Sporting Blackness

Sporting Blackness
Author: Samantha N. Sheppard
Publisher: Univ of California Press
Total Pages: 269
Release: 2020-06-16
Genre: Performing Arts
ISBN: 0520973852

Sporting Blackness examines issues of race and representation in sports films, exploring what it means to embody, perform, play out, and contest blackness by representations of Black athletes on screen. By presenting new critical terms, Sheppard analyzes not only “skin in the game,” or how racial representation shapes the genre’s imagery, but also “skin in the genre,” or the formal consequences of blackness on the sport film genre’s modes, codes, and conventions. Through a rich interdisciplinary approach, Sheppard argues that representations of Black sporting bodies contain “critical muscle memories”: embodied, kinesthetic, and cinematic histories that go beyond a film’s plot to index, circulate, and reproduce broader narratives about Black sporting and non-sporting experiences in American society.

Race, Sport and Politics

Race, Sport and Politics
Author: Ben Carrington
Publisher: SAGE
Total Pages: 214
Release: 2010-08-01
Genre: Social Science
ISBN: 1849204292

Written by one of the leading international authorities on the sociology of race and sport, this is the first book to address sport′s role in ′the making of race′, the place of sport within black diasporic struggles for freedom and equality, and the contested location of sport in relation to the politics of recognition within contemporary multicultural societies. Race, Sport and Politics shows how, during the first decades of the twentieth century, the idea of ′the natural black athlete′ was invented in order to make sense of and curtail the political impact and cultural achievements of black sportswomen and men. More recently, ′the black athlete′ as sign has become a highly commodified object within contemporary hyper-commercialized sports-media culture thus limiting the transformative potential of critically conscious black athleticism to re-imagine what it means to be both black and human in the twenty-first century. Race, Sport and Politics will be of interest to students and scholars in sociology of culture and sport, the sociology of race and diaspora studies, postcolonial theory, cultural theory and cultural studies.

The Revolt of the Black Athlete

The Revolt of the Black Athlete
Author: Harry Edwards
Publisher: University of Illinois Press
Total Pages: 222
Release: 2017-05-02
Genre: Social Science
ISBN: 0252051548

The Revolt of the Black Athlete hit sport and society like an Ali combination. This Fiftieth Anniversary edition of Harry Edwards's classic of activist scholarship arrives even as a new generation engages with the issues he explored. Edwards's new introduction and afterword revisit the revolts by athletes like Muhammad Ali, Kareem Abdul-Jabbar, Tommie Smith, and John Carlos. At the same time, he engages with the struggles of a present still rife with racism, double-standards, and economic injustice. Again relating the rebellion of black athletes to a larger spirit of revolt among black citizens, Edwards moves his story forward to our era of protests, boycotts, and the dramatic politicization of athletes by Black Lives Matter. Incisive yet ultimately hopeful, The Revolt of the Black Athlete is the still-essential study of the conflicts at the interface of sport, race, and society.

After Artest

After Artest
Author: David J. Leonard
Publisher: SUNY Press
Total Pages: 277
Release: 2012-05-01
Genre: Social Science
ISBN: 143844205X

Explores how the NBA moved to govern black players and the expression of blackness after the “Palace Brawl” of 2004.

On Racial Icons

On Racial Icons
Author: Nicole R. Fleetwood
Publisher: Rutgers University Press
Total Pages: 144
Release: 2015-07-15
Genre: Social Science
ISBN: 0813565138

What meaning does the American public attach to images of key black political, social, and cultural figures? Considering photography’s role as a means of documenting historical progress, what is the representational currency of these images? How do racial icons “signify”? Nicole R. Fleetwood’s answers to these questions will change the way you think about the next photograph that you see depicting a racial event, black celebrity, or public figure. In On Racial Icons, Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective racial wounds in moments of crisis. Offering an overview of photography’s ability to capture shifting race relations, Fleetwood spotlights in each chapter a different set of iconic images in key sectors of public life. She considers flash points of racialized violence in photographs of Trayvon Martin and Emmett Till; the political, aesthetic, and cultural shifts marked by the rise of pop stars such as Diana Ross; and the power and precarity of such black sports icons as Serena Williams and LeBron James; and she does not miss Barack Obama and his family along the way. On Racial Icons is an eye-opener in every sense of the phrase. Images from the book. (http://rutgerspress.rutgers.edu/pages/Fleetwood.aspx)

The Heritage

The Heritage
Author: Howard Bryant
Publisher: Beacon Press
Total Pages: 290
Release: 2018-05-08
Genre: Sports & Recreation
ISBN: 0807026999

