| Author | : Fred Saberhagen |
| Publisher | : Tom Doherty Assoc Llc |
| Total Pages | : 249 |
| Release | : 1992-11-01 |
| Genre | : Fiction |
| ISBN | : 9780812523843 |
In London on a personal matter, Dracula encounters Sherlock Holmes, who is attempting to catch a killer and stop a ring of criminal masterminds who are threatening to loose plague-infested rats into the streets. Reissue.
| Author | : Fred Saberhagen |
| Publisher | : Macmillan |
| Total Pages | : 261 |
| Release | : 2010-06-29 |
| Genre | : Fiction |
| ISBN | : 0765366134 |
Crime makes strange partnerships, and none is stranger than that between Sherlock Holmes and Count Dracula. But when Holmes must track down a ring of criminal masterminds infesting London with plague, he must team up with Dracula to bring them to justice.
| Author | : Jeffrey Andrew Weinstock |
| Publisher | : Routledge |
| Total Pages | : 558 |
| Release | : 2016-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 1317044258 |
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
| Author | : Lister M. Matheson |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 730 |
| Release | : 2011-12-02 |
| Genre | : History |
| ISBN | : 1573567809 |
From Thomas Becket to Charlemagne, from Leif Erickson to Count Dracula, this series of biographical essays separates truth from legend as it explores the lives of some of the most accomplished and influential figures of medieval history. Drawing on the latest research, Icons of the Middle Ages: Rulers, Writers, Rebels, and Saints examines the lives of some of the most remarkable personalities of the Medieval Era—powerful, ruthless, compassionate, brilliant people who remain widely influential today. Each portrait in this extraordinary gallery sets its subject in the context of their world, revealing what we really know about their lives, their iconic status in their own times, and their lasting legacies in our time. Readers will encounter fascinating individuals devoted to the pursuit of power (Richard III), to freedom (Robert the Bruce), to philosophy and religion (Maimonides; Thomas More), and to the arts (Dante; Hildegard of Bingen). Additional chapters explore life in the medieval castle and the advent of siege warfare—two defining developments in the Middle Ages.
| Author | : Brenda Ayres |
| Publisher | : Springer Nature |
| Total Pages | : 525 |
| Release | : 2024-01-20 |
| Genre | : Literary Criticism |
| ISBN | : 303132160X |
This handbook offers analysis of diverse genres and media of neo-Victorianism, including film and television adaptations of Victorian texts, authors’ life stories, graphic novels, and contemporary fiction set in the nineteenth century. Contextualized by Sarah E Maier and Brenda Ayres in a comprehensive introduction, the collection describes current trends in neo-Victorian scholarship of novels, film, theatre, crime, empire/postcolonialism, Gothic, materiality, religion and science, amongst others. A variety of scholars from around the world contribute to this volume by applying an assortment of theoretical approaches and interdisciplinary focus in their critique of a wide range of narratives—from early neo-Victorian texts such as A. S. Byatt’s Possession (1963) and Jean Rhys’ Wide Sargasso Sea (1966) to recent steampunk, from musical theatre to slumming, and from The Alienist to queerness—in their investigation of how this fiction reconstructs the past, informed by and reinforming the present.
| Author | : Amnon Kabatchnik |
| Publisher | : McFarland |
| Total Pages | : 284 |
| Release | : 2023-06-28 |
| Genre | : Performing Arts |
| ISBN | : 1476675554 |
There are numerous publications about the horror genre in film and television, but none that provide information about horror on a legitimate stage until now. This book highlights the most terrifying moments in theater history, from classical plays like Aeschylus' Prometheus Bound and Euripides' Medea to the violence of the Grand Guignol company productions in 18th-century France, and present-day productions like Stephen Sondheim's musical Sweeney Todd, Stephen King's Carrie and dark 21st-century plays by Clive Barker and Conor McPherson. The book compiles the history and behind-the-scenes tales surrounding stage productions about monsters, hauntings and horrors both historical and imagined. Included are the nightmarish adaptations of popular writings from Edgar Allan Poe, Oscar Wilde, H.G. Wells, Henry James, Arthur Conan Doyle, and others, as well as plays starring popular characters like Frankenstein, Dr. Jekyll and Mr. Hyde, the Invisible Man, the Phantom of the Opera, and the Woman in Black. More than 500 plays are documented, accompanied by dozens of photographs. Entries include plot synopses, existing production data, and evaluations by critics and scholars.
