Synagogue Song

Synagogue Song
Author: Jonathan L. Friedmann
Publisher: McFarland
Total Pages: 204
Release: 2014-01-10
Genre: Religion
ISBN: 0786491361

Throughout history, music has been a fixture of Jewish religious life. Musical references appear in biblical accounts of the Red Sea crossing and King Solomon's coronation, and music continues to play a central role in virtually every Jewish occasion. Through 100 brief chapters, this volume considers theoretical approaches to the study of Jewish sacred music. Topics include the diversity of Jewish music, the interaction of music and identity, the emotional and spiritual impact of worship music, the text-tone relationship, the musical component of Jewish holidays, and the varied ways prayer-songs are performed. These distillations of complex topics invite a fuller appreciation of synagogue song and an understanding of the ubiquitous presence of music in Jewish worship.

Social Functions of Synagogue Song

Social Functions of Synagogue Song
Author: Jonathan L. Friedmann
Publisher: Lexington Books
Total Pages: 199
Release: 2012-04-26
Genre: Music
ISBN: 0739168320

Social Functions of Synagogue Song: A Durkheimian Approach by Jonathan L. Friedmann paints a detailed picture of the important role sacred music plays in Jewish religious communities. This study explores one possible way to approach the subject of music’s intimate connection with public worship: applying sociologist Émile Durkeim’s understanding of ceremonial ritual to synagogue music. Durkheim observed that religious ceremonies serve disciplinary, cohesive, revitalizing, and euphoric functions within religious communities. Drawing upon musical examples from different composers, regions, periods, rites, and services, Friedmann demonstrates how Jewish sacred music performs these functions.

Social Functions of Synagogue Song

Social Functions of Synagogue Song
Author: Jonathan L. Friedmann
Publisher: Lexington Books
Total Pages: 199
Release: 2012
Genre: Music
ISBN: 0739168312

Social Functions of Synagogue Song: A Durkheimian Approach by Jonathan L. Friedmann paints a detailed picture of the important role sacred music plays in Jewish religious communities. This study explores one possible way to approach the subject of music's intimate connection with public worship: applying sociologist mile Durkeim's understanding of ceremonial ritual to synagogue music. Durkheim observed that religious ceremonies serve disciplinary, cohesive, revitalizing, and euphoric functions within religious communities. Drawing upon musical examples from different composers, regions, periods, rites, and services, Friedmann demonstrates how Jewish sacred music performs these functions.

Synagogue Song in America

Synagogue Song in America
Author: Joseph A. Levine
Publisher:
Total Pages: 0
Release: 2000
Genre: Religion
ISBN: 9780765761392

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Funny, It Doesn't Sound Jewish

Funny, It Doesn't Sound Jewish
Author: Jack Gottlieb
Publisher:
Total Pages: 358
Release: 2004-03
Genre: Music
ISBN: 9780791461013

Audio disc contains: musical examples.

Out of the Cloister: Scholastic Exegesis of the Song of Songs, 1100-1250

Out of the Cloister: Scholastic Exegesis of the Song of Songs, 1100-1250
Author: Suzanne LaVere
Publisher: BRILL
Total Pages: 202
Release: 2016-03-11
Genre: History
ISBN: 9004313842

The Song of Songs was one of the most frequently interpreted biblical books of the Middle Ages. Most scholarly studies concentrate on monastic interpretations of the text, which tend to be contemplative in nature. In Out of the Cloister, Suzanne LaVere reveals a particularly scholastic strain of Song of Songs exegesis, in which cathedral school masters and mendicants in and around 12th and 13th-century Paris read the text as Christ exhorting the Church and clergy to lead an active life of preaching, instruction, conversion, and reform. This new interpretation of the Song of Songs both reflected and influenced an era of far-reaching Church reform and offered a program for secular clergy to combat heresy and apathy among the laity.

Shbahoth – Songs of Praise in the Babylonian Jewish Tradition

Shbahoth – Songs of Praise in the Babylonian Jewish Tradition
Author: Sara Manasseh
Publisher: Routledge
Total Pages: 280
Release: 2016-12-05
Genre: Music
ISBN: 1351900439

Sara Manasseh brings a significant, but less widely-known, Jewish repertoire and tradition to the attention of both the Jewish community (Ashkenazi, Sephardi, Oriental) and the wider global community. The book showcases thirty-one songs and includes English translations, complete Hebrew texts, transliterations and the music notation for each song. The accompanying downloadable resources include eighteen of the thirty-one songs, sung by Manasseh, accompanied by 'ud and percussion. The remaining thirteen songs are available separately on the album Treasures, performed by Rivers of Babylon, directed by Manasseh - : www.riversofbabylon.com. While in the past a book of songs, with Hebrew text only, was sufficient for bearers of the tradition, the present package represents a song collection for the twenty-first century, with greater resources to support the learning and maintenance of the tradition. Manasseh argues that the strong inter-relationship of Jewish and Arab traditions in this repertoire - linguistically and musically - is significant and provides an intercultural tool to promote communication, tolerance, understanding, harmony and respect. The singing of the Shbahoth (the Baghdadian Jewish term for 'Songs of Praise') has been a significant aspect of Jewish life in Iraq and continues to be valued by those in the Babylonian Jewish diaspora.

Three Early Modern Hebrew Scholars on the Mysteries of Song

Three Early Modern Hebrew Scholars on the Mysteries of Song
Author: Don Harrán Z"l
Publisher: BRILL
Total Pages: 404
Release: 2014-10-30
Genre: Religion
ISBN: 9004283641

In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the Ancient Temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory.