Author | : Jörg Starkmuth |
Publisher | : |
Total Pages | : 324 |
Release | : 2010 |
Genre | : |
ISBN | : 9783981359206 |
Author | : Jörg Starkmuth |
Publisher | : |
Total Pages | : 324 |
Release | : 2010 |
Genre | : |
ISBN | : 9783981359206 |
Author | : Pete Tartaglia |
Publisher | : |
Total Pages | : 320 |
Release | : 2020-10-21 |
Genre | : |
ISBN | : 9780578759005 |
Creating Reality: An Insider's Guide To Working In Reality TV is an informative, straight forward book detailing how reality TV is made. With two decades of working in reality TV, author Pete Tartaglia guides the reader through the fundamentals of unscripted storytelling to the nuts and bolts of production, and everything in between. Creating Reality is an ideal resource for media students, reality TV fans and current producers who want to brush up on their craft.
Author | : Emilie Hafner-Burton |
Publisher | : Princeton University Press |
Total Pages | : 294 |
Release | : 2013-03-24 |
Genre | : Law |
ISBN | : 0691155364 |
Includes bibliographical references (pages 199-265) and index.
Author | : Danielle J. Lindemann, PhD |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 166 |
Release | : 2022-02-15 |
Genre | : Social Science |
ISBN | : 0374720967 |
Named a Best Nonfiction Book of 2022 by Esquire A sociological study of reality TV that explores its rise as a culture-dominating medium—and what the genre reveals about our attitudes toward race, gender, class, and sexuality What do we see when we watch reality television? In True Story: What Reality TV Says About Us, the sociologist and TV-lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre. From the first episodes of The Real World to countless rose ceremonies to the White House, reality TV has not just remade our entertainment and cultural landscape (which it undeniably has). Reality TV, Lindemann argues, uniquely reflects our everyday experiences and social topography back to us. Applying scholarly research—including studies of inequality, culture, and deviance—to specific shows, Lindemann layers sharp insights with social theory, humor, pop cultural references, and anecdotes from her own life to show us who we really are. By taking reality TV seriously, True Story argues, we can better understand key institutions (like families, schools, and prisons) and broad social constructs (such as gender, race, class, and sexuality). From The Bachelor to Real Housewives to COPS and more (so much more!), reality programming unveils the major circuits of power that organize our lives—and the extent to which our own realities are, in fact, socially constructed. Whether we’re watching conniving Survivor contestants or three-year-old beauty queens, these “guilty pleasures” underscore how conservative our society remains, and how steadfastly we cling to our notions about who or what counts as legitimate or “real.” At once an entertaining chronicle of reality TV obsession and a pioneering work of sociology, True Story holds up a mirror to our society: the reflection may not always be pretty—but we can’t look away.
Author | : Tia DeNora |
Publisher | : SAGE |
Total Pages | : 285 |
Release | : 2014-09-22 |
Genre | : Social Science |
ISBN | : 1473905516 |
What is reality and how do we make sense of it in everyday life? Why do some realities seem more real than others, and what of seemingly contradictory and multiple realities? This book considers reality as we represent, perceive and experience it. It suggests that the realities we take as ‘real’ are the result of real-time, situated practices that draw on and draw together many things - technologies and objects, people, gestures, meanings and media. Examining these practices illuminates reality (or rather our sense of it) as always ‘virtually real’, that is simplified and artfully produced. This examination also shows us how the sense of reality that we make is nonetheless real in its consequences. Making Sense of Reality offers students and educators a guide to analysing social life. It develops a performance-based perspective (‘doing things with’) that highlights the ever-revised dimension of realities and links this perspective to a focus on object-relations and an ecological model of culture-in-action.
Author | : Donna Michelle Anderson |
Publisher | : Movie in a Box Books |
Total Pages | : 164 |
Release | : 2006-12 |
Genre | : Performing Arts |
ISBN | : 0978715012 |
Author | : Lucas Mann |
Publisher | : Vintage |
Total Pages | : 274 |
Release | : 2018-05-01 |
Genre | : Biography & Autobiography |
ISBN | : 0525435557 |
An intimate portrait of a marriage intertwined with a meditation on reality TV that reveals surprising connections and the meaning of an authentic life. A VINTAGE ORIGINAL. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. Captive Audience resides at the intersection of popular culture with the personal; the exhibitionist impulse, with the schadenfreude of the vicarious, and in confronting some of our most suspect impulses achieves a heightened sense of what it means to live an authentic life and what it means to love a person.
Author | : Jennifer L. Pozner |
Publisher | : Seal Press |
Total Pages | : 393 |
Release | : 2010-10-19 |
Genre | : Social Science |
ISBN | : 1580053750 |
Nearly every night on every major network,"unscripted" (but carefully crafted) "reality" TV shows routinely glorify retrograde stereotypes that most people would assume got left behind 35 years ago. In Reality Bites Back, media critic Jennifer L. Pozner aims a critical, analytical lens at a trend most people dismiss as harmless fluff. She deconstructs reality TV's twisted fairytales to demonstrate that far from being simple "guilty pleasures," these programs are actually guilty of fomenting gender-war ideology and significantly affecting the intellectual and political development of this generation's young viewers. She lays out the cultural biases promoted by reality TV about gender, race, class, sexuality, and consumerism, and explores how those biases shape and reflect our cultural perceptions of who we are, what we're valued for, and what we should view as "our place" in society. Smart and informative, Reality Bites Back arms readers with the tools they need to understand and challenge the stereotypes reality TV reinforces and, ultimately, to demand accountability from the corporations responsible for this contemporary cultural attack on three decades of feminist progress.
Author | : Beverley Skeggs |
Publisher | : Routledge |
Total Pages | : 262 |
Release | : 2012-05-04 |
Genre | : Social Science |
ISBN | : 1136502440 |
The unremitting explosion of reality television across the schedules has become a sustainable global phenomenon generating considerable popular and political fervour. The zeal with which television executives seize on the easily replicated formats is matched equally by the eagerness of audiences to offer themselves up as television participants for others to watch and criticise. But how do we react to so many people breaking down, fronting up, tearing apart, dominating, empathising, humiliating, and seemingly laying bare their raw emotion for our entertainment? Do we feel sad when others are sad? Or are we relieved by the knowledge that our circumstances might be better? As reality television extends into the experiences of the everyday, it makes dramatic and often shocking the mundane aspects of our intimate relations, inviting us as viewers into a volatile arena of mediated morality. This book addresses the impact of this endless opening out of intimacy as an entertainment trend that erodes the traditional boundaries between spectator and performer demanding new tools for capturing television’s relationships with audiences. Rather than asking how the reality television genre is interpreted as ‘text’ or representation the authors investigate the politics of viewer encounters as interventions, evocations, and more generally mediated social relations. The authors show how different reactions can involve viewers in tournaments of value, as women viewers empathise and struggle to validate their own lives. The authors use these detailed responses to challenge theories of the self, governmentality and ideology. A must read for both students and researchers in audience studies, television studies and media and communication studies.