| Author | : Gregory A. Waller |
| Publisher | : University of Illinois Press |
| Total Pages | : 410 |
| Release | : 2010-10-01 |
| Genre | : Performing Arts |
| ISBN | : 0252090330 |
With a legacy stretching back into legend and folklore, the vampire in all its guises haunts the film and fiction of the twentieth century and remains the most enduring of all the monstrous threats that roam the landscapes of horror. In The Living and the Undead, Gregory A. Waller shows why this creature continues to fascinate us and why every generation reshapes the story of the violent confrontation between the living and the undead to fit new times. Examining a broad range of novels, stories, plays, films, and made-for-television movies, Waller focuses upon a series of interrelated texts: Bram Stoker's Dracula (1897); several film adaptations of Stoker's novel; F. W. Murnau's Nosferatu, A Symphony of Horror (1922); Richard Matheson's I Am Legend (1954); Stephen King's 'Salem's Lot (1975); Werner Herzog's Nosferatu the Vampyre (1979); and George Romero's Night of the Living Dead (1968) and Dawn of the Dead (1979). All of these works, Waller argues, speak to our understanding and fear of evil and chaos, of desire and egotism, of slavish dependence and masterful control. This paperback edition of The Living and the Undead features a new preface in which Waller positions his analysis in relation to the explosion of vampire and zombie films, fiction, and criticism in the past twenty-five years.
| Author | : Natalie Neill |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 285 |
| Release | : 2022-03-14 |
| Genre | : Social Science |
| ISBN | : 1793636583 |
Gothic Mash-Ups explores the role of intertextuality in Gothic storytelling through the analysis of texts from diverse periods and media. Drawing on recent scholarship on Gothic remix and adaptation, the contributors examine crossover fictions, multi-source film and comic book adaptations, neo-Victorian pastiches, performance magic, monster mashes, and intertextual Gothic works of various kinds. Their chapters investigate many critical issues related to Gothic mash-up, including authorship, originality, intellectual property, fandom, commercialization, and canonicity. Although varied in approach, the chapters all explore how Gothic storytellers make new stories out of older ones, relying on a mix of appropriation and innovation. Covering many examples of mash-up, from nineteenth-century Gothic novels to twenty-first-century video games and interactive fiction, this collection builds from the premise that the Gothic is a fundamentally hybrid genre.
| Author | : Brian Stableford |
| Publisher | : Wildside Press LLC |
| Total Pages | : 191 |
| Release | : 2017-03-24 |
| Genre | : Fiction |
| ISBN | : 1479425931 |
Acclaimed author and scholar Brian Stableford turns his penetrating mind to matters of science fiction, fantasy, and horror in this collection of essays. He covers such diverse topics as: SLAVES OF THE DEATH SPIDERS: Colin Wilson and Existentialist Science Fiction IS THERE NO BALM IN GILEAD?: The Woeful Prophecies of Margaret Atwood's The Handmaid's Tale A FEW MORE CROCODILE TEARS?: Gwyneth Jones THE ADVENTURES OF LORD HORROR: Across the Media Landscape FILLING IN THE MIDDLE: Robert Silverberg's The Queen of Springtime RICE'S RELAPSE: Memnoch the Devil FIELD OF BROKEN DREAMS: Michael Bishop's Brittle Innings THE MAGIC OF THE MOVIES H. G. WELLS AND THE DISCOVERY OF THE FUTURE THE MANY RETURNS OF DRACULA TARZAN'S DIVIDED SELF SYMPATHY FOR THE DEVIL: Jacques Cazotte's The Devil in Love THE TWO THOUSAND YEAR QUEST: George Viereck's Erotic Odyssey THE PROFESSION OF SCIENCE FICTION
