Picturing the True Form

Picturing the True Form
Author: Shih-shan Susan Huang
Publisher: BRILL
Total Pages: 533
Release: 2020-03-17
Genre: Religion
ISBN: 168417516X

"Picturing the True Form investigates the long-neglected visual culture of Daoism, China’s primary indigenous religion, from the tenth through thirteenth centuries with references to both earlier and later times. In this richly illustrated book, Shih-shan Susan Huang provides a comprehensive mapping of Daoist images in various media, including Dunhuang manuscripts, funerary artifacts, and paintings, as well as other charts, illustrations, and talismans preserved in the fifteenth-century Daoist Canon. True form (zhenxing), the key concept behind Daoist visuality, is not static, but entails an active journey of seeing underlying and secret phenomena.This book’s structure mirrors the two-part Daoist journey from inner to outer. Part I focuses on inner images associated with meditation and visualization practices for self-cultivation and longevity. Part II investigates the visual and material dimensions of Daoist ritual. Interwoven through these discussions is the idea that the inner and outer mirror each other and the boundary demarcating the two is fluid. Huang also reveals three central modes of Daoist symbolism—aniconic, immaterial, and ephemeral—and shows how Daoist image-making goes beyond the traditional dichotomy of text and image to incorporate writings in image design. It is these particular features that distinguish Daoist visual culture from its Buddhist counterpart."

Taoism and the Arts of China

Taoism and the Arts of China
Author: Stephen Little
Publisher: Univ of California Press
Total Pages: 422
Release: 2000-01-01
Genre: Art
ISBN: 9780520227859

A celebration of Taoist art traces the influence of philosophy on the visual arts in China.

Visual and Material Cultures in Middle Period China

Visual and Material Cultures in Middle Period China
Author:
Publisher: BRILL
Total Pages: 350
Release: 2017-07-20
Genre: Art
ISBN: 9004349375

Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and market forces could shape ways of looking, and how practices and imagery spread across regions. The authors connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade, showing ways visual images and practices reflected, adapted to, and reproduced the culture and society around them. Readers will gain a stronger appreciation of the richness of the visual and material cultures of Middle Period China.

Becoming Guanyin

Becoming Guanyin
Author: Yuhang Li
Publisher: Columbia University Press
Total Pages: 365
Release: 2020-02-18
Genre: Religion
ISBN: 0231548737

Winner, 2024 Geiss-Hsu Book Prize for Best First Book, Society for Ming Studies The goddess Guanyin began in India as the bodhisattva Avalokiteśvara, originally a male deity. He gradually became indigenized as a female deity in China over the span of nearly a millennium. By the Ming (1358–1644) and Qing (1644–1911) periods, Guanyin had become the most popular female deity in China. In Becoming Guanyin, Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. Li focuses on the power of material things to enable women to access religious experience and transcendence. In particular, she examines how secular Buddhist women expressed mimetic devotion and pursued religious salvation through creative depictions of Guanyin in different media such as painting and embroidery and through bodily portrayals of the deity using jewelry and dance. These material displays expressed a worldview that differed from yet fit within the Confucian patriarchal system. Attending to the fabrication and use of “women’s things” by secular women, Li offers new insight into the relationships between worshipped and worshipper in Buddhist practice. Combining empirical research with theoretical insights from both art history and Buddhist studies, Becoming Guanyin is a field-changing analysis that reveals the interplay between material culture, religion, and their gendered transformations.

Demonic Warfare

Demonic Warfare
Author: Mark R. E. Meulenbeld
Publisher: University of Hawaii Press
Total Pages: 290
Release: 2015-01-31
Genre: Literary Criticism
ISBN: 0824838459

