Author | : RenŽe Ater |
Publisher | : Univ of California Press |
Total Pages | : 211 |
Release | : 2011-11-22 |
Genre | : Art |
ISBN | : 0520262123 |
"The George Gund Foundation imprint in African American studies."
Author | : RenŽe Ater |
Publisher | : Univ of California Press |
Total Pages | : 211 |
Release | : 2011-11-22 |
Genre | : Art |
ISBN | : 0520262123 |
"The George Gund Foundation imprint in African American studies."
Author | : Benjamin Lieberman |
Publisher | : Rowman & Littlefield Publishers |
Total Pages | : 319 |
Release | : 2013-03-22 |
Genre | : History |
ISBN | : 1442213957 |
For centuries conquerors, missionaries, and political movements acting in the name of a single god, nation, or race have sought to remake human identities. Tracing the rise of exclusive forms of identity over the past 1500 years, this innovative book explores both the creation and destruction of exclusive identities, including those based on nationalism and monotheistic religion. Benjamin Lieberman focuses on two critical phases of world history: the age of holy war and conversion, and the age of nationalism and racism. His cases include the rise of Islam, the expansion of medieval Christianity, Spanish conquests in the Americas, Muslim expansion in India, settler expansion in North America, nationalist cleansing in modern Europe and Asia, and Nazi Germany’s efforts to build a racial empire. He convincingly shows that efforts to transplant and expand new identities have paradoxically generated long periods of both stability and explosive violence that remade the human landscape around the world.
Author | : Victoria W. Wolcott |
Publisher | : UNC Press Books |
Total Pages | : 355 |
Release | : 2013-01-01 |
Genre | : Social Science |
ISBN | : 1469611007 |
In the early decades of the twentieth century, tens of thousands of African Americans arrived at Detroit's Michigan Central Station, part of the Great Migration of blacks who left the South seeking improved economic and political conditions in the urban North. The most visible of these migrants have been the male industrial workers who labored on the city's automobile assembly lines. African American women have largely been absent from traditional narratives of the Great Migration because they were excluded from industrial work. By placing these women at the center of her study, Victoria Wolcott reveals their vital role in shaping life in interwar Detroit. Wolcott takes us into the speakeasies, settlement houses, blues clubs, storefront churches, employment bureaus, and training centers of Prohibition- and depression-era Detroit. There, she explores the wide range of black women's experiences, focusing particularly on the interactions between working- and middle-class women. As Detroit's black population grew exponentially, women not only served as models of bourgeois respectability, but also began to reshape traditional standards of deportment in response to the new realities of their lives. In so doing, Wolcott says, they helped transform black politics and culture. Eventually, as the depression arrived, female respectability as a central symbol of reform was supplanted by a more strident working-class activism.
Author | : Nicholas De Genova |
Publisher | : Duke University Press |
Total Pages | : 246 |
Release | : 2006 |
Genre | : History |
ISBN | : 9780822337164 |
DIVA collection of essays that examine the intertwined racialization of Latinos and Asians in the United States ./div
Author | : Renée Ater |
Publisher | : |
Total Pages | : 214 |
Release | : 2021-12-14 |
Genre | : |
ISBN | : 9780520385375 |
This beautifully written study focuses on the life and public sculpture of Meta Warrick Fuller (1877-1968), one of the early twentieth century's few African American women artists. To understand Fuller's strategy for negotiating race, history, and visual representation, Renée Ater examines the artist's contributions to three early twentieth-century expositions: the Warwick Tableaux, a set of dioramas for the Jamestown Tercentennial Exposition (1907); Emancipation, a freestanding group for the National Emancipation Exposition (1913); and Ethiopia, the figure of a single female for the America's Making Exposition (1921). Ater argues that Fuller's efforts to represent black identity in art provide a window on the Progressive Era and its heated debates about race, national identity, and culture.
Author | : Hettie V. Williams |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 252 |
Release | : 2023-09-11 |
Genre | : History |
ISBN | : 1496847539 |
Contributions by Omar H. Ali, Simone R. Barrett, Tejai Beulah, Sandra Bolzenius, Carol Fowler, Lacey P. Hunter, Tiera C. Moore, Tedi A. Pascarella, John Portlock, Lauren T. Rorie, Tanya L. Roth, Marissa Jackson Sow, Virginia L. Summey, Hettie V. Williams, and Melissa Ziobro While Black women’s intellectual history continues to grow as an important subfield in historical studies, there remains a gap in scholarship devoted to the topic. To date, major volumes on American intellectual history tend to exclude the words, ideas, and contributions of these influential individuals. A Seat at the Table: Black Women Public Intellectuals in US History and Culture seeks to fill this void, presenting essays on African American women within the larger context of American intellectual history. Divided into four parts, the volume considers women in politics, art, government, journalism, media, education, and the military. Essays feature prominent figures such as Shirley Chisholm, Oprah Winfrey, journalist Charlotta Bass, and anti-abortion activist Mildred Fay Jefferson, as well as lesser-known individuals. The anthology begins with a discussion of the founders in Black women’s public intellectualism, providing a framework for understanding the elements, structure, and concerns central to their lives and work in the nineteenth century. The second section focuses on leaders in the Black Christian intellectual tradition, the civil rights era, and modern politics. Part three examines Black women in society and culture in the twentieth century, with essays on such topics as artists in the New Negro era; Joycelyn Elders, a public servant and former surgeon general; and America’s foremost Black woman influencer, Oprah. Lastly, part four concerns Black women and their ideas about public service—particularly military service—with essays on service members during World War II and the post-WWII military. Taken as a whole, A Seat at the Table is an important anthology that helps to establish the validity and existence of heretofore neglected intellectual traditions in the public square.
Author | : Rüdiger Heinze |
Publisher | : transcript Verlag |
Total Pages | : 185 |
Release | : 2015-02-28 |
Genre | : Social Science |
ISBN | : 3839428947 |
From »Avatar« to danced versions of »Romeo and Juliet«, from Bollywood films to »Star Wars Uncut«: This book investigates film remakes as well as forms of remaking in other media, such as ballet and internet fan art. The case studies introduce readers to a variety of texts and remaking practices from different cultural spheres. The essays also discuss forms of remaking in relation to neighbouring phenomena like the sequel, prequel and (re-)adaptation. »Remakes and Remaking« thus provides a necessary and topical addition to the recent conceptual scholarship on intermediality, transmediality and adaptation.
Author | : Barbara Kruger |
Publisher | : |
Total Pages | : 314 |
Release | : 1989 |
Genre | : Aesthetics, Modern |
ISBN | : |
Author | : David Roche |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 344 |
Release | : 2014-02-06 |
Genre | : Performing Arts |
ISBN | : 1617039624 |
An expansive treatment of the meanings and qualities of original and remade American horror movies