Pierre Boulez

Pierre Boulez
Author: Lev Koblyakov
Publisher: Routledge
Total Pages: 236
Release: 2013-01-11
Genre: Music
ISBN: 1136608494

In this significant study of the music of Pierre Boulez, Dr. Koblyakov provides a complete analysis of Le Marteau sand Maître and deals with the development of serial music in the twentieth century and the problems of serial organization in general. He reaches stimulating conclusions about serial thinking and harmony in themusic of Pierre Boulez, thus enabling an understanding of the intricacies of this major composer's compositional techniques.

Pierre Boulez Studies

Pierre Boulez Studies
Author: Edward Campbell
Publisher: Cambridge University Press
Total Pages: 413
Release: 2016-10-13
Genre: Biography & Autobiography
ISBN: 1107062659

This collection explores the works, influence, reception and legacy of one of the most important composers in contemporary musical life.

Pierre Boulez and the Piano

Pierre Boulez and the Piano
Author: Peter O'Hagan
Publisher: Taylor & Francis
Total Pages: 365
Release: 2016-09-30
Genre: Music
ISBN: 1315517841

Pierre Boulez's first piano pieces date from his youth, prior to his studies in Paris with Messiaen, and his subsequent meteoric rise to international acclaim as the leader of the musical avant-garde during the 1950s. His most recent published work is a solo piano piece, Une page d’éphéméride, written some sixty years after his first attempts at composition. The piano has remained central to Boulez's creative work throughout his career, and although his renown as a conductor has to some extent overshadowed his other achievements, it was as a performer of his own piano music that his practical gifts first found expression. Peter O'Hagan has given performances of various unpublished piano works by Boulez, including Antiphonie from the Third Sonata and Trois Psalmodies. In this study, he considers Boulez's writing for the piano in the context of the composer's stylistic evolution throughout the course of his development. Each of the principal works is considered in detail, not only on its own terms, but also as a stage in Boulez's ongoing quest to invent radical solutions to the renewal of musical language and to reinvigorate tradition. The volume includes reference to hitherto unpublished source material, which sheds light on his working methods and on the interrelationship between works.

Orientations

Orientations
Author: Pierre Boulez
Publisher: London : Faber and Faber
Total Pages: 541
Release: 1986
Genre: Composers
ISBN: 9780571143474

Pierre Boulez is arguably the single most influential - and controversial - figure in the world of contemporary music. As composer, conductor and personality, his challenging views of modern developments are lent a special authority by his very high standing as an interpreter of great composers like Wagner, Debussy, Bart k and Stravinsky. This collection of writings enhances his unrivalled reputation as a lucid and compelling expositor of the modern composer's world.

Boulez, Music and Philosophy

Boulez, Music and Philosophy
Author: Edward Campbell
Publisher: Cambridge University Press
Total Pages: 299
Release: 2010-08-19
Genre: Biography & Autobiography
ISBN: 0521862426

In this book, Campbell explores the relationships of music, philosophy and intellectual culture in the work of Pierre Boulez.

Music Lessons

Music Lessons
Author: Pierre Boulez
Publisher: University of Chicago Press
Total Pages: 689
Release: 2019-10-17
Genre: Music
ISBN: 022667259X

Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez’s fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.

The Oxford Handbook of Critical Concepts in Music Theory

The Oxford Handbook of Critical Concepts in Music Theory
Author: Alexander Rehding
Publisher: Oxford University Press, USA
Total Pages: 849
Release: 2019
Genre: Music
ISBN: 0190454741

Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.

The Musical Language of Pierre Boulez

The Musical Language of Pierre Boulez
Author: Jonathan Goldman
Publisher: Cambridge University Press
Total Pages: 269
Release: 2011-02-17
Genre: Biography & Autobiography
ISBN: 0521514908

A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.

Rationalizing Culture

Rationalizing Culture
Author: Georgina Born
Publisher: Univ of California Press
Total Pages: 415
Release: 1995-09-08
Genre: History
ISBN: 0520202163

As a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.