Spenser and the Discourses of Reformation England

Spenser and the Discourses of Reformation England
Author: Richard Mallette
Publisher: U of Nebraska Press
Total Pages: 312
Release: 1997-01-01
Genre: Literary Criticism
ISBN: 9780803231955

Spenser and the Discourses of Reformation England is a wide-ranging exploration of the relationships among literature, religion, and politics in Renaissance England. Richard Mallette demonstrates how one of the great masterpieces of English literature, Edmund Spenser?s The Faerie Queene, reproduces, criticizes, parodies, and transforms the discourses of England during that remarkable political and literary era. ø According to Mallette, The Faerie Queene not only represents Reformation values but also challenges, questions, and frequently undermines Protestant assumptions. Building upon recent scholarship, particularly new historicism, Protestant poetics, feminism, and gender theory, this ambitious study traces The Faerie Queene?s linkage of religion to political and social realms. Mallette?s study expands traditional theological conceptions of Renaissance England, showing how the poem incorporates and transmutes religious discourses and thereby tests, appraises, and questions their avowals and assurances. The book?s focus on religious discourses leads Mallette to examine how such matters as marriage, gender, the body, revenge, sexuality, and foreign policy were represented?in both traditional and subversive ways?in Spenser?s influential masterpiece. ø A bold and finely argued contribution to our understanding of Spenser, Reformation thought, and Renaissance literature and society, Mallette?s study will add to the ongoing reassessment of England during this important period.

Writing and Religion in England, 1558-1689

Writing and Religion in England, 1558-1689
Author: Professor Anthony W Johnson
Publisher: Ashgate Publishing, Ltd.
Total Pages: 522
Release: 2013-04-28
Genre: Literary Criticism
ISBN: 140947559X

The fruit of intensive collaboration among leading international specialists on the literature, religion and culture of early modern England, this volume examines the relationship between writing and religion in England from 1558, the year of the Elizabethan Settlement, up until the Act of Toleration of 1689. Throughout these studies, religious writing is broadly taken as being 'communicational' in the etymological sense: that is, as a medium which played a significant role in the creation or consolidation of communities. Some texts shaped or reinforced one particular kind of religious identity, whereas others fostered communities which cut across the religious borderlines which prevailed in other areas of social interaction. For a number of the scholars writing here, such communal differences correlate with different ways of drawing on the resources of cultural memory. The denominational spectrum covered ranges from several varieties of Dissent, through via media Anglicanism, to Laudianism and Roman Catholicism, and there are also glances towards heresy and the mid-seventeenth century's new atheism. With respect to the range of different genres examined, the volume spans the gamut from poetry, fictional prose, drama, court masque, sermons, devotional works, theological treatises, confessions of faith, church constitutions, tracts, and letters, to history-writing and translation. Arranged in roughly chronological order, Writing and Religion in England, 1558-1689 presents chapters which explore religious writing within the wider contexts of culture, ideas, attitudes, and law, as well as studies which concentrate more on the texts and readerships of particular writers. Several contributors embrace an inter-arts orientation, relating writing to liturgical ceremony, painting, music and architecture, while others opt for a stronger sociological slant, explicitly emphasizing the role of women writers and of writers from different sub-cultural backgrounds.

The Fabulous Dark Cloister

The Fabulous Dark Cloister
Author: Tiffany J. Werth
Publisher: JHU Press
Total Pages: 247
Release: 2011-12
Genre: Literary Criticism
ISBN: 1421403013

Romances were among the most popular books in the sixteenth and seventeenth centuries among both Protestant and Catholic readers. Modeled after Catholic narratives, particularly the lives of saints, these works emphasized the supernatural and the marvelous, themes commonly associated with Catholicism. In this book, Tiffany Jo Werth investigates how post-Reformation English authors sought to discipline romance, appropriating its popularity while distilling its alleged Catholic taint. Charged with bewitching readers, especially women, into lust and heresy, romances sold briskly even as preachers and educators denounced them as papist. Protestant reformers, as part of their broader indictment of Catholicism, sought to redirect certain elements of the Christian tradition, including this notorious literary genre. Werth argues that through the writing and circulation of romances, Protestants repurposed their supernatural and otherworldly motifs in order to “fashion,” as Edmund Spenser wrote, godly "vertuous" readers. Through careful examinations of the period’s most renowned romances—Sir Philip Sidney’s The Countess of Pembrokes Arcadia, Spenser’s The Faerie Queen, William Shakespeare’s Pericles, and Lady Mary Wroth’s Urania—Werth illustrates how post-Reformation writers struggled to transform the literary genre. As a result, the romance, long regarded as an archetypal form closely allied with generalized Christian motifs, emerged as a central tenet of the religious controversies that divided Renaissance England.

Spenser’s Heavenly Elizabeth

Spenser’s Heavenly Elizabeth
Author: Donald Stump
Publisher: Springer Nature
Total Pages: 344
Release: 2019-11-07
Genre: History
ISBN: 3030271153

This book reveals the queen behind Edmund Spenser’s The Faerie Queene. Placing Spenser’s epic poem in the context of the tumultuous sixteenth century, Donald Stump offers a groundbreaking reading of the poem as an allegory of Elizabeth I’s life. By narrating the loves and wars of an Arthurian realm that mirrors Elizabethan England, Spenser explores the crises that shaped Elizabeth’s reign: her break with the pope to create a reformed English Church, her standoff with Mary, Queen of Scots, offensives against Irish rebels and Spanish troops, confrontations with assassins and foreign invaders, and the apocalyptic expectations of the English people in a time of national transformation. Brilliantly reconciling moral and historicist readings, this volume offers a major new interpretation of The Faerie Queene.

