The Art of the Persian Letters

The Art of the Persian Letters
Author: Randolph Runyon
Publisher: University of Delaware Press
Total Pages: 308
Release: 2005
Genre: Literary Criticism
ISBN: 9780874139228

"Readers of Montesquieu will through this study discover a new Persian Letters, as the exquisite subtlety of its construction is laid bare for the first time. It should find a new appreciation as a work of art, and not merely as a precursor to the author's Of the Spirit of the Laws. The Letters will henceforth be read in the light of similarly composite texts, from Montaigne's Essays to Baudelaire's Fleurs du mal."--Jacket.

Persian Letters

Persian Letters
Author: Montesquieu
Publisher: Indoeuropeanpublishing.com
Total Pages: 0
Release: 2023-02-06
Genre: Fiction
ISBN:

Persian Letters is a satirical work by Charles de Secondat, baron de Montesquieu, recounting the experiences of two Persian noblemen, Usbek and Rica, who are traveling through France. In 1711 Usbek leaves his seraglio in Isfahan to undertake the long journey to France, accompanied by his young friend Rica. He leaves behind five wives (Zachi, Zéphis, Fatmé, Zélis, and Roxane) in the care of a number of black eunuchs, one of whom is the head or first eunuch. During the trip and their long stay in Paris (1712-1720), they comment, in letters exchanged with friends and mullahs, on numerous aspects of Western, Christian society, particularly French politics and mores, ending with a biting satire of the System of John Law. Over time, various disorders surface back in the seraglio, and beginning in 1717 (Letter 139 [147]), the situation there rapidly unravels. Usbek orders his head eunuch to crack down, but his message does not arrive in time and a revolt brings about the death of his wives, including the vengeful suicide of his favorite, Roxane, and, it appears, most of the eunuchs... About the author: Charles-Louis de Secondat, baron de La Brède et de Montesquieu (18 January 1689, La Brède, Gironde - 10 February 1755), was a French social commentator and political thinker who lived during the Era of the Enlightenment. He is famous for his articulation of the theory of separation of powers, taken for granted in modern discussions of government and implemented in many constitutions throughout the world. He was largely responsible for the popularization of the terms feudalism and Byzantine Empire. Persian Letters is a satirical work by Montesquieu, recounting the experiences of two Persian noblemen, Usbek and Rica, who are traveling through France.

Erotic Liberalism

Erotic Liberalism
Author: Diana J. Schaub
Publisher: Rowman & Littlefield Publishers
Total Pages: 232
Release: 1995
Genre: Literary Criticism
ISBN:

A treatment of Montesquieu's Persian Letters, which argues that the novel is a philosophic critique of despotism in all its forms: domestic, political and religious. It shows that Montesquieu believed that the Enlightenment failed as a philosophy by not recognising man as an erotic being.

A Handbook of Persian Calligraphy and Related Arts

A Handbook of Persian Calligraphy and Related Arts
Author: Hamid Reza Ghelichkhani
Publisher: BRILL
Total Pages: 424
Release: 2021-11-22
Genre: Reference
ISBN: 9004432892

This volume puts together a first-of-a-kind handbook, and contains the most important termini technici, expressions, and techniques connected to the traditional art of Persian calligraphy, calligraphy as well as related arts, like illumination, historiated painting, book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries.

Unfabling the East

Unfabling the East
Author: Jürgen Osterhammel
Publisher: Princeton University Press
Total Pages: 692
Release: 2019-11-19
Genre: History
ISBN: 0691196478

During the long eighteenth century, Europe's travelers, scholars, and intellectuals looked to Asia in a spirit of puzzlement, irony, and openness. In this panoramic and colorful book, Jürgen Osterhammel tells the story of the European Enlightenment's nuanced encounter with the great civilizations of the East, from the Ottoman Empire and India to China and Japan. Here is the acclaimed book that challenges the notion that Europe's formative engagement with the non-European world was invariably marred by an imperial gaze and presumptions of Western superiority. Osterhammel shows how major figures such as Leibniz, Voltaire, Gibbon, and Hegel took a keen interest in Asian culture and history, and introduces lesser-known scientific travelers, colonial administrators, Jesuit missionaries, and adventurers who returned home from Asia bearing manuscripts in many exotic languages, huge collections of ethnographic data, and stories that sometimes defied belief. Osterhammel brings the sights and sounds of this tumultuous age vividly to life, from the salons of Paris and the lecture halls of Edinburgh to the deserts of Arabia, the steppes of Siberia, and the sumptuous courts of Asian princes. He demonstrates how Europe discovered its own identity anew by measuring itself against its more senior continent, and how it was only toward the end of this period that cruder forms of Eurocentrism--and condescension toward Asia--prevailed.

