Author | : Paul Greenhalgh |
Publisher | : Manchester University Press |
Total Pages | : 276 |
Release | : 1993 |
Genre | : Architecture |
ISBN | : 9780719039652 |
Author | : Paul Greenhalgh |
Publisher | : Manchester University Press |
Total Pages | : 276 |
Release | : 1993 |
Genre | : Architecture |
ISBN | : 9780719039652 |
Author | : Peter Dormer |
Publisher | : Manchester University Press |
Total Pages | : 260 |
Release | : 1997-06-15 |
Genre | : Crafts & Hobbies |
ISBN | : 9780719046186 |
Dormer presents a series of lively, clearly argued discussions about the relevance of handicraft in a world whose aesthetics and design are largely determined by technology. The question of computer aided design in craft is also addressed.
Author | : Bard Graduate Center |
Publisher | : Yale University Press |
Total Pages | : 706 |
Release | : 2013-12-10 |
Genre | : Design |
ISBN | : 0300196148 |
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years
Author | : Clive Edwards |
Publisher | : Routledge |
Total Pages | : 419 |
Release | : 2021-03-30 |
Genre | : History |
ISBN | : 1000350924 |
This is volume four in a four-volume edition of primary source materials that document the histories of design across the long nineteenth century. Each volume is arranged by appropriate sub-themes and it is the first set of primary sources to be gathered together in this comprehensive and accessible format. Design refers to more than simply products and personalities or even cultural ideas, it involves consideration of ways of design thinking and applications as well as the philosophies and the other disciplines that impinge upon it. Here, the final volume looks at consumption and uses of design as a part of the wider cultures of the period. The volumes will be of interest to a range of scholars and students, including those in art and design history, visual culture, and nineteenth-century material culture. They will also be of interest to a broad range of scholars working in areas including aesthetics, gender, politics and philosophy.
Author | : T. L. J. Howard |
Publisher | : Yale University Press |
Total Pages | : 246 |
Release | : 1996-01-01 |
Genre | : Design |
ISBN | : 9780300064551 |
In a wide-ranging and richly illustrated book, the authors begin by tracing the ways ornament has been used over the last five centuries, the rules of decorum and etiquette associated with it, and the social, moral and spiritual values it has represented. They examine how architecture set the agenda for ornament in the Renaissance, and how printed images carried a common vocabulary of ornament throughout the Western world. They survey the personal side of ornament, both in dress and in the domestic interior - a private expression of the self and a public statement of social and cultural status. They look at ornament in the public domain - from the lavish decoration and symbolism of a town pageant to the logos of today's corporate industry - and show how the ever-evolving role of ornament is to invent and embody the collective spirit of communities at work and at leisure. They conclude by discussing how the Western tradition of ornament has responded to and absorbed 'exotic' African and Asian motifs: Moresque motifs of the Near East and such familiar designs as the 'Paisley' and Willow" patterns.
Author | : |
Publisher | : M.E. Sharpe |
Total Pages | : 836 |
Release | : |
Genre | : Architecture |
ISBN | : 9780765618436 |
The Encyclopedia concentrates on resources that are useful, in an easy-to-use format to enable the Architect to access this wealth of knowledge. More than a simple listing, the Encyclopedia provides the "intelligence" to find, evaluate, and contact the resources that can save time and money in the day-to-day practice of an Architect. The Encyclopedia will have a system to indicate to readers which listings are the most targeted in terms of the "best" sources. There will be four indexes: Keyword index, Name index, Master Format index, and Acronym index.
Author | : Mike Baxter |
Publisher | : CRC Press |
Total Pages | : 334 |
Release | : 2018-10-03 |
Genre | : Technology & Engineering |
ISBN | : 1482249294 |
The discovery of market needs and the manufacture of a product to meet those needs are integral parts of the same process. Since most textbooks on new product development are written from either a marketing or an engineering perspective, it is important for students to encounter these two aspects of product development together in a single text. Product Design: Practical Methods for the Systematic Development of New Products covers the entire new product development process, from market research through concept design, embodiment design, design for manufacture, and product launch. Systematic and practical in its approach, the text offers both a structured management framework for product development and an extensive range of specific design methods. Chapters feature "Design Toolkits" that provide detailed guidance on systematic design methods, present examples with familiar products, and conclude with reviews of key concepts. This major text aims to turn the often haphazard and unstructured product design process into a quality-controlled, streamlined, and manageable procedure. It is ideal for students of engineering, design, and technology on their path to designing new products.
Author | : Gilbert Bonifas |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 255 |
Release | : 2014-07-18 |
Genre | : History |
ISBN | : 1443864390 |
Rather than focus on the attraction exerted by the Mediterranean South on Northerners in search of health, pleasure, leisure and culture, the contributors to this book choose to bring out its less enticing aspects and the repugnance these induced in northern Europeans over four centuries, through a series of sixteen essays covering a geographical area stretching from Portugal to Turkey and Lebanon, from the Balkans to Egypt, and embracing several cultures, two religious faiths and very diverse populations. Most of them were read at an international conference held in Nice in April 2012, and were substantially revised for publication in this volume. All contributions centre around the manner in which British, German (and American) travellers, tourists, writers, thinkers, all members of Protestant modernizing nations rapidly rising in political and economic power reacted to their physical, or merely intellectual, encounter with a Mediterranean world whose pure light, warm sunshine and marvellous scenery could not make them overlook the fact that the glories of the classical past were now “set in the midst of a sordid present” (George Eliot in Middlemarch) and that the successors, possibly the descendants, of the Romans in the countries of the South were sunk in poverty, religious superstition and racial degeneracy. What emerges from these studies that draw on a variety of primary sources is nothing but cruelty, decrepitude, ignorance and obscurantism. With its dark side exposed, the Mediterranean bears little resemblance to the “exquisite lake,” the fons et origo of form and harmony, to which E. M. Forster compared it in A Passage to India. Beyond the portrayal of horrors, however, all essays attempt to unravel the historical conditions and the nexus of mentalités that determined or inspired the perception, imagination or representation of a dark Mediterranean and Near-Eastern world. Not only do they make a useful contribution to the elaboration of the Mediterranean as an intellectual construct, but their original angle of vision offers a valuable addition to the intellectual and cultural history of the North, telling more, perhaps, about the values, prejudices and certainties of northern Europeans than about the true nature of the Mediterranean South.