Reading Drama in Eighteenth-Century France

Reading Drama in Eighteenth-Century France
Author: Thomas Wynn
Publisher: Oxford University Press
Total Pages: 273
Release: 2024-02-06
Genre: Literary Criticism
ISBN: 0198895321

Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.

Voltaire and the Theatre of the Eighteenth Century

Voltaire and the Theatre of the Eighteenth Century
Author: Marvin A. Carlson
Publisher: Bloomsbury Publishing USA
Total Pages: 207
Release: 1998-10-28
Genre: Literary Criticism
ISBN: 0313029903

Born in the final years of the seventeenth century, and dying a decade before the beginning of the French Revolution, Voltaire was a quintessential figure of the eighteenth century, so much so that this era is sometimes called the Age of Voltaire. At a time when French culture dominated Europe, Voltaire dominated French culture. His influence was broad and powerful, and he made major contributions to almost every sphere of intellectual activity, including the sciences, trade and commerce, politics, and especially the arts. Despite the astonishing range of his literary activities, the theatre occupied a central position in his life from the beginning of his career to its close. His first and last literary triumphs were plays, the first written when he was only 17, the last completed when he was 84. He created a total of 56, and there was rarely a time in his life when he was not working on a theatrical script. At the end of his career, his works were produced more frequently on the French stage than those of any other serious dramatist and served as models for aspiring young playwrights throughout Europe. Written by a leading authority on French theatre and culture in the eighteenth century, this book traces the theatrical career of Voltaire from his college days through his final works. The most influential dramatist of the period, he successfully wrote in a number of genres, including tragedy, comedy, opera, comic opera, and court spectacle. His theatrical biography involves all aspects of acting and staging in amateur and society theatre as well as on major professional stages and performances at court. His extended visits to England and Germany are covered in chapters that also provide an introduction to the theatre in those countries, and his international interests and correspondence provide insights into the eighteenth century theatre in places such as Italy, Russia, and Denmark. Due to his literally life-long concern with the theatre, his dominance in this art, and his reputation and involvement with the theatre outside France, Voltaire's theatrical biography is also in large measure a chronicle of the European stage of the eighteenth century.

Royal Censorship of Books in Eighteenth-century France

Royal Censorship of Books in Eighteenth-century France
Author: Raymond Birn
Publisher:
Total Pages: 0
Release: 2012
Genre: History
ISBN: 9780804763592

Rather than envision themselves as agents of state-sponsored repression, the royal book censors of eighteenth-century France wished, through their reports and decisions, to guide the literary traffic of the Enlightenment and expand public awareness of progressive thought.

Reading Drama in Tudor England

Reading Drama in Tudor England
Author: Tamara Atkin
Publisher: Routledge
Total Pages: 441
Release: 2018-04-17
Genre: Literary Criticism
ISBN: 1317079892

Reading Drama in Tudor England is about the print invention of drama as a category of text designed for readerly consumption. Arguing that plays were made legible by the printed paratexts that accompanied them, it shows that by the middle of the sixteenth century it was possible to market a play for leisure-time reading. Offering a detailed analysis of such features as title-pages, character lists, and other paratextual front matter, it suggests that even before the establishment of successful permanent playhouses, playbooks adopted recognisable conventions that not only announced their categorical status and genre but also suggested appropriate forms of use. As well as a survey of implied reading practices, this study is also about the historical owners and readers of plays. Examining the marks of use that survive in copies of early printed plays, it explores the habits of compilation and annotation that reflect the striking and often unpredictable uses to which early owners subjected their playbooks.

French Art of the Eighteenth Century

French Art of the Eighteenth Century
Author: Heather Eleanor MacDonald
Publisher: Yale University Press
Total Pages: 193
Release: 2016-01-01
Genre: Art
ISBN: 0300220170

"Since 2004, the Dallas Museum of Art has been the repository of the renowned collection of eighteenth-century French art assembled by the late Michael Rosenberg. The long-term loan of these masterpieces greatly enhances the collection of European art at the Museum, and the series of scholarly lectures funded by the Foundation, the Michael L. Rosenberg Lecture Series, gives a powerful boost to its European art program. Those lectures, presented by top scholars in the field of European art history, are re-presented in this volume"--

Eighteenth-century Literary History

Eighteenth-century Literary History
Author: Marshall Brown
Publisher: Duke University Press
Total Pages: 292
Release: 1999
Genre: History
ISBN: 9780822322672

Essays on eighteenth-century literature from MLQ.

Popular Opera in Eighteenth-Century France

Popular Opera in Eighteenth-Century France
Author: David Charlton
Publisher: Cambridge University Press
Total Pages: 0
Release: 2023-12-21
Genre: Music
ISBN: 9781009011754

This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.

The Norton Anthology of Drama

The Norton Anthology of Drama
Author: J. Ellen Gainor
Publisher:
Total Pages: 1792
Release: 2018
Genre: Drama
ISBN: 9780393283471

Comprehensive and up-to-date, now with more instructor resources