The Dilettantes
Author | : Michael Hingston |
Publisher | : Freehand Books |
Total Pages | : 0 |
Release | : 2013-09-10 |
Genre | : Fiction |
ISBN | : 9781554811823 |
The Peak: a university student newspaper with a hard-hitting mix of inflammatory editorials, hastily thrown-together comics and reviews, and a news section run the only way self-taught journalists know how—sloppily. Alex and Tracy are two of The Peak’s editors, staring down graduation and struggling to keep the paper relevant to an increasingly indifferent student body. But trouble looms large when a big-money free daily comes to the west-coast campus, threatening to swallow what remains of their readership whole. It’ll take the scoop of a lifetime to save their beloved campus rag … With savage wit, intoxicating energy, and a fine-tuned ear for the absurd, Michael Hingston drags the campus novel, kicking and screaming, into the 21st century.
Dilettante
Author | : Dana Brown |
Publisher | : Ballantine Books |
Total Pages | : 289 |
Release | : 2022-03-22 |
Genre | : Biography & Autobiography |
ISBN | : 0593158482 |
A witty, insightful, and delightfully snarky blend of pop culture meets memoir meets real-life Devil Wears Prada as readers learn the stories behind twenty-five years at Vanity Fair from the magazine’s former deputy editor “Dilettante offers the best seat in the house into the workings of one of the great cultural institutions of our time.”—Buzz Bissinger, New York Times bestselling author of Friday Night Lights Dana Brown was a twenty-one-year-old college dropout playing in punk bands and partying his way through downtown New York’s early-nineties milieu when he first encountered Graydon Carter, the legendary editor of Vanity Fair. After the two had a handful of brief interactions (mostly with Brown in the role of cater waiter at Carter’s famous cultural salons he hosted at his home), Carter saw what he believed to be Brown’s untapped potential, and on a whim, hired him as his assistant. Brown instantly became a trusted confidante and witness to all of the biggest parties, blowups, and takedowns. From inside the famed Vanity Fair Oscar parties to the emerging world of the tech elite, Brown’s job offered him access to some of the most exclusive gatherings and powerful people in the world, and the chance to learn in real time what exactly a magazine editor does—all while trying to stay sober enough from the required party scene attendance to get the job done. Against all odds, he rose up the ranks to eventually become the magazine’s deputy editor, spending a quarter century curating tastes at one of the most storied cultural shops ever assembled. Dilettante reveals Brown’s most memorable moments from the halcyon days of the magazine business, explores his own journey as an unpedigreed outsider to established editor, and shares glimpses of some of the famous and infamous stories (and people) that tracked the magazine’s extraordinary run all keenly observed by Brown. He recounts tales from the trenches, including encounters with everyone from Anna Wintour, Lee Radziwill, and Condé Nast owner Si Newhouse, to Seth Rogen, Caitlyn Jenner, and acclaimed journalists Dominick Dunne and Christopher Hitchens. Written with equal parts affection, cultural exploration, and nostalgia, Dilettante is a defining story within that most magical time and place in the culture of media. It is also a highly readable memoir that skillfully delivers a universal coming-of-age story about growing up and finding your place in the world.
