The Complete Harley 2253 Manuscript, Volume 1

The Complete Harley 2253 Manuscript, Volume 1
Author:
Publisher: Medieval Institute Publications
Total Pages: 522
Release: 2015-04-01
Genre: Literary Collections
ISBN: 1580442366

British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

The Complete Harley 2253 Manuscript: Booklet 1

The Complete Harley 2253 Manuscript: Booklet 1
Author: Susanna Greer Fein
Publisher:
Total Pages:
Release: 2014
Genre: Anglo-Norman literature
ISBN:

"The three volumes of MS Harley 2253 present a complete edition and translation of a fourteenth-century English manuscript that contains secular love lyrics, contemporary political songs, religious lyrics, fabliaux, saints' lives, and other literary treasures in Middle English, Anglo-Norman, and Latin. The volumes also offer explanatory and textual notes, indexes of first lines, manuscripts cited, and proper names, and bibliographies." --

The Complete Harley 2253 Manuscript, Volume 3

The Complete Harley 2253 Manuscript, Volume 3
Author:
Publisher: Medieval Institute Publications
Total Pages: 436
Release: 2015-02-01
Genre: Literary Criticism
ISBN: 1580442374

British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

The Complete Harley 2253 Manuscript, Volume 2

The Complete Harley 2253 Manuscript, Volume 2
Author:
Publisher: Medieval Institute Publications
Total Pages: 534
Release: 2014-09-01
Genre: History
ISBN: 1580442358

British Library MS Harley 2253 is one of the most important literary works to survive from the English medieval era. In rarity, quality, and abundance, its secular love lyrics comprise an unrivaled collection. Intermingled with them are contemporary political songs as well as delicate lyrics designed to inspire religious devotion.

The Complete Harley 2253 Manuscript

The Complete Harley 2253 Manuscript
Author: Susanna Greer Fein
Publisher:
Total Pages: 512
Release: 2015-04-01
Genre: Literary Collections
ISBN: 9781580442053

"The three volumes of MS Harley 2253 present a complete edition and translation of a fourteenth-century English manuscript that contains secular love lyrics, contemporary political songs, religious lyrics, fabliaux, saints' lives, and other literary treasures in Middle English, Anglo-Norman, and Latin. The volumes also offer explanatory and textual notes, indexes of first lines, manuscripts cited, and proper names, and bibliographies." --

The Medieval Manuscript Book

The Medieval Manuscript Book
Author: Michael Johnston
Publisher: Cambridge University Press
Total Pages: 319
Release: 2015-08-10
Genre: History
ISBN: 1107066190

This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.

The Oxford Handbook of Indigenous American Literature

The Oxford Handbook of Indigenous American Literature
Author: James H. Cox
Publisher: Oxford University Press
Total Pages: 769
Release: 2014-07-31
Genre: Literary Criticism
ISBN: 0199914044

Over the course of the last twenty years, Native American and Indigenous American literary studies has experienced a dramatic shift from a critical focus on identity and authenticity to the intellectual, cultural, political, historical, and tribal nation contexts from which these Indigenous literatures emerge. The Oxford Handbook of Indigenous American Literature reflects on these changes and provides a complete overview of the current state of the field. The Handbook's forty-three essays, organized into four sections, cover oral traditions, poetry, drama, non-fiction, fiction, and other forms of Indigenous American writing from the seventeenth through the twenty-first century. Part I attends to literary histories across a range of communities, providing, for example, analyses of Inuit, Chicana/o, Anishinaabe, and Métis literary practices. Part II draws on earlier disciplinary and historical contexts to focus on specific genres, as authors discuss Indigenous non-fiction, emergent trans-Indigenous autobiography, Mexicanoh and Spanish poetry, Native drama in the U.S. and Canada, and even a new Indigenous children's literature canon. The third section delves into contemporary modes of critical inquiry to expound on politics of place, comparative Indigenism, trans-Indigenism, Native rhetoric, and the power of Indigenous writing to communities of readers. A final section thoroughly explores the geographical breadth and expanded definition of Indigenous American through detailed accounts of literature from Indian Territory, the Red Atlantic, the far North, Yucatán, Amerika Samoa, and Francophone Quebec. Together, the volume is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date. It is the first to fully take into account the last twenty years of recovery and scholarship, and the first to most significantly address the diverse range of texts, secondary archives, writing traditions, literary histories, geographic and political contexts, and critical discourses in the field.

Poets and Scribes in Late Medieval England

Poets and Scribes in Late Medieval England
Author: Michael Johnston
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 288
Release: 2023-10-23
Genre: Literary Criticism
ISBN: 1501516485

Susanna Fein’s long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the Thornton Manuscripts, John Audley’s autograph manuscript, and the Auchinleck Manuscript). She has written extensively on the more complex and challenging metrical forms the period produced. And she has edited foundational primary texts and collections of essays. A wide range of scholars have been influenced by Fein’s work, many of whom present original research—much of it following trails first laid down by Fein—in this volume.

What Kind of a Thing Is a Middle English Lyric?

What Kind of a Thing Is a Middle English Lyric?
Author: Cristina Maria Cervone
Publisher: University of Pennsylvania Press
Total Pages: 561
Release: 2022-08-30
Genre: Literary Collections
ISBN: 0812298519

What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.