| Author | : Jodi A. Barnes |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 9781611170344 |
As these essays open new vistas on the social construction of race and racism, they demonstrate a more hopeful view on the building of black communities and in the United States and the Caribbean.
| Author | : Daniel Fridman |
| Publisher | : Stanford University Press |
| Total Pages | : 249 |
| Release | : 2016-11-30 |
| Genre | : Business & Economics |
| ISBN | : 1503600262 |
“A refreshing and rigorous analysis of financial self-help that gets to the heart of identity formation in neoliberalism . . . sociology at its best.” —Peter Miller, London School of Economics In this era where dollar value signals moral worth, Daniel Fridman paints a vivid portrait of Americans and Argentinians seeking to transform themselves into people worthy of millions. Following groups who practice the advice from financial success bestsellers, Fridman illustrates how the neoliberal emphasis on responsibility, individualism, and entrepreneurship binds people together with the ropes of aspiration. Freedom from Work delves into a world of financial self-help in which books, seminars, and board games reject “get rich quick” formulas and instead suggest to participants that there is something fundamentally wrong with who they are, and that they must struggle to correct it. Fridman analyzes three groups who exercise principles from Rich Dad, Poor Dad by playing the board game Cashflow and investing in cash-generating assets with the goal of leaving the rat race of employment. Fridman shows that the global economic transformations of the last few decades have been accompanied by popular resources that transform the people trying to survive—and even thrive. “A gifted observer, Fridman’s ethnographic account uncovers a unique blend of morality and economics in self-help groups pursuing their dream of financial freedom. This book contributes to economic and cultural sociology but will also fascinate general readers.” —Viviana A. Zelizer, Lloyd Cotsen ’50 Professor of Sociology, Princeton University “A wonderful portrait of how financial technologies of the self work in modern culture.” —Marion Fourcade, University of California, Berkeley
| Author | : Gunda Werner |
| Publisher | : Taylor & Francis |
| Total Pages | : 158 |
| Release | : 2023-12-22 |
| Genre | : Religion |
| ISBN | : 1003827985 |
This book explores how Judith Butler’s work on gender and the shaping of the human subject and Michel Foucault's notion of parrhesia, ‘speaking the truth’, can be made fruitful for a theology of freedom. The volume illustrates the importance of three concepts - freedom, gender (body) and power (critique) - and how this triad provides the foundational categories and structural elements of a theology of freedom. By starting from an analysis of power and the performative potential of gendered embodiment, freedom can be thought of as the basis of creative and critical human action and thereby implemented in theology. The chapters feature several theological-historical case studies that are representative of topics that continue to shape contemporary Catholic norms and thought. In particular, the author reflects on the 13th century with the idea of personal sin and confession, and the 19th century with a gender ideology that has led to the marginalization of difference and dissent. The book shows how Butler and Foucault can provide essential insights for Catholic theology and is valuable reading for scholars of religion, philosophy, and gender and sexuality studies.
| Author | : Susan Stewart |
| Publisher | : University of Chicago Press |
| Total Pages | : 322 |
| Release | : 2011-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 0226773841 |
Why do we need new art? How free is the artist in making? And why is the artist, and particularly the poet, a figure of freedom in Western culture? The MacArthur Award–winning poet and critic Susan Stewart ponders these questions in The Poet’s Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work. Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets—Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create. A book about the pleasures of making and thinking as means of life, The Poet’s Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.
| Author | : Jean-Luc Nancy |
| Publisher | : Stanford University Press |
| Total Pages | : 252 |
| Release | : 1993 |
| Genre | : Philosophy |
| ISBN | : 9780804721905 |
The most systematic, radical, and lucid treatise on freedom that has been written in contemporary Continental philosophy, this book combats the renunciation of freedom attested in modern history by articulating the experience of freedom at work in thought itself.
