The literature of future wars is an exciting and popular genre embracing classics such as The War of the Worlds and mass-market bestsellers such as The Amtrak Wars. Here sci-fi meets the spy thriller, the war novel meets the novel of dystopia, quality fiction meets the bestseller. Orwell's Nineteen Eighty-Four, Erskine Childer's The Riddle of the Sands, and Ray Bradbury's Fahrenheit 451 are typical in combining critical and commercial success. This new edition of Voices Prophesying War shows how the genre developed, accounts for its success, and describes how it is still changing. The first examples of such fiction are as much concerned with politics as with war. The Anonymous Reign of George VI, published in 1763 and set in 1918 describes the triumphant imperialism of an English monarch who still leads his troops into battle on horseback. A century later the first recognizable classic of the genre, The Battle of Dorking, played on the theme of unpreparedness for war, describing a Prussian invasion of the British Isles. Imaginary invasions by the French, Germans, Americans, Russians, Soviets, and, of course, Martians, followed in huge numbers. Throughout the nineteenth century novelists wrote with increasing sophistication on the technology of war; often, as in the case of Conan Doyle and H. G. Wells, they were in advance of the generals and scientists, and their prophesies were fulfilled, in terrible fashion, by two world wars. Since the Second World War American authors have come to the fore, and the nuclear age has produced such classics as Nevil Shute's On the Beach. The Cold War has also given rise to a great many bestsellers, some, like General Sir John Hackett's The Third WorldWar, marking a return to an older theme - of predictions of war by professional soldiers. This new edition of Voices Prophesying War examines recent work in detail and includes a unique checklist of all major future war fiction (in English, French, and German) to have appeared since the eighteenth century.