The Science-Fantasy Megapack
Author | : E. C. Tubb |
Publisher | : Wildside Press LLC |
Total Pages | : 394 |
Release | : 2013-09-09 |
Genre | : Fiction |
ISBN | : 1479401498 |
Here are twenty-five stories of fantasy and science fiction selected from the pages of Wildside Press's Fantasy Adventure anthology series, selected by its editor, Philip Harbottle. Throughout its run of thirteen issues FA presented both original stories and classic reprints by veteran British SF and fantasy writers, including Sydney J. Bounds, John Russell Fearn, John Glasby, Philip E. High, and E. C. Tubb. They were soon joined by newer writers, most notably Eric Brown, and the series became a modern showcase for the best of British science fiction and fantasy writing. Included are: INTRODUCTION by Philip Harbottle THE CALL OF THE GRAVE by Brian Ball THE WARLORD OF KUL SATU by Brian Ball THE BROKEN SEQUENCE by Antonio Bellomi FINAL CONTACT by Sydney J. Bounds SUNSKIMMER by Sydney J. Bounds A TIME FOR CONTACT, by Sydney J. Bounds WRITER FOR HIRE by Sydney J. Bounds writing as David Somers THE TAPESTRY OF TIME by Eric Brown UNCERTAIN WORLD by Eric Brown I'LL KISS YOU GOODNIGHT by Frederick H. Christian ASSASSIN by Andrew Darlington PRISONER OF TIME by John Russell Fearn THE HOUSE ON THE MOORS, by John Glasby THE MARTIAN ENIGMA by John Glasby NIGHTFALL ON RONAN by John Glasby writing as A. J. Merak THE DRAINPIPE by Philip E. High THE GUNMAN by Philip E. High THE WISHING STONE by Philip E. High SOMETHING IN THE AIR by Gordon Landsborough THE DILETTANTES by E. C. Tubb EMERGENCY EXIT by E. C. Tubb THE GREATER IDEAL by E. C. Tubb YOU GO, by E. C. Tubb SEA CHANGE by Peter Oldale BRIDES FOR MARS by Eric C. Williams And don't forget to search this ebook store for "Wildside Megapack" to see more entries in this great series, covering science fiction, fantasy, horror, mystery, westerns -- and much, much more!
Women of Vision
Author | : Lawrence Hill |
Publisher | : Dundurn |
Total Pages | : 100 |
Release | : 1996 |
Genre | : Biography & Autobiography |
ISBN | : 9781895642186 |
Primitive Renaissance
Author | : David Pan |
Publisher | : U of Nebraska Press |
Total Pages | : 262 |
Release | : 2001-01-01 |
Genre | : Philosophy |
ISBN | : 9780803237278 |
Modernity became one of a number of equally plausible cultural strategies for organizing life in the contemporary world."--BOOK JACKET.
Paying the Piper
Author | : Judith H. Balfe |
Publisher | : University of Illinois Press |
Total Pages | : 356 |
Release | : 1993 |
Genre | : Art |
ISBN | : 9780252063107 |
Flowers for Algernon
Author | : Daniel Keyes |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 328 |
Release | : 2005-05 |
Genre | : Fiction |
ISBN | : 9780156030304 |
Mentally retarded Charlie Gordon participates in an experiment which turns him into a genius, but only temporarily.
Music, Theater, and Society in the Comedies of Luiz Carlos Martins Penna (1833-1846)
Author | : Luiz Costa-lima Neto |
Publisher | : Lexington Books |
Total Pages | : 345 |
Release | : 2017-03-15 |
Genre | : Music |
ISBN | : 1498532268 |
This book clarifies the musical dramaturgy of comedy writer and musician Luiz Carlos Martins Penna (1815-48) – a notion that encompasses both the theatrical text and its performance. The corpus for this analysis is composed of twelve comedies by Martins Penna written between 1833 and 1846, divided into three groups, which I have called Lundu, Aria, and Alleluia. The sound universe made up by the three groups of comedies covers African-Brazilian genres and musical-choreographic styles (batuque, fado, lundu, miudinho, muquirão), the transnational urban popular universe (lundu, tirana, quadrilha, marcha, waltz, caxuxa, tonadilla, polka), and modinhas and Italian opera, in addition to romantic concertos, Gregorian chant and Iberian religious theater (loas). To evaluate the multiple meanings acquired by the musical allusions inserted into the comedy texts and theatrical performances, this research reveals the network which included the author, actors, theater owners, publishers and the public, and other agents, such as black Catholic irmandades (brotherhoods), Freemasonry, and institutions linked to the imperial government. The sound universe of the comedies of Martins Penna are compared to the comedic axes of the Western theatrical tradition (a study of situations and characters) and the axes of performance (solo and chorus), contemplating the relationship between the repertoires written by Martins Penna and the repertoires of Brazilians and Portuguese artists, a mix of actors, singers and dancers, who performed in his comedies. The research questions the notion of authorship and reveals the importance of the partnership between theatrical writers, artists and publishers, through which the comedies of Martins Penna have reached the second half of the nineteenth century through the present.