The Age of the Image

The Age of the Image
Author: Stephen Apkon
Publisher: Macmillan
Total Pages: 290
Release: 2013-04-16
Genre: Art
ISBN: 0374102430

This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling.

The Age of the Image

The Age of the Image
Author: Stephen Apkon
Publisher: Macmillan + ORM
Total Pages: 233
Release: 2013-04-16
Genre: Language Arts & Disciplines
ISBN: 142994577X

An urgent, erudite, and practical book that redefines literacy to embrace how we think and communicate now We live in a world that is awash in visual storytelling. The recent technological revolutions in video recording, editing, and distribution are more akin to the development of movable type than any other such revolution in the last five hundred years. And yet we are not popularly cognizant of or conversant with visual storytelling's grammar, the coded messages of its style, and the practical components of its production. We are largely, in a word, illiterate. But this is not a gloomy diagnosis of the collapse of civilization; rather, it is a celebration of the progress we've made and an exhortation and a plan to seize the potential we're poised to enjoy. The rules that define effective visual storytelling—much like the rules that define written language—do in fact exist, and Stephen Apkon has long experience in deploying them, teaching them, and witnessing their power in the classroom and beyond. In The Age of the Image, drawing on the history of literacy—from scroll to codex, scribes to printing presses, SMS to social media—on the science of how various forms of storytelling work on the human brain, and on the practical value of literacy in real-world situations, Apkon convincingly argues that now is the time to transform the way we teach, create, and communicate so that we can all step forward together into a rich and stimulating future.

Art Power

Art Power
Author: Boris Groys
Publisher: MIT Press
Total Pages: 197
Release: 2013-02-08
Genre: Art
ISBN: 0262518686

A new book by Boris Groys acknowledges the problem and potential of art's complex relationship to power. Art has its own power in the world, and is as much a force in the power play of global politics today as it once was in the arena of cold war politics. Art, argues the distinguished theoretician Boris Groys, is hardly a powerless commodity subject to the art market's fiats of inclusion and exclusion. In Art Power, Groys examines modern and contemporary art according to its ideological function. Art, Groys writes, is produced and brought before the public in two ways—as a commodity and as a tool of political propaganda. In the contemporary art scene, very little attention is paid to the latter function. Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art—which he finds behaving more and more according the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals. Contemporary art, Groys argues, demonstrates its power by appropriating the iconoclastic gestures directed against itself—by positioning itself simultaneously as an image and as a critique of the image. In Art Power, Groys examines this fundamental appropriation that produces the paradoxical object of the modern artwork.

Eloquent Images

Eloquent Images
Author: Mary E. Hocks
Publisher: Mit Press
Total Pages: 332
Release: 2005
Genre: Art
ISBN:

Essays on the enduring complex relationship between word and image, from hieroglyphics to new media.

Likeness and Presence

Likeness and Presence
Author: Hans Belting
Publisher: University of Chicago Press
Total Pages: 692
Release: 1994
Genre: Art
ISBN: 9780226042152

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

The Image of God in an Image Driven Age

The Image of God in an Image Driven Age
Author: Beth Felker Jones
Publisher: InterVarsity Press
Total Pages: 276
Release: 2016-03-08
Genre: Religion
ISBN: 0830851208

Humans are created in the image of God, yet by choosing to rebel against God we become unfaithful bearers of his image. But Jesus, who is the image of God, restores the divine image in us. At the intersection of theology and culture, these essays offer a unified vision of what it means to be truly human and created in the divine image in the world today.

The Power of Images in the Age of Augustus

The Power of Images in the Age of Augustus
Author: Paul Zanker
Publisher: University of Michigan Press
Total Pages: 404
Release: 1988
Genre: Architecture
ISBN: 9780472081240

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar

The Active Image

The Active Image
Author: Sabine Ammon
Publisher: Springer
Total Pages: 322
Release: 2017-07-10
Genre: Philosophy
ISBN: 3319564668

The “active image” refers to the operative nature of images, thus capturing the vast array of “actions” that images perform. This volume features essays that present a new approach to image theory. It explores the many ways images become active in architecture and engineering design processes and how, in the age of computer-based modeling, images play an indispensable role. The contributors examine different types of images, be they pictures, sketches, renderings, maps, plans, and photographs; be they analog or digital, planar or three-dimensional, ephemeral, realistic or imaginary. Their essays investigate how images serve as means of representing, as tools for thinking and reasoning, as ways of imagining the inexistent, as means of communicating and conveying information and how images may also perform functions and have an agency in their own. The essays discuss the role of images from the perspective of philosophy, theory and history of architecture, history of science, media theory, cognitive sciences, design studies, and visual studies, offering a multidisciplinary approach to imagery and showing the various methodologies and interpretations in current research. In addition, they offer valuable insight to better understand how images operate and function in the arts and sciences in general.