The Cambridge Companion to Shakespeare and Contemporary Dramatists

The Cambridge Companion to Shakespeare and Contemporary Dramatists
Author: Ton Hoenselaars
Publisher: Cambridge University Press
Total Pages: 327
Release: 2012-10-11
Genre: Literary Criticism
ISBN: 1107494338

While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.

The Cambridge Companion to Shakespeare

The Cambridge Companion to Shakespeare
Author: Margreta de Grazia
Publisher: Cambridge University Press
Total Pages: 504
Release: 2001-04-05
Genre: Literary Criticism
ISBN: 1139825984

This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay.

The Cambridge Companion to Ben Jonson

The Cambridge Companion to Ben Jonson
Author: Richard Harp
Publisher: Cambridge University Press
Total Pages: 238
Release: 2000-11-30
Genre: Drama
ISBN: 9780521646789

An accessible, up-to-date introduction to the life and works of poet and dramatist Ben Jonson.

The Cambridge Companion to Christopher Marlowe

The Cambridge Companion to Christopher Marlowe
Author: Patrick Cheney
Publisher: Cambridge University Press
Total Pages: 350
Release: 2004-07-15
Genre: Drama
ISBN: 9780521527347

The Cambridge Companion to Christopher Marlowe provides a full introduction to one of the great pioneers of both the Elizabethan stage and modern English poetry. It recalls that Marlowe was an inventor of the English history play (Edward II) and of Ovidian narrative verse (Hero and Leander), as well as being author of such masterpieces of tragedy and lyric as Doctor Faustus and 'The Passionate Shepherd to His Love'. Sixteen leading scholars provide accessible and authoritative chapters on Marlowe's life, texts, style, politics, religion, and classicism. The volume also considers his literary and patronage relationships and his representations of sexuality and gender and of geography and identity; his presence in modern film and theatre; and finally his influence on subsequent writers. The Companion includes a chronology of Marlowe's life, a note on reference works, and a reading list for each chapter.

The Cambridge Companion to Shakespeare's Last Plays

The Cambridge Companion to Shakespeare's Last Plays
Author: Catherine M. S. Alexander
Publisher: Cambridge University Press
Total Pages: 245
Release: 2009-07-16
Genre: Literary Criticism
ISBN: 1139828282

Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean context, and explore the rich afterlives, on stage, in print and other media of The Winter's Tale, Cymbeline, The Tempest, Pericles, The Two Noble Kinsmen and Henry VIII. The volume opens with a historical timeline that places the plays in the contexts of contemporary political events, theatrical events, other cultural milestones, Shakespeare's life and that of his playing company, the King's Men.

The Arden Handbook of Shakespeare and Early Modern Drama

The Arden Handbook of Shakespeare and Early Modern Drama
Author: Michelle M. Dowd
Publisher: Bloomsbury Publishing
Total Pages: 409
Release: 2022-12-15
Genre: Literary Criticism
ISBN: 135016187X

How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.

The Cambridge Companion to Shakespearean Tragedy

The Cambridge Companion to Shakespearean Tragedy
Author: Claire McEachern
Publisher: Cambridge University Press
Total Pages: 325
Release: 2013-08-08
Genre: Drama
ISBN: 110701977X

This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.

The Cambridge Introduction to Early Modern Drama, 1576–1642

The Cambridge Introduction to Early Modern Drama, 1576–1642
Author: Julie Sanders
Publisher: Cambridge University Press
Total Pages: 283
Release: 2014-02-20
Genre: Literary Criticism
ISBN: 1107729084

Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights.