The Cambridge Companion to Conducting

by José Antonio Bowen
The Cambridge Companion to Conducting
Author: José Antonio Bowen
Publisher: Cambridge University Press
Total Pages: 585
Release: 2003-11-20
Genre: Music
ISBN: 1107494788
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In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.

The Cambridge Companion to Rhythm

by Russell Hartenberger
The Cambridge Companion to Rhythm
Author: Russell Hartenberger
Publisher: Cambridge University Press
Total Pages: 371
Release: 2020-09-24
Genre: Music
ISBN: 1108492924
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An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.

The Cambridge Companion to the Orchestra

by Colin James Lawson
The Cambridge Companion to the Orchestra
Author: Colin James Lawson
Publisher: Cambridge University Press
Total Pages: 316
Release: 2003-04-24
Genre: Music
ISBN: 9780521001328
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This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.

The Cambridge Companion to Conducting

by José Antonio Bowen
The Cambridge Companion to Conducting
Author: José Antonio Bowen
Publisher: Cambridge University Press
Total Pages: 370
Release: 2003-11-20
Genre: Biography & Autobiography
ISBN: 9780521527910
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In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.

The Cambridge Companion to Ravel

by Deborah Mawer
The Cambridge Companion to Ravel
Author: Deborah Mawer
Publisher: Cambridge University Press
Total Pages: 316
Release: 2000-08-24
Genre: Biography & Autobiography
ISBN: 9780521648561
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A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.

The Cambridge Companion to Sibelius

by Daniel M. Grimley
The Cambridge Companion to Sibelius
Author: Daniel M. Grimley
Publisher: Cambridge University Press
Total Pages: 288
Release: 2004-02-26
Genre: Music
ISBN: 110749463X
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Jean Sibelius has gradually emerged as one of the most striking and influential figures in twentieth-century music, yet his work is only just beginning to receive the critical attention that its importance deserves. This Companion provides an accessible and vivid account of Sibelius's work in its historical and cultural context. Leading international scholars, from Finland, the United States and the UK, examine Sibelius's music from a range of critical perspectives, including nationalism, eroticism and the exotic, music and landscape, reception and musical influence. There are also chapters on recording and interpretation that offer fascinating insights into the performance of Sibelius's work. The book includes much material, drawing on scholarship, as well as providing a comprehensive introduction to Sibelius's major musical achievements.

The Cambridge Companion to the String Quartet

by Robin Stowell
The Cambridge Companion to the String Quartet
Author: Robin Stowell
Publisher: Cambridge University Press
Total Pages: 394
Release: 2003-11-13
Genre: Music
ISBN: 9780521000420
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This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.

The Cambridge Companion to Ancient Rhetoric

by Erik Gunderson
The Cambridge Companion to Ancient Rhetoric
Author: Erik Gunderson
Publisher: Cambridge University Press
Total Pages: 369
Release: 2009-07-09
Genre: Literary Collections
ISBN: 1139827804
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Rhetoric thoroughly infused the world and literature of Graeco-Roman antiquity. This Companion provides a comprehensive overview of rhetorical theory and practice in that world, from Homer to early Christianity, accessible to students and non-specialists, whether within classics or from other periods and disciplines. Its basic premise is that rhetoric is less a discrete object to be grasped and mastered than a hotly contested set of practices that include disputes over the very definition of rhetoric itself. Standard treatments of ancient oratory tend to take it too much in its own terms and to isolate it unduly from other social and cultural concerns. This volume provides an overview of the shape and scope of the problems while also identifying core themes and propositions: for example, persuasion, virtue, and public life are virtual constants. But they mix and mingle differently, and the contents designated by each of these terms can also shift.

The Cambridge Companion to Brahms

by Michael Musgrave
The Cambridge Companion to Brahms
Author: Michael Musgrave
Publisher: Cambridge University Press
Total Pages: 352
Release: 1999-05-27
Genre: Music
ISBN: 1139825305
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This Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.