Selected Plays of Micheál Mac Liammóir

Selected Plays of Micheál Mac Liammóir
Author: Micheál Mac Liammóir
Publisher: CUA Press
Total Pages: 356
Release: 1998
Genre: Ireland
ISBN: 9780813208893

Although Micheál mac Liammóir is best known as an actor and, with Hilton Edwards, founder of Dublin's Gate Theatre, he was also an artist and stage and costume designer of great talent and an accomplished playwright. The present selection contains five of his plays as well as some of his writings 'On Plays and Players,' and a bibliographical checklist. Contents: Where Stars Walk, Ill Met by Moonlight, The Mountains Look Different, The Liar, and Prelude in Kazbek Street

Selected Plays of Micheál Mac Liammóir

Selected Plays of Micheál Mac Liammóir
Author: Micheál Mac Liammóir
Publisher:
Total Pages: 319
Release: 1998
Genre: Ireland
ISBN: 9780861401543

This collection of dramatic works by the Irish actor and playwright, Michael MacLiammoir, includes: Where Stars Walk; Ill Met by Moonlight; The Mountains Look Different; The Liar; and Prelude in Kasbeck Street.

The Best Plays of 1997-1998

The Best Plays of 1997-1998
Author: Otis Love Guernsey (Jr.)
Publisher: Amadeus Press
Total Pages: 536
Release: 1998
Genre: Drama
ISBN: 9780879102715

The yearbook gives listings of casts and technical personnel for on- and off-Broadway productions, a summary of the season, synopses and lengthy extracts of dialogue from the best plays, and facts and figures on the New York and regional theater.

Selected Plays

Selected Plays
Author: Brian Friel
Publisher: CUA Press
Total Pages: 460
Release: 1986
Genre: Drama
ISBN: 9780813206271

Contents: Philadelphia, Here I Come; The Freedom of the City; Living Quarters; Aristocrats; Faith Healer; Translations Brian Friel was born in County Tyrone in 1929 and worked as a teacher before turning to full-time writing in 1960. His first stage success was in 1964 with Philadelphia, Here I Come, which established his claim as heir to such distinguished predecessors as Yeats, Synge, O'Casey, and Behan. In 1979 he and actor Stephen Rea formed the Field Day Theatre Company, whose first theatrical production was Friel's Translations in 1980. Also included in this selection are The Freedom of the City, set in Londonderry in 1970; Living Quarters, which Desmond MacAvok in the Evening Presscalled "one of the most fascinating and, in the end, truly moving evenings. . .in Irish Theatre"; Faith Healer, a metaphoric depiction of the artist and his gift' and Aristocrats, "as fine and as stimulating and as warm a piece of writing as had appeared on the Irish stage for many years," according to David Nowland, the Irish Times. --------------------------------------------------------------------------------

Remembering the Revolution

Remembering the Revolution
Author: Frances Flanagan
Publisher: OUP Oxford
Total Pages: 262
Release: 2015-06-18
Genre: History
ISBN: 0191059676

Remembering the Irish Revolution chronicles the ways in which the Irish revolution was remembered in the first two decades of Irish independence. While tales of heroism and martyrdom dominated popular accounts of the revolution, a handful of nationalists reflected on the period in more ambivalent terms. For them, the freedoms won in revolution came with great costs: the grievous loss of civilian lives, the brutalisation of Irish society, and the loss of hope for a united and prosperous independent nation. To many nationalists, their views on the revolution were traitorous. For others, they were the courageous expression of some uncomfortable truths. This volume explores these struggles over revolutionary memory through the lives of four significant, but under-researched nationalist intellectuals: Eimar O'Duffy, P. S. O'Hegarty, George Russell, and Desmond Ryan. It provides a lively account of their controversial critiques of the Irish revolution, and an intimate portrait of the friends, enemies, institutions and influences that shaped them. Based on wide-ranging archival research, Remembering the Irish Revolution puts the history of Irish revolutionary memory in a transnational context. It shows the ways in which international debates about war, human progress, and the fragility of Western civilisation were crucial in shaping the understandings of the revolution in Ireland. It provides a fresh context for analysis the major writers of the period, such as Sean O'Casey, W. B. Yeats, and Sean O'Faolain, as well as a new outlook on the genesis of the revisionist/nationalist schism that continues to resonate in Irish society today.