Dry Spells
Author | : Jeffrey Snyder-Reinke |
Publisher | : BRILL |
Total Pages | : 328 |
Release | : 2020-03-17 |
Genre | : History |
ISBN | : 1684174848 |
Chinese officials put considerable effort into managing the fiscal and legal affairs of their jurisdictions, but they also devoted significant time and energy to performing religious rituals on behalf of the state. This groundbreaking study explores this underappreciated aspect of Chinese political life by investigating rainmaking activities organized or conducted by local officials in the Qing dynasty. Using a wide variety of primary sources, this study explains how and why state rainmaking became a prominent feature of the late imperial religious landscape. It also vividly describes the esoteric, spectacular, and occasionally grotesque techniques officials used to pray for rain. Charting the ways in which rainmaking performances were contested by local communities, this study argues that state rainmaking provided an important venue where the relationship between officials and their constituents was established and maintained. For this reason, the author concludes that official rainmaking was instrumental in constituting state power at the local level. This monograph addresses issues that are central to the study of late imperial Chinese society and culture, including the religious activities of Chinese officials, the nature of state orthodoxy, and the symbolic dimensions of local governance.
Governing Death, Making Persons
Author | : Huwy-min Lucia Liu |
Publisher | : Cornell University Press |
Total Pages | : 271 |
Release | : 2023-01-15 |
Genre | : Social Science |
ISBN | : 1501767232 |
Governing Death, Making Persons tells the story of how economic reforms and changes in the management of death in China have affected the governance of persons. The Chinese Communist Party has sought to channel the funeral industry and death rituals into vehicles for reshaping people into "modern" citizens and subjects. Since the Reform and Opening period and the marketization of state funeral parlors, the Party has promoted personalized funerals in the hope of promoting a market-oriented and individualistic ethos. However, things have not gone as planned. Huwy-min Lucia Liu writes about the funerals she witnessed and the life stories of two kinds of funeral workers: state workers who are quasi-government officials and semilegal private funeral brokers. She shows that end-of-life commemoration in urban China today is characterized by the resilience of social conventions and not a shift toward market economy individualization. Rather than seeing a rise of individualism and the decline of a socialist self, Liu sees the durability of socialist, religious, communal, and relational ideas of self, woven together through creative ritual framings in spite of their contradictions.
Chinese Diaspora Charity and the Cantonese Pacific, 1850–1949
Author | : John Fitzgerald |
Publisher | : Hong Kong University Press |
Total Pages | : 236 |
Release | : 2020-04-15 |
Genre | : History |
ISBN | : 9888528262 |
Chinese Diaspora Charity and the Cantonese Pacific, 1850–1949 sheds new light on the history of charity among Chinese overseas and its place in the history of charity in China and in the wider history of global philanthropy. It finds that diaspora charity, besides serving traditional functions of helping the sick and destitute and supporting development in China, helped to build trust among dispersed hometown networks while challenging color boundaries in host societies by contributing to wider social causes. The book shows that charitable activities among the “Gold Rush” communities of the Pacific rim—a loosely integrated émigré network from Guangdong Province perhaps better known for its business acumen and hard work among English-speaking settler societies in North America and Australasia—also led the way with social innovations that helped to shape modern charity in China. Fitzgerald and Yip’s volume demonstrates that charity lay at the heart of community life among Chinese communities overseas. From remittances accompanying letters to contributions to benevolent organizations, emigrants transferred funds in many different ways to meet urgent requirements such as disaster relief while also contributing to long-term initiatives like building schools or hospitals. By drawing attention to diaspora contributions to their host societies, the contributors correct a common misunderstanding of the historical Chinese diaspora which is often perceived by host communities as self-interested or disengaged. This important study also reappraises the value of charitable donations in the maintenance of networks, an essential feature of diaspora life across the Cantonese Pacific. “Fitzgerald and Yip’s fascinating collection is a major contribution to the growing study of charity and its relationship to social welfare. The essays show how remittances were used for much more than family support. The book fills a large gap on the almost unrecognized importance of charity among Cantonese communities in the Chinese diaspora.” —Diana Lary, University of British Columbia “This collection is a great contribution to our understanding of how important charity became among overseas Chinese in the early stages of the diaspora—between 1850 and 1949. Philanthropy was crucial in the creation of trust networks among the diasporic communities that earned Chinese recognition to the overseas communities both in China and in their host countries.” —Sue Fawn Chung, University of Nevada, Las Vegas
The Temple of Memories
Author | : Jun Jing |
Publisher | : Stanford University Press |
Total Pages | : 242 |
Release | : 1998-10-01 |
Genre | : History |
ISBN | : 0804764921 |
This study focuses on the politics of memory in the village of Dachuan in northwest China, in which 85 percent of the villagers are surnamed Kong and believe themselves to be descendants of Confucius. It recounts both how this proud community was subjected to intense suffering during the Maoist era, culminating in its forcible resettlement in December 1960 to make way for the construction of a major hydroelectric dam, and how the village eventually sought recovery through the commemoration of that suffering and the revival of a redefined religion. Before 1949, the Kongs had dominated their area because of their political influence, wealth, and, above all, their identification with Confucius, whose precepts underlay so much of the Chinese ethical and political tradition. After the Communists came to power in 1949, these people, as a literal embodiment of the Confucian heritage, became prime targets for Maoist political campaigns attacking the traditional order, from land reform to the “Criticize Confucius” movement. Many villagers were arrested, three were beheaded, and others died in labor camps. When the villagers were forced to hastily abandon their homes and the village temple, they had time to disinter only the bones of their closest family members; the tombs of earlier generations were destroyed by construction workers for the dam.
