| Author | : Giulia Torello-Hill |
| Publisher | : BRILL |
| Total Pages | : 312 |
| Release | : 2020-10-20 |
| Genre | : Literary Collections |
| ISBN | : 900443240X |
An interdisciplinary approach to establish the significance of the first illustrated edition of the plays of Terence, its commentary and iconographic traditions and legacy in sixteenth-century Italy and France.
| Author | : Enrique Fernández |
| Publisher | : University of Toronto Press |
| Total Pages | : 254 |
| Release | : 2024-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 1487549806 |
La Celestina, a Spanish literary masterpiece second only in importance to Don Quixote in Spanish literature, has been shaped by the inclusion of images from its very first edition in 1499. The subsequent five centuries were punctuated by many illustrated editions; imaginary portraits of the eponymous procuress Celestina by painters such as Murillo, Goya, and Picasso; and, more recently, screen and stage adaptations. Celestina became the prototype from which later representations of procuresses and bawds derived. The Image of Celestina sheds light on the visual culture that developed around La Celestina, including paintings, illustrations, and advertisements. Enrique Fernández examines La Celestina as a mixed-media text, incorporating methods from disciplines such as art history and women’s and cinema studies, and considers a variety of images including promotional posters, lobby pictures, and playbills of theatrical and cinematic adaptations of the book. Using a visual studies approach, The Image of Celestina ultimately illuminates the culture of Celestina, a mythical figure, who surpasses the literary text in which she originated.
| Author | : Sander M. Goldberg |
| Publisher | : Cambridge University Press |
| Total Pages | : 310 |
| Release | : 2022-09-30 |
| Genre | : History |
| ISBN | : 1009200615 |
As the first play of the Terentian corpus, Andria has always attracted a special level of attention. It was the first Roman comedy produced after antiquity (at Florence in 1476) and the first translated into English, and it has inspired writers from Jonson and Dryden to Thornton Wilder. It provides an excellent introduction to Terence 's particular style of comedy, noteworthy for its ambivalence in representing the perspectives of woman and slaves and its experiments with a secondary plot line. The commentary is designed both to help students with the basic linguistic and technical problems confronting inexperienced readers of Roman comedy and to open discussion of essential interpretive questions involving the play and its relation to the wider comic corpus, as well as the utility of comedy for furthering our understanding of the Roman world and its values.
| Author | : Robert B. Graves |
| Publisher | : SIU Press |
| Total Pages | : 290 |
| Release | : 1999-12-08 |
| Genre | : Performing Arts |
| ISBN | : 0809386690 |
In Lighting the Shakespearean Stage, 1567–1642,R. B. Graves examines the lighting of early modern English drama from both historical and aesthetic perspectives. He traces the contrasting traditions of sunlit amphitheaters and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques both indoors and outdoors. Graves discusses the importance of stage lighting in determining the dramatic effect, even in cases where the manipulation of light was not under the direct control of the theater artists. He devotes a chapter to the early modern lighting equipment available to English Renaissance actors and surveys theatrical lighting before the construction of permanent playhouses in London. Elizabethan stage lighting, he argues, drew on both classical and medieval precedents.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 331 |
| Release | : 2015-05-19 |
| Genre | : History |
| ISBN | : 9004289496 |
Terence between Late Antiquity and the Age of Printing investigates the Medieval and Early Renaissance reception of Terence in highly innovative ways, combining the diverse but interrelated strands of textual criticism, illustrative tradition, and performance. The plays of Terence seem to have remained unperformed until the Renaissance, but they were a central text for educators in Western Europe. Manuscripts of the plays contained scholarship and illustrations which were initially inspired by Late Antique models, and which were constantly transformed in response to contemporary thought. The contributions in this work deal with these topics, as well as the earliest printed editions of Terence, theatrical revivals in Northern Italy, and the readership of Terence throughout the Early Middle Ages.
| Author | : Terence Irwin |
| Publisher | : |
| Total Pages | : 289 |
| Release | : 1989 |
| Genre | : Literary Collections |
| ISBN | : 0192891774 |
Spanning over a thousand years from Homer to Saint Augustine, Classical Thought encompasses a vast range of material in succinct style, while remaining clear and lucid even to those with no philosophical or Classical background The major philosophers and philosophical schools are examined---the Presocratics, Socrates, Plato, Aristotle, Stoicism, Epicureanism, Neoplatonism; but other important thinkers, such as Greek tragedians, historians, medical writers, and early Christian writers, are also discussed. The emphasis is naturally on questions of philosophical interest (although the literary and historical background to Classical philosophy is not ignored), and again the scope is broad---ethics, the theory of knowledge, philosophy of mind, philosophical theology. All this is presented in a fully integrated, highly readable text which covers may of the most important areas of ancient thought and in which stress is laid on the variety and continuity of philosophical thinking after Aristotle.
| Author | : Tom Bishop |
| Publisher | : Taylor & Francis |
| Total Pages | : 237 |
| Release | : 2023-12-14 |
| Genre | : Literary Criticism |
| ISBN | : 1000985407 |
This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
| Author | : Colum Hourihane |
| Publisher | : |
| Total Pages | : 4064 |
| Release | : 2012 |
| Genre | : Architecture, Medieval |
| ISBN | : 0195395360 |
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
| Author | : Rhiannon Evans |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 214 |
| Release | : 2021-03-10 |
| Genre | : Philosophy |
| ISBN | : 1527567303 |
Theorising Rome asks the questions: what did ‘Rome’—the physical location, the political entity, the literary construct—mean in antiquity? Equally, what has it meant in subsequent centuries? This volume addresses these broad questions in a number of complementary ways, and each chapter shows that ancient Rome has been recontextualised and remade—and, in fact, re-theorised—by successive historical periods and literary genres to perform their cultural labour. The contributions here approach this question through the lens of Roman literary, historical and philosophical texts, as well as reception texts which create a new vision of Rome through adaptation, allusion and critique. Whether ancient or modern, these studies show how Rome and Roman texts are recast for each new audience.
