Sacred Gifts and Worldly Treasures

by Cleveland Museum of Art
Sacred Gifts and Worldly Treasures
Author: Cleveland Museum of Art
Publisher: Distribution General
Total Pages: 328
Release: 2007
Genre: Art
ISBN:
GET BOOK

"In the middle of the first middle of the first millennium the political landscape of Europe was a lawless wasteland where widely scattered monasteries sheltered what remained of classical culture as well as the seeds of what would become the lofty achievements of medieval art, scholasticism, and humanism. In these sanctuaries and in towns fortified against constant warfare, precious objects, carefully wrought by hand, were made to glorify God and celebrate the pleasures of life at court. A thousand years of aesthetic culture, from the austere spirituality of the Byzantine Icon of the Virgin to the exalted frivolity of the French Table Fountain, is presented in this book, in pages filled with golden caskets set with jewels, tiny paintings in sacred books, and saints and angels in marble and gold"--Book jacket.

The Bernward Gospels

by Jennifer P. Kingsley
The Bernward Gospels
Author: Jennifer P. Kingsley
Publisher: Penn State Press
Total Pages: 229
Release: 2016-05-12
Genre: Art
ISBN: 0271064250
GET BOOK

Few works of art better illustrate the splendor of eleventh-century painting than the manuscript often referred to as the “precious gospels” of Bishop Bernward of Hildesheim, with its peculiar combination of sophistication and naïveté, its dramatically gesturing figures, and the saturated colors of its densely ornamented surfaces. In The Bernward Gospels, Jennifer Kingsley offers the first interpretive study of the pictorial program of this famed manuscript and considers how the gospel book conditioned contemporary and future viewers to remember the bishop. The codex constructs a complex image of a minister caring for his diocese not only through a life of service but also by means of his exceptional artistic patronage; of a bishop exercising the sacerdotal authority of his office; and of a man fundamentally preoccupied with his own salvation and desire to unite with God through both his sight and touch. Kingsley insightfully demonstrates how this prominent member of the early medieval episcopate presented his role to the saints and to the communities called upon to remember him.

Byzantine Materiality

by Evan Freeman
Byzantine Materiality
Author: Evan Freeman
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 447
Release: 2024-06-04
Genre: History
ISBN: 3110981092
GET BOOK

This volume explores the power of matter and materials in the Eastern Roman Empire, also known as Byzantium. Recent attention to matter as dynamic and meaningful constitutes an emerging, interdisciplinary field of inquiry known as materiality, new materialism, or the material turn. Materials can be symbolic, but matter can also act on human subjects. This volume builds on these insights to consider the role of matter, materials, form, and embodied experiences in Byzantium. In many respects, Byzantine materiality represents a continuation of its Greco-Roman inheritance, which was also shared by neighboring peoples such as the Umayyads and Abbasids. But the Byzantines also developed their own, unique perspectives on matter and form, as with their parsing of the sacred materialities of icons, the Eucharist, and relics. Chapters in this volume consider the cultural meanings and functions of materials such as gold and ivory, the materiality of icons and relics, experiences of objects, as well as Byzantine philosophies of matter and form. Materiality takes center stage in Byzantine constructions of power, luxury, belief, and identity, which will be of interest to scholars and students of Byzantium and the wider medieval world.

The Frame in Classical Art

by Verity Platt
The Frame in Classical Art
Author: Verity Platt
Publisher: Cambridge University Press
Total Pages: 737
Release: 2017-04-20
Genre: Art
ISBN: 110716236X
GET BOOK

This book reveals how 'marginal' aspects of Graeco-Roman art play a fundamental role in shaping and interrogating ancient and modern visual culture.

Anglo-Saxon England: Volume 37

by Malcolm Godden
Anglo-Saxon England: Volume 37
Author: Malcolm Godden
Publisher: Cambridge University Press
Total Pages: 388
Release: 2009-11-05
Genre: History
ISBN: 9780521767361
GET BOOK

Anglo-Saxon England is the only publication which consistently embraces all the main aspects of study of Anglo-Saxon history and culture - linguistic, literary, textual, palaeographic, religious, intellectual, historical, archaeological and artistic - and which promotes the more unusual interests - in music or medicine or education, for example. Articles in volume 37 include: Record of the thirteenth conference of the International Society of Anglo-Saxonists at the Institute of English Studies, University of London, 30 July to 4 August 2007; The virtues of rhetoric: Alcuin's Disputatio de rhetorica et de uirtutibus; King Edgar's charter for Pershore (972); Lost voices from Anglo-Saxon Lichfield; The Old English Promissio Regis; 'lfric, the Vikings, and an anonymous preacher in Cambridge, Corpus Christi College (162); Re-evaluating base-metal artifacts: an inscribed lead strap-end from Crewkerne, Somerset; Anglo-Saxon and related entries in the Oxford Dictionary of National Biography (2004); Bibliography for 2007.

