Rehearsal Practices of Indigenous Women Theatre Makers

Rehearsal Practices of Indigenous Women Theatre Makers
Author: Liza-Mare Syron
Publisher:
Total Pages: 0
Release: 2021
Genre: Theater rehearsals
ISBN: 9783030823764

This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman's standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context. Dr Liza-Mare Syron has family ties to the Biripi people from NSW Australia. She is a director, actor, teacher, dramaturge and an award winning academic. Liza-Mare is a co-founder of Moogahlin Performing Arts, and is currently a Senior Associate of the company, and a Senior Scientia Lecturer at UNSW, Sydney.

Rehearsal Practices of Indigenous Women Theatre Makers

Rehearsal Practices of Indigenous Women Theatre Makers
Author: Liza-Mare Syron
Publisher: Springer Nature
Total Pages: 136
Release: 2021-09-01
Genre: Social Science
ISBN: 303082375X

This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman’s standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context.

Indigeneity on the Oceanic Stage

Indigeneity on the Oceanic Stage
Author:
Publisher: BRILL
Total Pages: 305
Release: 2024-10-31
Genre: Literary Criticism
ISBN: 9004703365

This volume examines how Indigenous theatre and performance from Oceania has responded to the intensification of globalisation from the turn of the 20th to the 21st centuries. It foregrounds a relational approach to the study of Indigenous texts, thus echoing what scholars such as Tui Nicola Clery have described as the stance of a “Multi-Perspective Culturally Sensitive Researcher.” To this end, it proposes a fluid vision of Oceania characterized by heterogeneity and cultural diversity calling to mind Epeli Hau‘ofa’s notion of “a sea of islands.” Taking its cue from the theories of Deleuze and Guattari, the volume offers a rhizomatic, non-hierarchical approach to the study of the various shapes of Indigeneity in Oceania. It covers Indigenous performance from Aotearoa/New Zealand, Hawai’i, Samoa, Rapa Nui/Easter Island, Australia and the Torres Strait Islands. Each chapter uses vivid case histories to explore a myriad of innovative strategies responding to the interplay between the local and the global in contemporary Indigenous performance. As it places different Indigenous cultures from Oceania in conversation, this critical anthology gestures towards an “imparative” model of comparative poetics, favouring negotiation of cultural difference and urging scholars to engage dialogically with non-European artistic forms of expression.

Milestones in Staging Contemporary Genders and Sexualities

Milestones in Staging Contemporary Genders and Sexualities
Author: Emily A. Rollie
Publisher: Taylor & Francis
Total Pages: 184
Release: 2024-05-27
Genre: Performing Arts
ISBN: 1040020097

This introduction to the staging of genders and sexualities across world theatre sets out a broad view of the subject by featuring plays and performance artists that shifted the conversation in their cultural, social, and historical moments. Designed for weekly use in theatre studies, dramatic literature, or gender and performance studies courses, these ten milestones highlight women and writers of the global majority, supporting and amplifying voices that are key to the field and some that have typically been overlooked. From Paula Vogel, Split Britches, and Young Jean Lee to Werewere Liking, Mahesh Dattani, Yvette Nolan, and more, the chapters place artists’ key works into conversation with one another, structurally offering an intersectional perspective on staging genders and sexualities. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.

Dancing Transnational Feminisms

Dancing Transnational Feminisms
Author: Ananya Chatterjea
Publisher:
Total Pages: 296
Release: 2021
Genre: Art and dance
ISBN: 9780295749549

"Dancing Transnational Feminisms brings together reflections and critical responses about the embodied creative practices that have been part of the work of Ananya Dance Theatre (ADT), a Twin Cities-based dance company of women of color who work at the intersections of artistic excellence and social justice. Focusing on ADT's creative processes and organizational strategies, the book highlights how women and femme artists of color, working with a marginalized movement aesthetic, claim and transform the spaces of contemporary concert dance into sites of empowerment, resistance, and knowledge production. Blending essays with epistolary texts, interviews and poems, the collection's contributors offer up a multigenre exploration of how dance and other artistic undertakings can be intersectionally reimagined. Building on more than fifteen years of collaborative dance-making and sustained dialogues, Dancing Transnational Feminisms delves into timely questions surrounding race and performance, art and politics, global and local inequities and the responsibilities of artists towards the communities they come from"--

Men on Boats

Men on Boats
Author: Jaclyn Backhaus
Publisher: Dramatists Play Service, Inc.
Total Pages: 93
Release: 2017-09-29
Genre: Drama
ISBN: 0822236427

Ten explorers. Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

Between Theater and Anthropology

Between Theater and Anthropology
Author: Richard Schechner
Publisher: University of Pennsylvania Press
Total Pages: 357
Release: 2010-08-03
Genre: Drama
ISBN: 0812200926

In performances by Euro-Americans, Afro-Americans, Native Americans, and Asians, Richard Schechner has examined carefully the details of performative behavior and has developed models of the performance process useful not only to persons in the arts but to anthropologists, play theorists, and others fascinated (but perhaps terrified) by the multichannel realities of the postmodern world. Schechner argues that in failing to see the structure of the whole theatrical process, anthropologists in particular have neglected close analogies between performance behavior and ritual. The way performances are created—in training, workshops, and rehearsals—is the key paradigm for social process.

Black is the New White

Black is the New White
Author: Nakkiah Lui
Publisher: Allen & Unwin
Total Pages: 139
Release: 2019-02-04
Genre: Drama
ISBN: 1760870420

'Nakkiah Lui's writing is, as always, on point: hold-your-belly funny; pumping with politics that prompts visible discomfort.' Maxine Beneba Clark, Saturday Paper 'Her writing, whether devastating or hilarious, has always shown a great deal of accessible humanity and relentless intelligence.' Guardian 'We needed a new David Williamson, someone who speaks to Australia and Australians now. We've found her in Nakkiah.' Alex Broun, playwright 'Mount Druitt's answer to Lena Dunham.' Belvoir Theatre 'If there is such a thing as a rockstar playwright, Nakkiah Lui is it.' Fran Kelly, RN Love, politics and other things you shouldn't talk about at dinner Charlotte Gibson is a lawyer with a brilliant career ahead of her. As her father Ray says, she could be the next female Indigenous Waleed Aly. But she has other ideas. First of all, it's Christmas. Second of all, she's in love. The thing is, her fiance, Francis Smith, is not what her family expected - he's unemployed, he's an experimental composer ... and he's white! Bringing him and his conservative parents to meet her family on their ancestral land is a bold move. Will he stand up to the scrutiny? Or will this romance descend into farce? Love is never just black and white. It's complicated by class, politics, ambition, and too much wine over dinner. But for Charlotte and Francis, it's mostly complicated by family. Secrets are revealed, prejudices outed and old rivalries get sorted through. What can't be solved through diplomacy can surely be solved by a good old-fashioned dance-off. They're just that kind of family. Award-winning writer Nakkiah Lui shows why she is one of this country's most in-demand young voices, delivering cutting satire that is both seductively subversive and thoroughly delightful.