The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture

The Sense of Suffering: Constructions of Physical Pain in Early Modern Culture
Author:
Publisher: BRILL
Total Pages: 544
Release: 2009-01-31
Genre: Religion
ISBN: 9047425944

The early modern period is a particularly relevant and fascinating chapter in the history of pain. This volume investigates early modern constructions of physical pain from a variety of disciplines, including religious, legal and medical history, literary criticism, philosophy, and art history. The contributors examine how early modern culture interpreted physical pain, as it presented itself for instance during illness, but also analyse the ways in which early moderns employed the idea of physical suffering as a powerful rhetorical tool in debates over other issues, such as the nature of ritual, notions of masculinity, selfhood and community, definitions of religious experience, and the nature of political power. Contributors include: Emese Bálint, Maria Berbara, Joseph Campana, Andreas Dehmer, Jan Frans van Dijkhuizen, Karl A.E. Enenkel, Lia van Gemert, Frans Willem Korsten, Mary Ann Lund, Jenny Mayhew, Stephen Pender, Michael Schoenfeldt, Kristine Steenbergh, Anne Tilkorn, Jetze Touber, Anita Traninger, and Patrick Vandermeersch.

Spenserian allegory and Elizabethan biblical exegesis

Spenserian allegory and Elizabethan biblical exegesis
Author: Margaret Christian
Publisher: Manchester University Press
Total Pages: 322
Release: 2016-10-10
Genre: Literary Criticism
ISBN: 152610783X

Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline delivered plainly in way of precepts, or sermoned at large.' Spenser's allegory and Elizabethan biblical exegesis is the first book-length study to clarify Spenser's comparison by introducing readers to the biblical typologies of contemporary sermons and liturgies. The result demonstrates that 'precepts ... sermoned at large' from lecterns and pulpits were themselves often 'clowdily enwrapped in allegoricall devises'. In effect, routine churchgoing prepared Spenser's first readers to enjoy and interpret The Faerie Queene. A wealth of relevant quotations invites readers to adopt an Elizabethan mindset and encounter the poem afresh. The 'chronicle history' cantos, Florimell's adventures, the Souldan episode, Mercilla's judgment on Duessa and even the two stanzas that close the Mutabilitie fragment, all come into sharper focus when juxtaposed with contemporary religious rhetoric.

Shakespeare and Spenser

Shakespeare and Spenser
Author: J. B. Lethbridge
Publisher: Manchester University Press
Total Pages: 459
Release: 2013-07-19
Genre: Literary Criticism
ISBN: 1847797431

Shakespeare and Spenser: Attractive opposites is a much-needed volume that brings together ten original papers by experts on the relations between Spenser and Shakespeare. There has been much noteworthy work on the linguistic borrowings of Shakespeare from Spenser, but the subject has never before been treated systematically, and the linguistic borrowings lead to broader-scale borrowings and influences which are treated here. An additional feature of the book is that for the first time a large bibliography of previous work is offered which will be of the greatest help to those who follow up the opportunities offered by this collection. Shakespeare and Spenser: Attractive opposites presents new approaches, heralding a resurgence of interest in the relations between two of the greatest Renaissance English poets to a wider scholarly group and in a more systematic manner than before. This will be of interest to Students and academics interested in Renaissance literature.

Spenser: The Faerie Queene

Spenser: The Faerie Queene
Author: A. C. Hamilton
Publisher: Routledge
Total Pages: 810
Release: 2014-06-11
Genre: Literary Criticism
ISBN: 1317865642

The Faerie Queene is a scholarly masterpiece that has influenced, inspired, and challenged generations of writers, readers and scholars since its completion in 1596. Hamilton's edition is itself, a masterpiece of scholarship and close reading. It is now the standard edition for all readers of Spenser. The entire work is revised, and the text of The Faerie Queene itself has been freshly edited, the first such edition since the 1930s. This volume also contains additional original material, including a letter to Raleigh, commendatory verses and dedicatory sonnets, chronology of Spenser's life and works and provides a compilation of list of characters and their appearances in The Faerie Queene.

Shakespeare and Protestant Poetics

Shakespeare and Protestant Poetics
Author: Jason Gleckman
Publisher: Springer Nature
Total Pages: 379
Release: 2019-10-29
Genre: Literary Criticism
ISBN: 9813295996

This book explores the impact of the sixteenth-century Reformation on the plays of William Shakespeare. Taking three fundamental Protestant concerns of the era – (double) predestination, conversion, and free will – it demonstrates how Protestant theologians, in England and elsewhere, re-imagined these longstanding Christian concepts from a specifically Protestant perspective. Shakespeare utilizes these insights to generate his distinctive view of human nature and the relationship between humans and God. Through in-depth readings of the Shakespeare comedies ‘The Merry Wives of Windsor’, ‘Much Ado About Nothing’, ‘A Midsummer Night’s Dream’, and ‘Twelfth Night’, the romance ‘A Winter’s Tale’, and the tragedies of ‘Macbeth’ and ‘Hamlet’, this book examines the results of almost a century of Protestant thought upon literary art.