Collectors, Commissioners, Curators

by Elina Gertsman
Collectors, Commissioners, Curators
Author: Elina Gertsman
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 418
Release: 2023-05-08
Genre: Art
ISBN: 1501514857
GET BOOK

This volume celebrates the storied career of Stephen N. Fliegel, the former Robert Bergman Curator of Medieval Art at the Cleveland Museum of Art (CMA). Authors of these essays, all leading curators in their fields, offer insights into curatorial practices by highlighting key objects in some of the most important medieval collections in North America and Europe: Metropolitan Museum of Art, The Louvre, the British Museum, Victoria & Albert Museum, the Getty, the Groeningemuseum, The Morgan Library, Vienna’s Kunsthistorisches Museum, and, of course, the CMA, offering perspectives on the histories of collecting and display, artistic identity, and patronage, with special foci on Burgundian art, acquisition histories, and objects in the CMA.

Designing Identity

by Thelma K. Thomas
Designing Identity
Author: Thelma K. Thomas
Publisher: Princeton University Press
Total Pages: 160
Release: 2016-03-22
Genre: Art
ISBN: 069116942X
GET BOOK

Ideals of character and beauty, and conceptions of self and society, were in flux during Late Antiquity, a period of extensive dramatic cultural upheaval for the Roman world, as the extraordinary growth of Christianity eclipsed paganism. Textiles from Late Antiquity document transformations of cultural traditions and societal values at the most intimate level of the individual body and the home. These textile artifacts are fragile, preserved only in arid conditions, often in fragments, and only rarely intact. The textiles selected for the exhibition Designing Identity at New York University's Institute for the Study of the Ancient World present an aesthetic of vibrant colors, fine materials, technical virtuosity of professional production, and variations on designs that display personal identity in the clothing of men, women, and children, as well as hopes for prosperity and protection in the textile furnishings of households. Prized for their artistry since the earliest discoveries beginning at the turn of the nineteenth century, such textiles were eagerly collected by designers, artists, scholars, museums, and captains of industry. This exhibition catalogue explores the parallel histories of ancient textile production and consumption, and the modern business of collecting Late Antique textiles. Contributors include Jennifer Ball, Edward Bleiberg, Kathrin Colburn, Helen Evans, Christine Kondoleon, Brandie Ratliff, Thelma Thomas, and Elizabeth Williams. Cover photograph © Bruce M. White, 201?

Wonderful Things: Byzantium through its Art

by Liz James
Wonderful Things: Byzantium through its Art
Author: Liz James
Publisher: Routledge
Total Pages: 495
Release: 2016-12-05
Genre: Art
ISBN: 1351871099
GET BOOK

The essays collected in this book were delivered at the XLII Spring Symposium of Byzantine Studies, held in London in 2009 to accompany the exhibition Byzantium 330-1453, at the Royal Academy. The exhibition was one of the most ambitious and complex exhibitions ever mounted at the Royal Academy, as well as one of the most popular, and the overall aim of the book is to reflect on the exhibition of Byzantine art, both as an academic and popular exercise, and through the choice and discussion of individual objects. Exhibitions present a very different picture of Byzantium and its culture from works of history. The choices of object for display, their arrangement, and the underlying aims of exhibition curators and designers mean that every exhibition presents a different picture of Byzantium. Particular emphases can be placed, whether on everyday life or high court culture; Constantinople or the provinces; or claims of continuity or change over the Byzantine millennium. The essays explore aspects of the image of Byzantium that results from these choices. Given the enormous popularity of exhibitions of Byzantine objects (continued after the completion of this volume by exhibitions in Paris, Bonn and Istanbul), art has become one of the most popular and accessible means of popularizing Byzantium to a wide public audience. Hitherto there has been no general consideration of either the historiography of Byzantine exhibitions or the ways in which they have been set up to present different aspects of Byzantine culture to an academic and general public. The essays are divided into 3 sections: Exhibiting Byzantium sets the 2009 exhibition into the context of other exhibitions of Byzantine art and considers the issues involved in curating and viewing such major collections of medieval art; Object Lessons offers a set of studies of individual objects that were in the exhibition; Byzantium through its Art moves to consider Byzantine art more widely, thinking about the different ways in which objects can be used to study Byzantine culture and society. These are preceded by an introduction by the editors which sets the volume in context.