Author | : Aaron Preston |
Publisher | : A&C Black |
Total Pages | : 204 |
Release | : 2010-12-16 |
Genre | : Philosophy |
ISBN | : 1441131965 |
Author | : Aaron Preston |
Publisher | : A&C Black |
Total Pages | : 204 |
Release | : 2010-12-16 |
Genre | : Philosophy |
ISBN | : 1441131965 |
Author | : N.J. Wade |
Publisher | : Springer Science & Business Media |
Total Pages | : 257 |
Release | : 2006-03-30 |
Genre | : Psychology |
ISBN | : 0387227237 |
Our contact with the world is through perception, and therefore the study of the process is of obvious importance and signi?cance. For much of its long history, the study of perception has been con?ned to natural- tic observation. Nonetheless, the phenomena considered worthy of note have not been those that nurture our survival—the veridical features of perception—but the oddities or departures from the common and c- monplace accuracies of perception. With the move from the natural world to the laboratory the oddities of perception multiplied, and they received ever more detailed scrutiny. My general intention is to examine the interpretations of the perc- tual process and its errors throughout history. The emphasis on errors of perception might appear to be a narrow approach, but in fact it enc- passes virtually all perceptual research from the ancients until the present. The constancies of perception have been taken for granted whereas - partures from constancies (errors or illusions) have fostered fascination.
Author | : Raymond Geuss |
Publisher | : Cambridge University Press |
Total Pages | : 188 |
Release | : 2001-06-28 |
Genre | : Philosophy |
ISBN | : 9780521000437 |
The distinguished political philosopher Raymond Geuss examines critically the central topics in Western political thought. In a series of analytic chapters he discusses the state, authority, violence and coercion, the concept of legitmacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is in fact a confused conjunction of disparate elements. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in voice that is skeptical, engaged, and clear.
Author | : Jay Jorgensen |
Publisher | : Running Press Adult |
Total Pages | : 417 |
Release | : 2015-10-06 |
Genre | : Design |
ISBN | : 0762458070 |
Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany's. A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers' minds. Yet until now, so little has been known about the designers themselves and their work to complement and enrich stories through fashion. Creating the Illusion presents the history of fashion on film, showcasing not only classic moments from film favorites, but a host of untold stories about the creative talent working behind the scenes to dress the stars from the silent era to the present day. Among the book's sixty-five designer profiles are Clare West, Howard Greer, Adrian, Walter Plunkett, Travis Banton, Irene, Edith Head, Cecil Beaton, Bob Mackie, and Colleen Atwood. The designers' stories are set against the backdrop of Hollywood: how they collaborated with great movie stars and filmmakers; how they maneuvered within the studio system; and how they came to design clothing that remains iconic decades after its first appearance. The array of films discussed and showcased through photos spans more than one hundred years, from draping Rudolph Valentino in exotic "sheik" dress to the legendary costuming of Gone with the Wind, Alfred Hitchcock thrillers, Bonnie and Clyde, Reservoir Dogs, and beyond. This gloriously illustrated volume includes candid photos of the designers at work, portraits and wardrobe tests of stars in costume, and designer sketches. Drawing from archival material and dozens of new interviews with award-winning designers, authors Jay Jorgensen and Donald L. Scoggins offer a highly informative, lavish, and entertaining history of Hollywood costume design. About TCM: Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.
Author | : Andrew R. Russ |
Publisher | : CUA Press |
Total Pages | : 346 |
Release | : 2013 |
Genre | : Literary Criticism |
ISBN | : 081322005X |
Andrew Russ argues in this book that a closer look at their philosophical underpinnings finds that Rousseau, Marx, and Foucault are much less "historical" in their methodology than is widely believed. Instead, they share a more "timeless" view, one indebted to principles ordinarily seen as timeless or transcendent
Author | : Stuart Sweeney |
Publisher | : Reaktion Books |
Total Pages | : 385 |
Release | : 2019-04-01 |
Genre | : History |
ISBN | : 1789140935 |
In The Europe Illusion, Stuart Sweeney considers Britain’s relationships with France and Prussia-Germany since the map of Europe was redrawn at Westphalia in 1648. A timely and far-sighted study, it argues that integration in Europe has evolved through diplomatic, economic, and cultural links cemented among these three states. Indeed, as wars became more destructive and economic expectations were elevated these states struggled to survive alone. Yet it has been rare for all three to be friends at the same time. Instead, apparent setbacks like Brexit can be seen as reflective of a more pragmatic Europe, where integration proceeds within variable geometry.
Author | : Sigmund Freud |
Publisher | : |
Total Pages | : 110 |
Release | : 1928 |
Genre | : Psychoanalysis |
ISBN | : |
Author | : Phil Mennitti |
Publisher | : Phil Mennitti |
Total Pages | : 432 |
Release | : 2015-02-02 |
Genre | : Business & Economics |
ISBN | : |
This is the second story in a non-partisan series detailing how the elite have impoverished America's Middle Class. In this timely and revealing book the author explains what has happened in simple, easy to understand terms, that are brief and to-the-point. The crippling and devastating consequences to liberty have not gone unnoticed. The author bears witness to history and the treacherous crimes which have overthrown the Republic. Referred to as the history of the Deep State. The Illusion of Democracy is a more accurate historical accounting of the United States since the coup of 1963, when President Kennedy was executed in Dealey Plaza by the Operation 40 assassination squad. This sequel focuses on the big picture. It explains Hegelian Dialectic Principles of how our puppet masters create conflict to increase their wealth and power. The book connects the dots of all major false flag events to prove this massive deception was intentionally engineered, and that we the people have been subjugated through indentured servitude into a feudal system controlled by wealthy oligarchs. This book was written at a high school level with those students in mind. It is perfect for high school classes, college courses, or the average reader at home who is curious about what went wrong over the past generation which killed the American Dream.
Author | : Wendy Bellion |
Publisher | : UNC Press Books |
Total Pages | : 384 |
Release | : 2012-12-01 |
Genre | : Art |
ISBN | : 080783890X |
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.