Streaming Music, Streaming Capital

Streaming Music, Streaming Capital
Author: Eric Drott
Publisher: Duke University Press
Total Pages: 230
Release: 2023-12-29
Genre: Music
ISBN: 1478027878

In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situation within digital capitalism, from growing concentrations of monopoly power and music’s use in corporate surveillance to issues of musical value, labor, and artist pay.

Spotify Teardown

Spotify Teardown
Author: Maria Eriksson
Publisher: MIT Press
Total Pages: 287
Release: 2019-02-19
Genre: Social Science
ISBN: 0262038900

An innovative investigation of the inner workings of Spotify that traces the transformation of audio files into streamed experience. Spotify provides a streaming service that has been welcomed as disrupting the world of music. Yet such disruption always comes at a price. Spotify Teardown contests the tired claim that digital culture thrives on disruption. Borrowing the notion of “teardown” from reverse-engineering processes, in this book a team of five researchers have playfully disassembled Spotify's product and the way it is commonly understood. Spotify has been hailed as the solution to illicit downloading, but it began as a partly illicit enterprise that grew out of the Swedish file-sharing community. Spotify was originally praised as an innovative digital platform but increasingly resembles a media company in need of regulation, raising questions about the ways in which such cultural content as songs, books, and films are now typically made available online. Spotify Teardown combines interviews, participant observations, and other analyses of Spotify's “front end” with experimental, covert investigations of its “back end.” The authors engaged in a series of interventions, which include establishing a record label for research purposes, intercepting network traffic with packet sniffers, and web-scraping corporate materials. The authors' innovative digital methods earned them a stern letter from Spotify accusing them of violating its terms of use; the company later threatened their research funding. Thus, the book itself became an intervention into the ethics and legal frameworks of corporate behavior.

Music and Protest

Music and Protest
Author: Ian Peddie
Publisher: Routledge
Total Pages: 0
Release: 2024-10-14
Genre: Music
ISBN: 9781032918426

This volume of essays brings together some of the best writing on music and protest from the last thirty years. The collection encompasses a variety of genres and a wide range of topics, and selects chapters on music from fifteen different countries. Written by leading researchers and educators, this volume is an indispensable collection for those

The Cambridge Companion to Music in Digital Culture

The Cambridge Companion to Music in Digital Culture
Author: Nicholas Cook
Publisher: Cambridge University Press
Total Pages: 347
Release: 2019-09-19
Genre: Computers
ISBN: 1107161789

Digital technology has profoundly transformed almost all aspects of musical culture. This book explains how and why.

#On Popular Music

#On Popular Music
Author: Theodor W. Adorno
Publisher:
Total Pages: 52
Release: 1942*
Genre: Popular music
ISBN:

Sharing

Sharing
Author: Matthew David
Publisher: John Wiley & Sons
Total Pages: 220
Release: 2017-09-05
Genre: Social Science
ISBN: 1509513248

Today's economic system, premised on the sale of physical goods, does not fit the information age in which we live. The capitalist order requires the maintenance of an artificial scarcity in goods that have the potential for near infinite and almost free replication. The sharing of informational goods through distributed global networks – digital libraries, file–sharing, live–streaming, free software, free–access publishing, the free–sharing of scientific knowledge, and open-source pharmaceuticals – not only challenges the dominance of a scarcity–based economic system, but also enables a more efficient, innovative, just and free culture. In a series of seven explorations of contemporary sharing, Matthew David shows that in each case sharing surpasses markets, private ownership and intellectual property rights in fostering motivation, creativity, innovation, production, distribution and reward. In transforming the idea of an information economy into an information society, sharing connects struggles against inequality and poverty in developed and developing countries. Challenging taken-for-granted justifications of the status quo, Sharing debunks the 'tragedy of the commons' and makes the case for digital network sharing as a viable mode of economic counterpower, prefiguring a post–capitalist society.

Digital Transformation in The Recording Industry

Digital Transformation in The Recording Industry
Author: Anna Anetta Janowska
Publisher: Taylor & Francis
Total Pages: 194
Release: 2023-12-13
Genre: Business & Economics
ISBN: 1003826229

The recording industry has famously been transformed by technology throughout its entire history. The book presents an analysis of these changes using Porter's five forces model. The author highlights the evolution of buyers' and suppliers' power, the emergence of new competitors, product innovation and rivalry between companies in the industry driven by economic, political, social and legal factors. As an early mover in the social diffusion of copyright-sensitive content, the recording industry reflected in this book serves as an important reference for the analysis of other cultural and creative sectors.

Perspectives on Digital Humanism

Perspectives on Digital Humanism
Author: Hannes Werthner
Publisher: Springer Nature
Total Pages: 342
Release: 2021-11-23
Genre: Computers
ISBN: 3030861449

This open access book aims to set an agenda for research and action in the field of Digital Humanism through short essays written by selected thinkers from a variety of disciplines, including computer science, philosophy, education, law, economics, history, anthropology, political science, and sociology. This initiative emerged from the Vienna Manifesto on Digital Humanism and the associated lecture series. Digital Humanism deals with the complex relationships between people and machines in digital times. It acknowledges the potential of information technology. At the same time, it points to societal threats such as privacy violations and ethical concerns around artificial intelligence, automation and loss of jobs, ongoing monopolization on the Web, and sovereignty. Digital Humanism aims to address these topics with a sense of urgency but with a constructive mindset. The book argues for a Digital Humanism that analyses and, most importantly, influences the complex interplay of technology and humankind toward a better society and life while fully respecting universal human rights. It is a call to shaping technologies in accordance with human values and needs.

Music and the Elusive Revolution

Music and the Elusive Revolution
Author: Eric Drott
Publisher: Univ of California Press
Total Pages: 363
Release: 2011-07-02
Genre: Music
ISBN: 0520950089

In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known. In the forty years since, May ’68 has come to occupy a singular place in the modern political imagination, not just in France but across the world. Eric Drott examines the social, political, and cultural effects of May ’68 on a wide variety of music in France, from the initial shock of 1968 through the "long" 1970s and the election of Mitterrand and the socialists in 1981. Drott’s detailed account of how diverse music communities developed in response to 1968 and his pathbreaking reflections on the nature and significance of musical genre come together to provide insights into the relationships that link music, identity, and politics.