The History of British Women's Writing, 1750-1830

The History of British Women's Writing, 1750-1830
Author: J. Labbe
Publisher: Springer
Total Pages: 390
Release: 2010-08-20
Genre: Social Science
ISBN: 0230297013

This period witnessed the first full flowering of women's writing in Britain. This illuminating volume features leading scholars who draw upon the last 25 years of scholarship and textual recovery to demonstrate the literary and cultural significance of women in the period, discussing writers such as Austen, Wollstonecraft and Mary Shelley.

Questioning Nature

Questioning Nature
Author: Melissa Bailes
Publisher: University of Virginia Press
Total Pages: 332
Release: 2017-05-19
Genre: History
ISBN: 0813939771

In the mid-eighteenth century, many British authors and literary critics anxiously claimed that poetry was in crisis. These writers complained that modern poets plagiarized classical authors as well as one another, asserted that no new subjects for verse remained, and feared poetry's complete exhaustion. Questioning Nature explores how major women writers of the era—including Mary Shelley, Anna Barbauld, and Charlotte Smith—turned in response to developing disciplines of natural history such as botany, zoology, and geology. Recognizing the sociological implications of inquiries in the natural sciences, these authors renovated notions of originality through natural history while engaging with questions of the day. Classifications, hierarchies, and definitions inherent in natural history were appropriated into discussions of gender, race, and nation. Further, their concerns with authorship, authority, and novelty led them to experiment with textual hybridities and collaborative modes of originality that competed with conventional ideas of solitary genius. Exploring these authors and their work, Questioning Nature explains how these women writers' imaginative scientific writing unveiled a new genealogy for Romantic originality, both shaping the literary canon and ultimately leading to their exclusion from it.

The History of British Women's Writing, 1830-1880

The History of British Women's Writing, 1830-1880
Author: Lucy Hartley
Publisher: Springer
Total Pages: 371
Release: 2018-09-22
Genre: Literary Criticism
ISBN: 1137584653

This volume charts the rise of professional women writers across diverse fields of intellectual enquiry and through different modes of writing in the period immediately before and during the reign of Queen Victoria. It demonstrates how, between 1830 and 1880, the woman writer became an agent of cultural formation and contestation, appealing to and enabling the growth of female readership while issuing a challenge to the authority of male writers and critics. Of especial importance were changing definitions of marriage, family and nation, of class, and of morality as well as new conceptions of sexuality and gender, and of sympathy and sensation. The result is a richly textured account of a radical and complex process of feminization whereby formal innovations in the different modes of writing by women became central to the aesthetic, social, and political formation of British culture and society in the nineteenth century.

The History of British Women's Writing, 1690 - 1750

The History of British Women's Writing, 1690 - 1750
Author: R. Ballaster
Publisher: Springer
Total Pages: 303
Release: 2010-09-10
Genre: Social Science
ISBN: 0230298354

This volume charts the most significant changes for a literary history of women in a period that saw the beginnings of a discourse of 'enlightened feminism'. It reveals that women engaged in forms old and new, seeking to shape and transform the culture of letters rather than simply reflect or respond to the work of their male contemporaries.

Women Writers and Old Age in Great Britain, 1750-1850

Women Writers and Old Age in Great Britain, 1750-1850
Author: Devoney Looser
Publisher: JHU Press
Total Pages: 253
Release: 2008-08-01
Genre: Literary Criticism
ISBN: 0801887054

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.

Women Writing Music in Late Eighteenth-Century England

Women Writing Music in Late Eighteenth-Century England
Author: Leslie Ritchie
Publisher: Routledge
Total Pages: 288
Release: 2017-07-05
Genre: Literary Criticism
ISBN: 1351536613

Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

Women's Reading in Britain, 1750-1835

Women's Reading in Britain, 1750-1835
Author: Jacqueline Pearson
Publisher: Cambridge University Press
Total Pages: 312
Release: 1999-05-27
Genre: History
ISBN: 0521584396

The first broad overview and detailed analysis of female reading audiences in this period.

The Feminization of Fame 1750-1830

The Feminization of Fame 1750-1830
Author: C. Brock
Publisher: Springer
Total Pages: 251
Release: 2006-07-11
Genre: History
ISBN: 0230286453

This book addresses the literary, cultural and historical questions surrounding the reconceptualization of fame between 1750-1830. It examines genres from history writing to literature, public and private memoirs to political treatises in English and in French in order to explore 'The age of personality's' obsession with instantaneous publicity.

Women's Writing, 1660-1830

Women's Writing, 1660-1830
Author: Jennie Batchelor
Publisher: Springer
Total Pages: 271
Release: 2016-12-19
Genre: Social Science
ISBN: 1137543825

This book is about mapping the future of eighteenth-century women’s writing and feminist literary history, in an academic culture that is not shy of declaring their obsolescence. It asks: what can or should unite us as scholars devoted to the recovery and study of women’s literary history in an era of big data, on the one hand, and ever more narrowly defined specialization, on the other? Leading scholars from the UK and US answer this question in thought-provoking, cross-disciplinary and often polemical essays. Contributors attend to the achievements of eighteenth-century women writers and the scholars who have devoted their lives to them, and map new directions for the advancement of research in the area. They collectively argue that eighteenth-century women’s literary history has a future, and that feminism was, and always should be, at its heart. Featuring a Preface by Isobel Grundy, and a Postscript by Cora Kaplan.