The Etruscan Cities and Rome

The Etruscan Cities and Rome
Author: Howard Hayes Scullard
Publisher:
Total Pages: 0
Release: 1998
Genre: Etruria
ISBN: 9780801860720

In The Etruscan Cities and Rome, H. H. Scullard examines the cities of Etruria, the dominant power on the Italian peninsula just prior to the ascendancy of Rome. Though eventually conquered by the Romans, the Etruscans exerted enormous influence on Roman political and social institutions. Scullard describes the mysterious origins of these people, their years of conquest and expansion, and their encounters with Greeks, Romans, Celts, and others. Generously illustrated, the book admirably captures the distinct qualities of Etruria's various urban centers - from the southern cities, where art and handicrafts flourished, to the metal-working northern cities, to the outlying Etruscan areas of Latium and Campania.

The Etruscans

The Etruscans
Author: Christopher Smith
Publisher: Oxford University Press
Total Pages: 169
Release: 2014-04
Genre: History
ISBN: 0199547912

"Between c. 900-400 BC the Etruscans were the innovative, powerful, wealthy, and sophisticated elite of Italy. Their archaeological record is both substantial and fascinating, including tomb paintings, sculpture, jewellery, and art."

Etruscan Civilization

Etruscan Civilization
Author: Sybille Haynes
Publisher: Getty Publications
Total Pages: 456
Release: 2000
Genre: Art
ISBN: 9780892366002

This comprehensive survey of Etruscan civilization, from its origin in the Villanovan Iron Age in the ninth century B.C. to its absorption by Rome in the first century B.C., combines well-known aspects of the Etruscan world with new discoveries and fresh insights into the role of women in Etruscan society. In addition, the Etruscans are contrasted to the Greeks, whom they often emulated, and to the Romans, who at once admired and disdained them. The result is a compelling and complete picture of a people and a culture. This in-depth examination of Etruria examines how differing access to mineral wealth, trade routes, and agricultural land led to distinct regional variations. Heavily illustrated with ancient Etruscan art and cultural objects, the text is organized both chronologically and thematically, interweaving archaeological evidence, analysis of social structure, descriptions of trade and burial customs, and an examination of pottery and works of art.

The Etruscans and the First Romans

The Etruscans and the First Romans
Author: Charles River Editors
Publisher:
Total Pages: 74
Release: 2020-01-31
Genre:
ISBN:

*Includes pictures *Includes a bibliography for further reading "These people of Greek descent were called Etruscans, and it has been discovered that they had advanced so far in civilization, that they afterwards gave many of their customs to the city of Rome when it came to power. A confederacy known as the 'Twelve Cities of Etruria' became famous afterwards, though no one knows exactly which the twelve were." - Arthur Gilman, The Story of Rome from the Earliest Times to the End of the Republic When people think of ancient Italy, the Romans are usually the first and last people that come to mind, but long before Rome was built by Latin speaking people, the culture of Italy was dominated by the Etruscans. Although the Etruscans may not comprise the core of most histories of the ancient Mediterranean, they exerted a profound influence on the region from the 8th-5th centuries BCE that continued to resonate for centuries after as the Romans carried on many of their traditions. Today, much of what is known about the Etruscans comes from the ancient Roman and Greek writers who had a deep respect for them but saw them as exotic and foreign. As the famous Roman philosopher Seneca wrote about the Etruscans, "Whereas we believe lightning to be released as a result of the collision of clouds, they believe that the clouds collide so as to release lightning: for as they attribute all to deity, they are led to believe not that things have a meaning insofar as they occur, but rather that they occur because they must have a meaning." The Etruscans referred to themselves as "Rasenna" in their own language, but the Greeks called them "Tyrrhenians" and the Romans referred to them as "Etrusci", which is where the modern term "Etruscan" is derived (Cornell 1995, 45). As this suggests, reconstructing Etruscan history is based primarily on the Greco-Roman accounts, but other sources are utilized by modern scholars to create a more accurate picture. Unfortunately, despite the fact the Etruscans were a literate people, their own histories have disappeared without a trace. Nevertheless, even with this lack of primary sources, the abundance of classical writings about the Etruscans and modern historical, archaeological, and art historical studies can establish an image of Etruscan history and culture that, although not complete, is enough for scholars to arrive at some important conclusions. An in-depth examination of Etruscan history and culture reveals that the Etruscans developed a culture that was as advanced as that of their Greek contemporaries and was also one that the later Romans were indebted to on many levels. "Rome was a poem pressed into service as a city." In that short line, Anatole Broyard, a 20th century American writer, compactly captures the timeless and enchanting beauty that resides within the Eternal City of Rome. This tourist destination is often one of the highest ranked on bucket lists, for how could one not want to experience its marvelous ruins, mirror-like rivers, and spectacular stretches of aqueducts firsthand? As one sips on fine Italian wine on a terrace overlooking the grand remnants of the Colosseum, one can practically hear the roars of the battling gladiators and the raucous applause of the spectators. And as one strolls through the coarse, yet quaint cobblestone streets, one can almost hear the galloping horses and screeching wheels of chariots in the distance, and even feel the brush of the breeze as they charge past. It is difficult not to fall in love with a city so effortlessly nostalgic it verges on utopian. The ambitious and fearless emperors that built the legendary Roman Empire from scratch, the broad-shouldered and bronzed gladiators with their iconic plume helmets and glinting swords, and elaborate parties attended by toga-wearing Romans fueled by alcohol, violence, orgies, and other godless acts all paint a picture of Roman life.

