The Allegory of Love in the Early Renaissance

The Allegory of Love in the Early Renaissance
Author: James Calum O’Neill
Publisher: Taylor & Francis
Total Pages: 270
Release: 2023-07-31
Genre: Literary Criticism
ISBN: 100091190X

Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.

The Allegory of Love

The Allegory of Love
Author: C. S. Lewis
Publisher: Cambridge University Press
Total Pages: 489
Release: 2013-11-07
Genre: Literary Criticism
ISBN: 1107659434

A classic study of the allegorical power of love in literature, traced through the medieval and Renaissance periods.

Painted Palaces: The Rise of Secular Art in Early Renaissance Italy

Painted Palaces: The Rise of Secular Art in Early Renaissance Italy
Author:
Publisher: Penn State Press
Total Pages: 348
Release: 2009
Genre: Art, Early Renaissance
ISBN: 9780271048307

Even many Renaissance specialists believe that little secular painting survives before the late fifteenth century, and its appearance becomes a further argument for the secularizing of art. This book asks how history changes when a longer record of secular art is explored. It is the first study in any language of the decoration of Italian palaces and homes between 1300 and the mid-Quattrocento, and it argues that early secular painting was crucial to the development of modern ideas of art. Of the cycles discussed, some have been studied and published, but most are essentially unknown. A first aim is to enrich our understanding of the early Renaissance by introducing a whole corpus of secular painting that has been too long overlooked. Yet "Painted palaces" is not a study of iconography. In examining the prehistory of painted rooms like Mantegna's Camera Picta, the larger goal is to rethink the history of early Renaissance art.

Studies in Medieval and Renaissance Literature

Studies in Medieval and Renaissance Literature
Author: C. S. Lewis
Publisher: Cambridge University Press
Total Pages: 213
Release: 2013-11-07
Genre: Literary Criticism
ISBN: 1107658926

An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.

Art and Love in Renaissance Italy

Art and Love in Renaissance Italy
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 394
Release: 2008
Genre: Art del Renaixement
ISBN: 1588393003

"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.

The Renaissance Nude

The Renaissance Nude
Author: Thomas Kren
Publisher: Getty Publications
Total Pages: 436
Release: 2018-11-20
Genre: Art
ISBN: 160606584X

A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.

Classical Myths in Italian Renaissance Painting

Classical Myths in Italian Renaissance Painting
Author: Luba Freedman
Publisher: Cambridge University Press
Total Pages: 321
Release: 2011-06-30
Genre: Art
ISBN: 1107001196

"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.