The Eisenstein Collection

The Eisenstein Collection
Author: Sergei Eisenstein
Publisher:
Total Pages: 448
Release: 2006
Genre: Performing Arts
ISBN:

The Eisenstein Collection brings together Sergei Eisenstein's key writings in one volume for the first time and includes new material not previously available. This edition covers the period from Eisenstein's dispute over the authorship of his first feature film, The Strike, in 1925 to his filmmaking and polemical activities during World War II, including his correspondence with Soviet leaders over Ivan the Terrible.

Agent of Change

Agent of Change
Author: Sabrina Alcorn Baron
Publisher:
Total Pages: 466
Release: 2007
Genre: Design
ISBN:

Inspiring debate since the early days of its publication, Elizabeth L. Eisenstein's The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979) has exercised its own force as an agent of change in the world of scholarship. Its path-breaking agenda has played a central role in shaping the study of print culture and book history - fields of inquiry that rank among the most exciting and vital areas of scholarly endeavor in recent years. Joining together leading voices in the field of print scholarship, this collection of twenty essays affirms the catalytic properties of Eisenstein's study as a stimulus to further inquiry across geographic, temporal, and disciplinary boundaries. From early modern marginalia to the use of architectural title pages in Renaissance books, from the press in Spanish colonial America to print in the Islamic world, from the role of the printed word in nation-building to changing histories of reading in the electronic age, this book addresses the legacy of Eisenstein's work in print culture studies today as it suggests future directions for the field. In addition to a conversation with Elizabeth L. Tony Ballantyne, Vivek Bhandari, Ann Blair, Barbara A. Brannon, Roger Chartier, Kai-wing Chow, James A. Dewar, Robert A. Gross, David Scott Kastan, Harold Love, Paula McDowell, Jane McRae, Jean-Dominique Mellot, Antonio Rodriguez-Buckingham, Geoffrey Roper, William H. Sherman, Peter Stallybrass, H. Arthur Williamson, and Calhoun Winton.

The Film Sense

The Film Sense
Author: Sergei Eisenstein
Publisher: Houghton Mifflin Harcourt
Total Pages: 316
Release: 1947
Genre: Biography & Autobiography
ISBN: 9780156309356

A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.

The Eisenstein Collection

The Eisenstein Collection
Author: Sergei Eisenstein
Publisher: Seagull Books Pvt Ltd
Total Pages: 444
Release: 2006
Genre: Performing Arts
ISBN: 9781905422005

The Eisenstein Collection brings together Sergei Eisenstein's key writings in one volume for the first time and includes new material not previously available. This edition covers the period from Eisenstein's dispute over the authorship of his first feature film, The Strike, in 1925 to his filmmaking and polemical activities during World War II, including his correspondence with Soviet leaders over Ivan the Terrible.

Film Form

Film Form
Author: Sergei Eisenstein
Publisher: HMH
Total Pages: 303
Release: 2014-06-17
Genre: Performing Arts
ISBN: 0547539479

A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.

Immoral Memories

Immoral Memories
Author: Sergei Eisenstein
Publisher: Peter Owen Publishers
Total Pages: 0
Release: 2014
Genre: Biography & Autobiography
ISBN: 9780720615579

"Sergei Eisenstein (1898-1948), creator of such masterpieces as Battleship Potemkin, Alexander Nevsky and Ivan the Terrible, was perhaps the greatest of all film directors. He wrote his autobiography in 1946, two years before his death, and it is a work of major importance in the light it sheds on his personality and mercurial genius. Vivid, eccentric and free-ranging, Immoral Memories is written in a style reminiscent of the brilliant visual effects of montage and dynamic progression that characterize its author's film-making technique. He recounts his life in Russia from the time of the Revolution, during which he served in the Bolshevik army as a volunteer, his travels in the West and his encounters with a remarkable medley of individuals during his long career. He gives us unique insights, too, into his triumphs and tribulations. His disappointments and despair were exemplified by the banning of the film Ivan the Terrible, Part II, which was not released until fifteen years after his death. And he never expected his autobiography to be published in Russia. Yet in answer to his query "Has there been life" he replied that there had been "life lived acutely, joyously, tormentedly, at times even sparkling, unquestionably colourful, and such a life that, I suppose, I would not exchange for another""--Publisher's description.

On the Wings of Hypothesis

On the Wings of Hypothesis
Author: Annette Michelson
Publisher: MIT Press
Total Pages: 257
Release: 2020-10-13
Genre: Art
ISBN: 0262044498

Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, collected for the first time. This posthumous volume gathers Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, giving readers the opportunity to track her sustained investigations into their work. Michelson introduced American audiences to Soviet cinema in the early 1970s, extending the interpretive paradigm she had used for American filmmakers of the mid-twentieth century—in which she emphasized phenomenological readings of their work—to films and writings by Eisenstein and Vertov. Over four decades, Michelson returned again and again to what she calls, following Eisenstein, “intellectual cinema”—the deliberate attempt to create philosophically informed analogues for consciousness. The volume includes Michelson's major essays on Eisenstein's unrealized attempts to make movies of both Marx's Capital and Joyce's Ulysses, as well as her authoritative discussion of Vertov's 1929 masterpiece The Man with a Movie Camera. Together, the texts demonstrate Michelson's pervasive influence as a writer and thinker, and her role in the establishment of cinema studies as an academic field. This collection makes these canonical texts available for a new generation of film scholars.

Eisenstein at Work

Eisenstein at Work
Author: Jay Leyda
Publisher:
Total Pages: 184
Release: 1987
Genre: Biography & Autobiography
ISBN:

Eisenstein on Paper

Eisenstein on Paper
Author: Naum Kleiman
Publisher: National Geographic Books
Total Pages: 0
Release: 2017-10-17
Genre: Art
ISBN: 0500093938

The first comprehensive book on the extensive, yet rarely seen, graphic works of pioneering filmmaker Sergei Eisenstein Sergei Eisenstein is regarded as one of cinema’s greatest revolutionaries. Less well known is that he was also a prolific graphic artist who drew compulsively as a means of expressing his ideas. Arranged chronologically, Eisenstein on Paper is divided into six chapters, each prefaced by short texts relating to the graphic works of each distinct period, and interwoven with excerpts from Eisenstein’s own essays and diary entries. In 1930 Eisenstein traveled to the United States and then Mexico, where he produced hundreds of drawings influenced by ancient and contemporary Mexican art. Forced to return to Russia in 1932, Eisenstein came under the scrutiny of the Communist government and, struggling to make further films without political interference, turned again to sketching for artistic freedom. By the end of his life, he had pared his style down to the utmost simplicity and sincerity. Despite completing relatively few films in his lifetime, Eisenstein made several thousand drawings. Eisenstein on Paper is the product of a groundbreaking collaboration with RGALI, the Russian State Archive of Arts and Literature, and is a fitting tribute to an incredible graphic talent.