| Author | : David H. Wilson |
| Publisher | : |
| Total Pages | : 430 |
| Release | : 2005 |
| Genre | : Identity (Psychology) |
| ISBN | : |
Technologized Desire
| Author | : D. Harlan Wilson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : 9781933293738 |
In Technologized Desire, D. Harlan Wilson measures the evolution of the human condition as it has been represented by postcapitalist science fiction, which has consistently represented the body and subjectivity as ultraviolent, pathological phenomena. Operating under the assumption that selfhood is a technology--i.e. a creative projection from the body encompassing everything from language to electronic machinery--Wilson studies the emergence of selfhood in philosophy (Deleuze & Guattari), fiction (William S. Burroughs' cut-up novels and Max Barry's Jennifer Government), and cinema (Army of Darkness, Vanilla Sky, and the Matrix trilogy) in an attempt to portray the schizophrenic rigor of twenty-first century mediatized life. We are obligated by the pathological unconscious to always choose to be enslaved by capital and its hi-tech arsenal. The universe of consumer-capitalism, Wilson argues, is an illusory prison from which there is no escape--despite the fact that it is illusory.
Technologized Images, Technologized Bodies
| Author | : Jeanette Edwards |
| Publisher | : Berghahn Books |
| Total Pages | : 276 |
| Release | : 2010 |
| Genre | : Medical |
| ISBN | : 9781845456641 |
ethnographic approaches. Offering a fascinating and wide range of perspectives, the chapters in this volume bring an innovative focus that reflects the authors' shared interest in the body' and visualising technologies. --
The Technologized Investor
| Author | : Ashby H.B. Monk |
| Publisher | : Stanford University Press |
| Total Pages | : 269 |
| Release | : 2020-04-21 |
| Genre | : Business & Economics |
| ISBN | : 1503612090 |
“A detailed, cogent road map for organizations such as pension funds to harness technology and truly invest for the long-term.” ―Eric Schmidt, former CEO, Google Silver Medal Winner, 2021 Axiom Business Book Awards Institutional Investors underpin our capitalist world, and could play a major role in addressing some of the greatest challenges to society—such as climate change, the ballooning wealth gap, declining infrastructure, aging populations, and the need for stable funding for the sciences and arts. Advanced technology can help institutional investors deliver the funds needed to tackle these grave challenges. The Technologized Investor is a practical guide showing how institutional investors can gain the capabilities for deep innovation by reorienting their strategies and organizations around advanced technology. It dissects why technology has historically failed institutional investors and recommends realistic changes that they can make to unlock technological superpowers. Grounded in the actual experiences of institutional investors from around the globe, it’s a unique reference manual for practitioners on how to reboot their organizations for long-term performance. The book walks readers through many detailed frameworks for analyzing how well new technologies fit with their organization’s goals and resources, as well as how to make the organization itself more robust to technological change. It also envisions the ways that the durable empowerment of institutional investors enables them to achieve their long-term objectives. Based on first-hand empirical analysis, the book will help institutional investors to rethink their perspectives on the role of technology in their organizations, and the future possibilities it can unlock.
The Individual and Utopia
| Author | : Clint Jones |
| Publisher | : Routledge |
| Total Pages | : 356 |
| Release | : 2016-03-09 |
| Genre | : Social Science |
| ISBN | : 1317027582 |
Central to the idea of a perfect society is the idea that communities must be strong and bound together with shared ideologies. However, while this may be true, rarely are the individuals that comprise a community given primacy of place as central to a strong communal theory. This volume moves away from the dominant, current macro-level theorising on the subject of identity and its relationship to and with globalising trends, focusing instead on the individual’s relationship with utopia so as to offer new interpretive approaches for engaging with and examining utopian individuality. Interdisciplinary in scope and bringing together work from around the world, The Individual and Utopia enquires after the nature of the utopian as citizen, demonstrating the inherent value of making the individual central to utopian theorizing and highlighting the methodologies necessary for examining the utopian individual. The various approaches employed reveal what it is to be an individual yoked by the idea of citizenship and challenge the ways that we have traditionally been taught to think of the individual as citizen. As such, it will appeal to scholars with interests in social theory, philosophy, literature, cultural studies, architecture, and feminist thought, whose work intersects with political thought, utopian theorizing, or the study of humanity or human nature.
James Joyce's Ulysses
| Author | : Derek Attridge |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 285 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 0195158318 |
The books that comprise the 'Casebooks in Criticism' series offer edited in-depth readings and critical notes and studies on the most important classic novels. This volume explores Joyce's 'Ulysses'.
Deus in Machina:Religion, Technology, and the Things in Between
| Author | : Jeremy Stolow |
| Publisher | : Fordham Univ Press |
| Total Pages | : 369 |
| Release | : 2013 |
| Genre | : Medical |
| ISBN | : 0823249808 |
The essays in this volume explore how two domains of human experience and action--religion and technology--are implicated in each other. Contrary to commonsense understandings of both religion (as an "otherworldly" orientation) and technology (as the name for tools, techniques, and expert knowledges oriented to "this" world), the contributors to this volume challenge the grounds on which this division has been erected in the first place. What sorts of things come to light when one allows religion and technology to mingle freely? In an effort to answer that question, Deus in Machina embarks upon an interdisciplinary voyage across diverse traditions and contexts where religion and technology meet: from the design of clocks in medieval Christian Europe, to the healing power of prayer in premodern Buddhist Japan, to 19th-century Spiritualist devices for communicating with the dead, to Islamic debates about kidney dialysis in contemporary Egypt, to the work of disability activists using documentary film to reimagine Jewish kinship, to the representation of Haitian Vodou on the Internet, among other case studies. Combining rich historical and ethnographic detail with extended theoretical reflection, Deus in Machina outlines new directions for the study of religion and/as technology that will resonate across the human sciences, including religious studies, science and technology studies, communication studies, history, anthropology, and philosophy.
Vision, Technology, and Subjectivity in Mexican Cyberpunk Literature
| Author | : Stephen C. Tobin |
| Publisher | : Springer Nature |
| Total Pages | : 207 |
| Release | : 2023-07-06 |
| Genre | : Literary Criticism |
| ISBN | : 3031311566 |
Vision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects—or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these “specular fictions” represent an exceptional tendency within literary expression—especially within the cyberpunk genre—that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
Heidegger and Music
| Author | : Casey Rentmeester |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 337 |
| Release | : 2022-02-02 |
| Genre | : Philosophy |
| ISBN | : 1538154145 |
Although philosophers have examined and commented on music for centuries, Martin Heidegger, one of the greatest philosophers of the 20th century, had frustratingly little to say about music—directly, at least. This volume, the first to tackle Heidegger and music, features contributions from philosophers, musicians, educators, and musicologists from many countries throughout the world, aims to utilize Heidegger’s philosophy to shed light on the place of music in different contexts and fields of practice. Heidegger’s thought is applied to a wide range of musical spheres, including improvisation, classical music, electronic music, African music, ancient Chinese music, jazz, rock n’ roll, composition, and musical performance. The volume also features a wide range of philosophical insights on the essence of music, music’s place in society, and the promise of music’s ability to open up new ways of understanding the world with the onset of the technological and digital musical age. Heidegger and Music breaks new philosophical ground by showcasing creative vignettes that not only push Heidegger’s concepts in new directions, but also get us to question the meaning of music in various contexts.