Following in the footsteps of Robeson, Ali, Robinson and others, today’s Black athletes re-engage with social issues and the meaning of American patriotism Named a best book of 2018 by Library Journal It used to be that politics and sports were as separate from one another as church and state. The ballfield was an escape from the world’s worst problems, top athletes were treated like heroes, and cheering for the home team was as easy and innocent as hot dogs and beer. “No news on the sports page” was a governing principle in newsrooms. That was then. Today, sports arenas have been transformed into staging grounds for American patriotism and the hero worship of law enforcement. Teams wear camouflage jerseys to honor those who serve; police officers throw out first pitches; soldiers surprise their families with homecomings at halftime. Sports and politics are decidedly entwined. But as journalist Howard Bryant reveals, this has always been more complicated for black athletes, who from the start, were committing a political act simply by being on the field. In fact, among all black employees in twentieth-century America, perhaps no other group had more outsized influence and power than ballplayers. The immense social responsibilities that came with the role is part of the black athletic heritage. It is a heritage built by the influence of the superstardom and radical politics of Paul Robeson, Jackie Robinson, Muhammad Ali, Tommie Smith, and John Carlos through the 1960s; undermined by apolitical, corporate-friendly “transcenders of race,” O. J. Simpson, Michael Jordan, and Tiger Woods in the following decades; and reclaimed today by the likes of LeBron James, Colin Kaepernick, and Carmelo Anthony. The Heritage is the story of the rise, fall, and fervent return of the athlete-activist. Through deep research and interviews with some of sports’ best-known stars—including Kaepernick, David Ortiz, Charles Barkley, and Chris Webber—as well as members of law enforcement and the military, Bryant details the collision of post-9/11 sports in America and the politically engaged post-Ferguson black athlete.

Who Da Man?

Who Da Man?
Author: Gamal Abdel-Shehid
Publisher: Canadian Scholars’ Press
Total Pages: 212
Release: 2005
Genre: Biography & Autobiography
ISBN: 1551302616

This book offers a highly original approach to Black masculinities and sport in Canada. The book will be especially exciting for those interested in decolonisation, culture, and the intersection of identity, sport, and politics. Who Da Man attempts to account for the ways that Black Diasporic identifications intersect with the dominant misogyny and homophobia in contemporary men's sporting cultures. Abdel-Shehid suggests that thinking about Diaspora in the making of contemporary Black sporting cultures provides a more comprehensive framework than that which looks at sport solely within the framework of nations and nationalism. He further argues that Canadian hegemonic ideas and practices typically marginalise blackness and Black peoples. Thus, the author suggests, Black masculinities in sport are often connected to Diasporic locations. These connections can be either empowering or disempowering, requiring careful analysis to achieve full understanding of how things are being perceived, projected, and therefore implemented. "Who Da Man" offers a feminist and queer reading of Black masculinity, and suggests that thinking about Black sporting masculinities means paying attention to the ways that these larger discourses of racism, exclusion, and Diaspora shape Black masculinities. Moreover, the book asks to what extent homophobia and misogyny within men's sporting cultures influence contemporary understandings of Black masculinity.

Commodified and Criminalized

Commodified and Criminalized
Author: David J. Leonard
Publisher: Rowman & Littlefield Publishers
Total Pages: 274
Release: 2010-12-28
Genre: Sports & Recreation
ISBN: 1442206799

Commodified and Criminalized examines the centrality of sport to discussions of racial ideologies and racist practices in the 21st century. It disputes familiar refrains of racial progress, arguing that athletes sit in a contradictory position masked by the logics of new racism and dominant white racial frames. Contributors discuss athletes ranging from Tiger Woods and Serena Williams to Freddy Adu and Shani Davis. Through dynamic case studies, Commodified and Criminalized unpacks the conversation between black athletes and colorblind discourse, while challenging the assumptions of contemporary sports culture. The contributors in this provocative collection push the conversation beyond the playing field and beyond the racial landscape of sports culture to explore the connections between sports representations and a broader history of racialized violence.

Who's Afraid of Post-Blackness?

Who's Afraid of Post-Blackness?
Author: Touré
Publisher: Simon and Schuster
Total Pages: 274
Release: 2011-09-13
Genre: Social Science
ISBN: 1439177554

How do we make sense of what it means to be Black in a world with room for both Michelle Obama and Precious? Tour , an iconic commentator and journalist, defines and demystifies modern Blackness with wit, authority, and irreverent humor. In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Americans are searching for new ways of understanding Blackness, partly inspired by a President who is unlike any Black man ever seen on our national stage. This book aims to destroy the notion that there is a correct or even definable way of being Black. It’s a discussion mixing the personal and the intellectual. It gives us intimate and painful stories of how race and racial expectations have shaped Tour ’s life as well as a look at how the concept of Post-Blackness functions in politics, psychology, the Black visual arts world, Chappelle’s Show, and more. For research Tour has turned to some of the most important luminaries of our time for frank and thought-provoking opinions, including Rev. Jesse Jackson, Henry Louis Gates Jr., Cornel West, Michael Eric Dyson, Melissa Harris-Lacewell, Malcolm Gladwell, Harold Ford, Jr., Kara Walker, Kehinde Wiley, Chuck D, and many others. Their comments and disagreements with one another may come as a surprise to many readers. Of special interest is a personal racial memoir by the author in which he depicts defining moments in his life when he confronts the question of race head-on. In another chapter—sure to be controversial—he explains why he no longer uses the word “nigga.” Who’s Afraid of Post-Blackness? is a complex conversation on modern America that aims to change how we perceive race in ways that are as nuanced and spirited as the nation itself.