Divining the Etruscan World

Divining the Etruscan World
Author: Jean MacIntosh Turfa
Publisher: Cambridge University Press
Total Pages: 425
Release: 2012-07-16
Genre: History
ISBN: 1139536400

The Etruscan Brontoscopic Calendar is a rare document of omens foretold by thunder. It long lay hidden, embedded in a Greek translation within a Byzantine treatise from the age of Justinian. The first complete English translation of the Brontoscopic Calendar, this book provides an understanding of Etruscan Iron Age society as revealed through the ancient text, especially the Etruscans' concerns regarding the environment, food, health and disease. Jean MacIntosh Turfa also analyzes the ancient Near Eastern sources of the Calendar and the subjects of its predictions, thereby creating a picture of the complexity of Etruscan society reaching back before the advent of writing and the recording of the calendar.

Tarquinia

Tarquinia
Author: Robert Leighton
Publisher: Bristol Classical Press
Total Pages: 248
Release: 2004-01-22
Genre: History
ISBN:

Tarquinia was one of the principal cities of ancient Etruria, the most powerful nation in pre-Roman Italy. This book charts the history of the site and its interpretation, from its use in early propaganda under the Medici and other Tuscan rulers, right up to the twentieth century.

A Companion to the Etruscans

A Companion to the Etruscans
Author: Sinclair Bell
Publisher: John Wiley & Sons
Total Pages: 532
Release: 2016-02-23
Genre: Literary Criticism
ISBN: 1118352742

This new collection presents a rich selection of innovative scholarship on the Etruscans, a vibrant, independent people whose distinct civilization flourished in central Italy for most of the first millennium BCE and whose artistic, social and cultural traditions helped shape the ancient Mediterranean, European, and Classical worlds. Includes contributions from an international cast of both established and emerging scholars Offers fresh perspectives on Etruscan art and culture, including analysis of the most up-to-date research and archaeological discoveries Reassesses and evaluates traditional topics like architecture, wall painting, ceramics, and sculpture as well as new ones such as textile archaeology, while also addressing themes that have yet to be thoroughly investigated in the scholarship, such as the obesus etruscus, the function and use of jewelry at different life stages, Greek and Roman topoi about the Etruscans, the Etruscans’ reception of ponderation, and more Counters the claim that the Etruscans were culturally inferior to the Greeks and Romans by emphasizing fields where the Etruscans were either technological or artistic pioneers and by reframing similarities in style and iconography as examples of Etruscan agency and reception rather than as a deficit of local creativity