Author | : John Hollander |
Publisher | : |
Total Pages | : 88 |
Release | : 1989 |
Genre | : Literary Criticism |
ISBN | : 9780300043068 |
Author | : John Hollander |
Publisher | : |
Total Pages | : 88 |
Release | : 1989 |
Genre | : Literary Criticism |
ISBN | : 9780300043068 |
Author | : Peter Quinn |
Publisher | : |
Total Pages | : 0 |
Release | : 2003 |
Genre | : English poetry |
ISBN | : 9781844360468 |
Author | : Derrick Darby |
Publisher | : Open Court |
Total Pages | : 258 |
Release | : 2011-09-30 |
Genre | : Philosophy |
ISBN | : 0812697790 |
Is there too much violence in hip-hop music? What’s the difference between Kimberly Jones and the artist Lil' Kim? Is hip-hop culture a "black" thing? Is it okay for N.W.A. to call themselves niggaz and for Dave Chappelle to call everybody bitches? These witty, provocative essays ponder these and other thorny questions, linking the searing cultural issues implicit — and often explicit — in hip-hop to the weighty matters examined by the great philosophers of the past. The book shows that rap classics by Lauryn Hill, OutKast, and the Notorious B.I.G. can help uncover the meanings of love articulated in Plato's Symposium; that Rakim, 2Pac, and Nas can shed light on the conception of God's essence expressed in St. Thomas Aquinas's Summa Theologica; and explores the connection between Run-D.M.C., Snoop Dogg, and Hegel. Hip-Hop and Philosophy proves that rhyme and reason, far from being incompatible, can be mixed and mastered to contemplate life's most profound mysteries.
Author | : Erik Spiekermann |
Publisher | : |
Total Pages | : 126 |
Release | : 1987 |
Genre | : Printing |
ISBN | : 9783980072250 |
Ideas about elements of printing, both technical and aesthetic, told in an amusing manner.
Author | : Rka Benczes |
Publisher | : Cambridge University Press |
Total Pages | : 285 |
Release | : 2019-01-31 |
Genre | : Language Arts & Disciplines |
ISBN | : 1108491871 |
Machine generated contents note: 1. Introduction; 2. Phonological motivation in language evolution and development; 3. Phonetic symbolism; 4. Onomatopoeia; 5. Rhyme and alliteration in blends and compounds; 6. Words, words, words: rhyme and repetition in multi-word expressions; 7. Conclusions: the piggy in the middle.
Author | : Juan Uriagereka |
Publisher | : MIT Press |
Total Pages | : 726 |
Release | : 2000 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780262710084 |
This unusual book takes the form of a dialogue between a linguist and another scientist. This unusual book takes the form of a dialogue between a linguist and another scientist. The dialogue takes place over six days, with each day devoted to a particular topic--and the ensuing digressions. The role of the linguist is to present the fundamentals of the minimalist program of contemporary generative grammar. Although the linguist serves essentially as a voice for Noam Chomsky's ideas, he is not intended to be a portrait of Chomsky himself. The other scientist functions as a kind of devil's advocate, making the arguments that linguists tend to face from those in the "harder" sciences. The author does far more than simply present the minimalist program. He conducts a running argument over the status of theoretical linguistics as a natural science. He raises the general issues of how we conceive words, phrases, and transformations, and what these processes tell us about the human mind. He also attempts to reconcile generative grammar with the punctuated equilibrium version of evolutionary theory. In his foreword, Massimo Piatelli-Palmarini says, "The vast number of readers who have been enthralled by Goedel, Escher, Bach may well like also this syntactic companion, a sort of 'Chomsky, Fibonacci, Bach.'".
Author | : John Hollander |
Publisher | : Yale University Press |
Total Pages | : 165 |
Release | : 2014-09-30 |
Genre | : Literary Criticism |
ISBN | : 0300210825 |
Poet John Hollander surveys the schemes, patterns, and forms of English verse in this classic text, illustrating each variation with an original and witty self-descriptive example. In new essays for this fourth edition, J. D. McClatchy and Richard Wilbur each offer a personal take on why the book has played such an important role in the education of young poets and student scholars. “How lucky the young poet who discovers this wisest and most lighthearted of manuals.”—James Merrill “Marvelously comprehensive, clarifying and useful, and a delight to read.”—John Reardon, Los Angeles Times Book Review “A virtuoso performance and a mandatory text for poetry readers and practioners alike.”—ALA Booklist
Author | : Ik Jagait |
Publisher | : |
Total Pages | : 218 |
Release | : 2020-12-15 |
Genre | : |
ISBN | : |
A Punjabi Californian Love Story. After his separation from his childhood sweetheart Mahi, the headstrong but heartbroken Indo, gets involved with Jasleen, the free-spirited daughter of a wealthy, domineering family. But just as their relationship begins to blossom, an unexpected turn of events brings chaos into their lives and intertwines Indo's past with his present.
Author | : Adam Bradley |
Publisher | : Yale University Press |
Total Pages | : 425 |
Release | : 2017-01-01 |
Genre | : Literary Criticism |
ISBN | : 0300165021 |
From Tin Pan Alley to the Beatles to Beyoncé, "Mr. Bradley skillfully breaks down a century of standards and pop songs into their elements to reveal the interaction of craft and art in composition and performance." (The Wall Street Journal) Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n' roll to today's hits. George and Ira Gershwin's "Fascinating Rhythm." The Rolling Stones' "(I Can't Get No) Satisfaction." Rihanna's "Diamonds." These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.