The Persian Album, 1400-1600

The Persian Album, 1400-1600
Author: David J. Roxburgh
Publisher: Yale University Press
Total Pages: 404
Release: 2005-01-01
Genre: Art
ISBN: 9780300103250

This groundbreaking book examines portable art collections assembled in the courts of Greater Iran in the fifteenth and sixteenth centuries. Made for members of the royal families or ruling elites, albums were created to preserve and display art, yet they were conceptualized in different ways. David Roxburgh, a leading expert on Persian albums and the art of the book, discusses this diversity and demonstrates convincingly that to look at the practice of album making is to open a vista to a culture of thought about the Persian art tradition. The book considers the album’s formal and physical properties, assembly, and content, as well as the viewer’s experience. Focusing on seven albums created during the Timurid and Safavid dynasties, Roxburgh reconstructs the history and development of this codex form and uses the works of art to explore notions of how art and aesthetics were conceived in Persian court culture. Generously illustrated with over 175 images, many rare and previously unpublished, the book offers a range of new insights into Persian visual culture as well as Islamic art history.

The Classic Horror Stories

The Classic Horror Stories
Author: H. P. Lovecraft
Publisher: OUP Oxford
Total Pages: 944
Release: 2013-05-09
Genre: Fiction
ISBN: 0191640891

'Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men. A time will come - but I must not and cannot think!' H. P. Lovecraft (1890-1937) was a reclusive scribbler of horror stories for the American pulp magazines that specialized in Gothic and science fiction in the interwar years. He often published in Weird Tales and has since become the key figure in the slippery genre of 'weird fiction'. Lovecraft developed an extraordinary vision of feeble men driven to the edge of sanity by glimpses of malign beings that have survived from human prehistory or by malevolent extra-terrestrial visitations. The ornate language of his stories builds towards grotesque moments of revelation, quite unlike any other writer. This new selection brings together nine of his classic tales, focusing on the 'Cthulhu Mythos', a cycle of stories that develops the mythology of the Old Ones, the monstrous creatures who predate human life on earth. It includes the Introduction from Lovecraft's critical essay, 'Supernatural Horror in Literature', in which he gave his own important definition of 'weird fiction'. In a fascinating contextual introduction, Roger Luckhurst gives Lovecraft the attention he deserves as a writer who used pulp fiction to explore a remarkable philosophy that shockingly dethrones the mastery of man.

The Medieval Islamic Republic of Letters

The Medieval Islamic Republic of Letters
Author: Muhsin J. al-Musawi
Publisher: University of Notre Dame Pess
Total Pages: 480
Release: 2015-04-15
Genre: Religion
ISBN: 0268158010

In The Medieval Islamic Republic of Letters: Arabic Knowledge Construction, Muhsin J. al-Musawi offers a groundbreaking study of literary heritage in the medieval and premodern Islamic period. Al-Musawi challenges the paradigm that considers the period from the fall of Baghdad in 1258 to the collapse of the Ottoman Empire in 1919 as an "Age of Decay" followed by an "Awakening" (al-nahdah). His sweeping synthesis debunks this view by carefully documenting a "republic of letters" in the Islamic Near East and South Asia that was vibrant and dynamic, one varying considerably from the generally accepted image of a centuries-long period of intellectual and literary stagnation. Al-Musawi argues that the massive cultural production of the period was not a random enterprise: instead, it arose due to an emerging and growing body of readers across Islamic lands who needed compendiums, lexicons, and commentaries to engage with scholars and writers. Scholars, too, developed their own networks to respond to each other and to their readers. Rather than addressing only the elite, this culture industry supported a common readership that enlarged the creative space and audience for prose and poetry in standard and colloquial Arabic. Works by craftsmen, artisans, and women appeared side by side with those by distinguished scholars and poets. Through careful exploration of these networks, The Medieval Islamic Republic of Letters makes use of relevant theoretical frameworks to situate this culture in the ongoing discussion of non-Islamic and European efforts. Thorough, theoretically rigorous, and nuanced, al-Musawi's book is an original contribution to a range of fields in Arabic and Islamic cultural history of the twelfth to eighteenth centuries.