Shakespeare, Theory, and Performance

Shakespeare, Theory, and Performance
Author: James C. Bulman
Publisher: Psychology Press
Total Pages: 230
Release: 1996
Genre: Theater audiences
ISBN: 0415116260

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Shakespeare and Feminist Performance

Shakespeare and Feminist Performance
Author: Sarah Werner
Publisher: Routledge
Total Pages: 146
Release: 2005-07-08
Genre: Literary Criticism
ISBN: 1134588038

How do performances of Shakespeare change the meanings of the plays? In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest. Werner concentrates particularly on: The influential training methods of Cicely Berry and Patsy Rodenburg The history of the RSC Women's Group Gale Edwards' production of The Taming of the Shrew She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions. By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.

Shakespeare, Theory and Performance

Shakespeare, Theory and Performance
Author: James C. Bulman
Publisher: Routledge
Total Pages: 230
Release: 2003-09-02
Genre: Performing Arts
ISBN: 113481917X

Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.

Shakespeare’s Things

Shakespeare’s Things
Author: Brett Gamboa
Publisher: Routledge
Total Pages: 262
Release: 2019-11-19
Genre: Literary Criticism
ISBN: 1000750922

Floating daggers, enchanted handkerchiefs, supernatural storms, and moving statues have tantalized Shakespeare’s readers and audiences for centuries. The essays in Shakespeare’s Things: Shakespearean Theatre and the Non-Human World in History, Theory, and Performance renew attention to non-human influence and agency in the plays, exploring how Shakespeare anticipates new materialist thought, thing theory, and object studies while presenting accounts of intention, action, and expression that we have not yet noticed or named. By focusing on the things that populate the plays—from commodities to props, corpses to relics—they find that canonical Shakespeare, inventor of the human, gives way to a lesser-known figure, a chronicler of the ceaseless collaboration among persons, language, the stage, the object world, audiences, the weather, the earth, and the heavens.

Shakespeare and the Question of Theory

Shakespeare and the Question of Theory
Author: Geoffrey H. Hartman
Publisher: Routledge
Total Pages: 589
Release: 2004-06-01
Genre: Literary Criticism
ISBN: 1134964420

The theoretical ferment which has affected literary studies over the last decade has called into question traditional ways of thinking about, classifying and interpreting texts. Shakespeare has been not just the focus of a variety of divergent critical movements within recent years, but also increasingly the locus of emerging debates within, and with, theory itself. This collection of essays, written by distinguished and powerful critics in the fields of literary theory and Shakespeare studies, is intended both for those interested in Shakespeare and for those interested more generally in the emerging debates within contemporary criticism and theory.

Shakespeare and Social Theory

Shakespeare and Social Theory
Author: BRADD. SHORE
Publisher: Routledge
Total Pages: 296
Release: 2021-08-23
Genre:
ISBN: 9781032017174

This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.

Shakespeare and the Force of Modern Performance

Shakespeare and the Force of Modern Performance
Author: William B. Worthen
Publisher: Cambridge University Press
Total Pages: 282
Release: 2003-01-30
Genre: Drama
ISBN: 9780521008006

This book analyses how Shakespeare is recreated in historical performance.

Shakespeare, Theory and Performance

Shakespeare, Theory and Performance
Author: James C. Bulman
Publisher: Routledge
Total Pages: 229
Release: 2003-09-02
Genre: Art
ISBN: 1134819188

Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.

Shakespeare and the Authority of Performance

Shakespeare and the Authority of Performance
Author: William B. Worthen
Publisher: Cambridge University Press
Total Pages: 272
Release: 1997-09-25
Genre: Drama
ISBN: 9780521558990

How the idea of Shakespearean authority is still invested in the activities of directing, acting, and scholarship.