| Author | : Timothy J. Lukes |
| Publisher | : Susquehanna University Press |
| Total Pages | : 186 |
| Release | : 1985 |
| Genre | : Art |
| ISBN | : 9780941664042 |
In his more recent works, Herbert Marcuse has come to appreciate the liberatory potential of the aesthetic practice. This book traces the development of that appreciation. A discussion of Kant's aesthetic theory, and Marcuse's improvement of it, is included.
| Author | : Frederic Will |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 150 |
| Release | : 2016-09-23 |
| Genre | : Philosophy |
| ISBN | : 1443899933 |
Inwardness is the condition of being inside. However, this can mean many things: one can be inside himself – dealing with his emotions, his projections, his fantasies – or with other people who become part of him as he deals with himself. One can be inside his social environment, letting himself be part of the tissue of values, reciprocations, and personal interventions that compose one’s social existence. These are two quite different kinds of being inside, both of them different from being in a box or being in a prison cell, and yet each of them, in a recognizable sense, inside something. This book is concerned with inwardness in two different senses, the first as being in the center of existence, and the second as being a quest for the meaning of the center of one’s existence, that is two different kinds of profoundly ‘within’ states. The book culminates with tales of searching for the meaning of interiority, as it self-characterizes in the inner brain of a lizard, or in the mineral constitution of the earth from which we take our lives.
| Author | : Susan Bordo |
| Publisher | : SUNY Press |
| Total Pages | : 162 |
| Release | : 1987-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780887064104 |
The Flight to Objectivity offers a new reading of Descartes' Meditations informed by cultural history, psychoanalytic and cognitive psychology, and feminist thought. It focuses not on Descartes' arguments as "timeless," culturally disembodied events, but on the psychological drama and imagery of the Meditations explored in the context of the historical instability of the seventeenth century and deep historical changes in the structure of human experience. The study includes textual and cultural material that together comprise a gradually unfolding psychocultural reading of the Meditations. Descartes' famous doubt, and the ideal of objectivity which conquered that doubt, are considered as philosophical expressions of a cultural "drama of parturition" from the medieval universe, a process that generated new forms of experience, new cultural anxieties, and ultimately, new strategies for control and mastery of an utterly changed and alien world. Themes that figure prominently in recent literature on seventeenth-century philosophy and science--the birth of the mind as "mirror of nature," and the "masculine" nature of modern science, the "death of nature"--are explored with reference to Descartes as a pivotal figure in the birth of modernity.
| Author | : Fintan Cullen |
| Publisher | : Cork University Press |
| Total Pages | : 342 |
| Release | : 2000 |
| Genre | : Architecture |
| ISBN | : 9781859181546 |
"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.
| Author | : John A. McClure |
| Publisher | : University of Georgia Press |
| Total Pages | : 224 |
| Release | : 2010-01-25 |
| Genre | : Literary Criticism |
| ISBN | : 0820336602 |
Spiritual conversions figure heavily in such novels as Thomas Pynchon's Vineland, Toni Morrison's Paradise, and Louise Erdrich's Love Medicine. What connects such varied works is that their convert-characters are disenchanted with secularism yet apprehensive of dogmatic religiosity. Partial Faiths is the first study to identify a body of contemporary fiction in such terms, take the measure of its structures and strategies, and evaluate its contribution to public discourse on religion's place in postmodern life. Postsecularism is most often associated with philosophers and theorists such as Jacques Derrida, Richard Rorty, Charles Taylor, William Connolly, Jürgen Habermas, and Gianni Vattimo. But it is also being explored and invented, says John A. McClure, by many novelists: Leslie Marmon Silko, Don DeLillo, Michael Ondaatje, and N. Scott Momaday among others. These novelists, who are often regarded as belonging to different domains of contemporary fiction, are fleshing out the postsecular issues that scholars treat more abstractly. But the modes of belief elaborated in these novels and the new narrative forms synchronized with these modes are dramatically partial and open-ended. Postsecular fiction does not aspire to any full "mapping" of the reenchanted cosmos or any formal moral code, nor does it promise anything like full redemption. It is partial in another sense as well: it is emphatically dedicated to progressive ideals of social transformation and well-being, in repudiation of resurgent fundamentalist prescriptions for the same.
| Author | : Jon Bartley Stewart |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 344 |
| Release | : 2012 |
| Genre | : Religion |
| ISBN | : 9781409442851 |
Kierkegaard's relation to the field of philosophy is a particularly complex and disputed one. He rejected the model of philosophical inquiry that was mainstream in his day and was careful to have his pseudonymous authors repeatedly disassociate themselves from philosophy. But although it seems clear that Kierkegaard never regarded himself as a philosopher, there can be no doubt that his writings contain philosophical ideas and insights and have been profoundly influential in a number of different philosophical traditions. The present volume documents these different traditions of the philosophical reception of Kierkegaard's thought. The articles featured here demonstrate the vast reach of Kierkegaard's writings in philosophical contexts that were often quite different from his own. Tome I is dedicated to exploring the reception of Kierkegaard in Germanophone and Scandinavian philosophy. Kierkegaard has been a major influence for such different philosophical projects as phenomenology, hermeneutics, dialogical thinking, critical theory, Marxism, logical positivism and ordinary language philosophy. Similarly in Denmark and Norway Kierkegaard's writings have been more or less constantly discussed by important philosophers, despite the later dominance of analytic philosophy in these countries. The present volume features articles on the leading Germanophone and Scandinavian philosophers influenced by Kierkegaard's thought.
| Author | : Herbert Marcuse |
| Publisher | : Routledge |
| Total Pages | : 271 |
| Release | : 2007-01-24 |
| Genre | : Art |
| ISBN | : 1134774524 |
The role of art in Marcuse’s work has often been neglected, misinterpreted or underplayed. His critics accused him of a religion of art and aesthetics that leads to an escape from politics and society. Yet, as this volume demonstrates, Marcuse analyzes culture and art in the context of how it produces forces of domination and resistance in society, and his writings on culture and art generate the possibility of liberation and radical social transformation. The material in this volume is a rich collection of many of Marcuse’s published and unpublished writings, interviews and talks, including ‘Lyric Poetry after Auschwitz’, reflections on Proust, and Letters on Surrealism; a poem by Samuel Beckett for Marcuse’s eightieth birthday with exchange of letters; and many articles that explore the role of art in society and how it provides possibilities for liberation. This volume will be of interest to those new to Marcuse, generally acknowledged as a major figure in the intellectual and social milieus of the 1960s and 1970s, as well as to the specialist, giving access to a wealth of material from the Marcuse Archive in Frankfurt and his private collection in San Diego, some of it published here in English for the first time. A comprehensive introduction by Douglas Kellner reflects on the genesis, development, and tensions within Marcuse’s aesthetic, while an afterword by Gerhard Schweppenhäuser summarizes their relevance for the contemporary era.
| Author | : Richard Kearney |
| Publisher | : Syracuse University Press |
| Total Pages | : 484 |
| Release | : 2006-07-13 |
| Genre | : Literary Collections |
| ISBN | : 9780815631040 |
This collection contains writings on Irish politics, literature, drama, and visual arts, along with a series of dialogues with important cultural and intellectual figures. Previously unpublished pieces include essays on Joyce and on the Irish Hunger Memorial in New York City and a dialogue with Georges Dumézil on myth.
