Print Collector's Quarterly

Print Collector's Quarterly
Author: Yoram Meroz
Publisher:
Total Pages: 128
Release: 2005-09-01
Genre: Antiques & Collectibles
ISBN: 9781556603181

The Print Collectors Quarterly began publication in 1911, one of the first periodicals devoted solely to the history of print-making, to printmakers (peintres-graveurs), and to print collecting; It was published continuously, with the exception of the periods 1920 and 1942-1948, until it merged into Print magazine in 1950. A summary the publishing history of the Quarterly is given on the following page. This is the first complete index to the entire run of the Quarterly , omitting only the ephemeral Prints of Today and Quarterly Notes series. A few articles of lasting interest the Quarterly Notes are included, marked as [Q,N.] 1he includes details omitted from the Quarterly's own of contents, such as page and il1ustration numerations. The first section of this book is a chronological list of the tables of contents of al1 the issues. It is followed by three indexes: first , an index by author; next, an index by artist's name; and finally a subject index . In the author index, items under each heading are arranged by topic, in the order used in the artist and subject indexes. In the artist and subject indexes, items under a given heading are arranged in chronological order. 1he covers of selected issues of the Quarterly are reproduced throughout the issue list and in this book's frontispiece, and represent each of the magazines pub1ishers throughout its history.

Prints and Their Makers

Prints and Their Makers
Author: Fitz Roy Carrington
Publisher:
Total Pages: 504
Release: 1912
Genre: Engravers
ISBN:

A collection of articles by a number of authors.

"Collecting Prints and Drawings in Europe, c. 1500?750 "

Author: Christopher Baker
Publisher: Routledge
Total Pages: 270
Release: 2017-09-29
Genre: Art
ISBN: 1351571591

Prints and drawings have been keenly collected in Europe since at least the early sixteenth century. Relatively modest in price, they offered artists, amateurs and collectors of a systematic turn of mind the opportunity to put together holdings with a wide representation of different hands, schools and types of subject. Prints and drawings are traditionally treated separately, but their collecting is shown here to raise many interrelated issues. Employing a wide range of methodologies, the essays in this volume offer a number of innovative investigations into the collecting, perception, classication and display of works on paper.