of incommensurability, a practice of being together in difference. Describing performance as a rehearsal for new ways of living together, After the Party moves between slavery, the Civil Rights Movement, the first wave of the AIDS crisis, the Vietnam War, and the catastrophe-riddled horizon of the early twenty-first century to consider this worldmaking practice as it is born of the tension between freedom and its negation. With urgency and pathos, Chambers-Letson argues that it is through minoritarian performance that we keep our dead alive and with us as we struggle to survive an increasingly precarious present.