Revealing the fundamental continuities that exist between vernacular fiction and exorcist, martial rituals in the vernacular language, Mark Meulenbeld argues that a specific type of Daoist exorcism helped shape vernacular novels in the late Ming dynasty (1368–1644). Focusing on the once famous novel Fengshen yanyi ("Canonization of the Gods"), the author maps out the general ritual structure and divine protagonists that it borrows from much older systems of Daoist exorcism. By exploring how the novel reflects the specific concerns of communities associated with Fengshen yanyi and its ideology, Meulenbeld is able to reconstruct the cultural sphere in which Daoist exorcist rituals informed late imperial "novels." He first looks at temple networks and their religious festivals. Organized by local communities for territorial protection, these networks featured martial narratives about the powerful and heroic deeds of the gods. He then shows that it is by means of dramatic practices like ritual, theatre, and temple processions that divine acts were embodied and brought to life. Much attention is given to local militias who embodied "demon soldiers" as part of their defensive strategies. Various Ming emperors actively sought the support of these local religious networks and even continued to invite Daoist ritualists so as to efficiently marshal the forces of local gods with their local demon soldiers into the official, imperial reserves of military power. This unusual book establishes once and for all the importance of understanding the idealized realities of literary texts within a larger context of cultural practice and socio-political history. Of particular importance is the ongoing dialog with religious ideology that informs these different discourses. Meulenbeld's book makes a convincing case for the need to debunk the retrospective reading of China through the modern, secular Western categories of "literature," "society," and "politics." He shows that this disregard of religious dynamics has distorted our understanding of China and that "religion" cannot be conveniently isolated from scholarly analysis.

Picturing Russia

Picturing Russia
Author: Valerie Ann Kivelson
Publisher: Yale University Press
Total Pages: 304
Release: 2008-01-01
Genre: History
ISBN: 0300119615

What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.

The Arts of Iran in Istanbul and Anatolia

The Arts of Iran in Istanbul and Anatolia
Author: Olga M. Davidson
Publisher:
Total Pages: 0
Release: 2018
Genre: Art, Iranian
ISBN: 9780674987340

Much medieval Persianate artwork--including books illustrated with exquisite miniature paintings--was disassembled and dispersed as isolated art objects. In The Arts of Iran in Istanbul and Anatolia, a literary historian and six art historians trace the journey from the destructive dispersal of fragments to the joys of restoration.

The Paradox of Being

The Paradox of Being
Author: Poul Andersen
Publisher: BRILL
Total Pages: 370
Release: 2021-03-01
Genre: Religion
ISBN: 1684171040

The question of truth has never been more urgent than today, when the distortion of facts and the imposition of pseudo-realities in the service of the powerful have become the order of the day. In The Paradox of Being Poul Andersen addresses the concept of truth in Chinese Daoist philosophy and ritual. His approach is unapologetically universalist, and the book may be read as a call for a new way of studying Chinese culture, one that does not shy away from approaching “the other” in terms of an engagement with “our own” philosophical heritage. The basic Chinese word for truth is zhen, which means both true and real, and it bypasses the separation of the two ideas insisted on in much of the Western philosophical tradition. Through wide-ranging research into Daoist ritual, both in history and as it survives in the present day, Andersen shows that the concept of true reality that informs this tradition posits being as a paradox anchored in the inexistent Way (Dao). The preferred way of life suggested by this insight consists in seeking to be an exception to ordinary norms and rules of behavior which nonetheless engages what is common to us all.

Picturing American Modernity

Picturing American Modernity
Author: Kristen Whissel
Publisher: Duke University Press
Total Pages: 288
Release: 2008-10-03
Genre: Performing Arts
ISBN: 0822391457

In Picturing American Modernity, Kristen Whissel investigates the relationship between early American cinema and the experience of technological modernity. She demonstrates how between the late 1890s and the eve of the First World War moving pictures helped the U.S. public understand the possibilities and perils of new forms of “traffic” produced by industrialization and urbanization. As more efficient ways to move people, goods, and information transformed work and leisure at home and contributed to the expansion of the U.S. empire abroad, silent films presented compelling visual representations of the spaces, bodies, machines, and forms of mobility that increasingly defined modern life in the United States and its new territories. Whissel shows that by portraying key events, achievements, and anxieties, the cinema invited American audiences to participate in the rapidly changing world around them. Moving pictures provided astonishing visual dispatches from military camps prior to the outbreak of fighting in the Spanish-American War. They allowed audiences to delight in images of the Pan-American Exposition, and also to mourn the assassination of President McKinley there. One early film genre, the reenactment, presented spectators with renditions of bloody battles fought overseas during the Philippine-American War. Early features offered sensational dramatizations of the scandalous “white slave trade,” which was often linked to immigration and new forms of urban work and leisure. By bringing these frequently distant events and anxieties “near” to audiences in cities and towns across the country, the cinema helped construct an American national identity for the machine age.