Death Ritual in Late Imperial and Modern China
Author | : James L. Watson |
Publisher | : Univ of California Press |
Total Pages | : 362 |
Release | : 1988 |
Genre | : Family & Relationships |
ISBN | : 9780520060814 |
During the late imperial era (1500-1911), China, though divided by ethnic, linguistic, and regional differences at least as great as those prevailing in Europe, enjoyed a remarkable solidarity. What held Chinese society together for so many centuries? Some scholars have pointed to the institutional control over the written word as instrumental in promoting cultural homogenization; others, the manipulation of the performing arts. This volume, comprised of essays by both anthropologists and historians, furthers this important discussion by examining the role of death rituals in the unification of Chinese culture.
Modern Chinese Religion II: 1850 - 2015 (2 vols.)
Author | : |
Publisher | : BRILL |
Total Pages | : 1127 |
Release | : 2015-10-20 |
Genre | : Religion |
ISBN | : 9004304649 |
The last of four two-volume sets on the key periods of paradigm shift in Chinese religious and cultural history, this book examines the transformation of values in China since 1850, in the “secular” realms of economics, science, medicine, aesthetics, media, and gender, and in each of the major religions (Confucianism, Buddhism, Daoism, Christianity) as well as in Marxist discourse. The nation and science are the values invoked most frequently, with the market and democracy a distant second. As in previous periods of fundamental change in Chinese history, rationalization and secularization have played central roles, but interiorization nearly disappears as a driving force. Also in continuity with the past, the state insists on an exclusive right to define and adjudicate orthodoxy. Contributors include: Daniel H. Bays, Sébastien Billioud, Adam Yuet Chau, Na Chen, Philip Clart, Walter B. Davis, Arif Dirlik, Thomas David DuBois, Lizhu Fan, David Faure, Melissa Wei-Tsing Inouye, Ji Zhe, Xiaofei Kang, Eric I. Karchmer, André Laliberté, Angela Ki Che Leung, Xun Liu, Richard Madsen, David Ownby, Ellen Oxfeld, Volker Scheid, Grace Yen Shen, Michael Szonyi, Wang Chien-ch’uan, Xue Yu
Zheng Guanying
Author | : Guo Wu |
Publisher | : Cambria Press |
Total Pages | : 304 |
Release | : 2010 |
Genre | : Biography & Autobiography |
ISBN | : 1604977051 |
Guo Wu is an assistant professor of modern Chinese history at Allegheny College. He holds a PhD from the State University of New York at Albany, an MA from Georgia State University, and a BA from Beijing Language University, China. Dr. Wu is the author of several research articles on modern Chinese political thought and contemporary Chinese film. --Book Jacket.
The Rise of Cantonese Opera
Author | : Wing Chung Ng |
Publisher | : University of Illinois Press |
Total Pages | : 289 |
Release | : 2015-05-15 |
Genre | : Music |
ISBN | : 0252097092 |
Defined by its distinct performance style, stage practices, and regional and dialect based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs. In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou--a transformation that changed it forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theatre." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how waves of Chinese emigration to Southeast Asia and North America further re-shaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.