In the late 1580s a new kind of entertainment flowered in London: professional theatre, with its custom built playhouses, professional companies, incredible staging and, last but not least, the new writers, poets, playwrights - the roaring boys. To ambitious young writers, London was a magnet offering the possibility of fame, excitement, wealth and opportunity beyond their wildest dreams. Arriving in London from quite ordinary backgrounds - Marlowe was the son of a shoemaker, Shakespeare's family were leather workers, Jonson's stepfather a bricklayer - they suddenly found themselves feted, offered large sums of money, the darlings of audiences - and they created drama off stage as well as on. Like footballer and media celebrtities of today, they behaved like the stars they thought themselves to be - drinking with wild abandon, partying, courting publicity - their reputations growing in the telling. Some set out to shock; some drank too much; some, like Christopher Marlowe, became...