| Author | : Hassanaly Ladha |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 320 |
| Release | : 2019-12-26 |
| Genre | : Philosophy |
| ISBN | : 1350105783 |
Through a radical reading of Hegel's oeuvre, The Architecture of Freedom sets forth a theory of open borders centered on a new interpretation of the German philosopher's related conceptions of language and the aesthetic, mastery and servitude, and subjectivity and the state. The book's argument turns on Hegel's identification of “Africa” as a fluid, utopic space enabling the traversal of the East-West binary. As Hegel's figure for the non-historical, Africa emerges as the negativity that propels the movement of the dialectic in time. Mirroring the “shrouded” continent's relation to history, Kantian “architectonics” step out of the realm of logic in Hegelian thought and drive the historical unfolding of the aesthetic. In a foundational move, Hegel hypostatizes the aesthetic entanglement of built and linguistic form as the colossus of Memnon, an African warrior memorialized in ancient architecture, myth, and art. Reaching for freedom, the Memnon marks the architectonic modality through which the African slave, at the telos of history, will fulfill the spiritual promise of the human and bring about the politically mature state. The book examines the syncretic figure of the Memnon and slave across Hegel's lecture courses, the Phenomenology of Spirit, the Encyclopedia, and the Philosophy of Right. Ultimately the book calls for a reassessment of a range of Hegelian philosophemes across disciplines in the humanities. This book will be of particular interest to scholars in philosophy, postcolonial and African studies, political theory, architecture, and historiography.
| Author | : Connor Donahue |
| Publisher | : Taylor & Francis |
| Total Pages | : 186 |
| Release | : 2024-04-05 |
| Genre | : Political Science |
| ISBN | : 1040008704 |
This book critically analyzes US political-military strategy by arguing that freedom of the seas discourse is fundamentally unfit for an era of maritime great power competition. The work conducts a genealogical intellectual history of freedom of the seas discourse in US foreign policy to show how the concept has evolved over time to facilitate American control over the global ocean space. It concludes that the contemporary discourse works to establish the high seas as an arena free from claims of sovereignty so that the United States, as the presumed unrivaled naval power, can intervene globally on behalf of its national interests. However, since sea control strategies depend on a preponderance of material force, as the United States wanes in relative material capability it becomes less able to support political-military strategies predicated on the assumption of global naval dominance. The book provides a timely commentary on the current geopolitical competition between the United States and China, and critiques the US approach toward China in the maritime domain in order to highlight potential avenues of foreign policy action that may enable the two countries to mitigate the risk of conflict. This book will be of much interest to students of naval history, maritime security, US foreign policy, and international relations.
| Author | : Daniel K L Chua |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2017-07-18 |
| Genre | : Music |
| ISBN | : 0199773076 |
Over the last two centuries, Beethoven's music has been synonymous with the idea of freedom, in particular a freedom embodied in the heroic figure of Prometheus. This image arises from a relatively small circle of heroic works from the composer's middle period, most notably the Eroica Symphony. However, the freedom associated with the Promethean hero has also come under considerably critique by philosophers, theologians and political theorists; its promise of autonomy easily inverts into various forms of authoritarianism, and the sovereign will it champions is not merely a liberating force but a discriminatory one. Beethoven's freedom, then, appears to be increasingly problematic; yet his music is still employed today to mark political events from the fall of the Berlin Wall to the attacks of 9/11. Even more problematic, perhaps, is the fact that this freedom has shaped the reception of Beethoven music to such an extent that we forget that there is another kind of music in his oeuvre that is not heroic, a music that opens the possibility of a freedom yet to be articulated or defined. By exploring the musical philosophy of Theodor W. Adorno through a wide range of the composer's music, Beethoven and Freedom arrives at a markedly different vision of freedom. Author Daniel KL Chua suggests that a more human and fragile concept of freedom can be found in the music that has less to do with the autonomy of the will and its stoical corollary than with questions of human relation, donation, and a yielding to radical alterity. Chua's work makes a major and controversial statement by challenging the current image of Beethoven, and by suggesting an alterior freedom that can speak ethically to the twenty-first century.
| Author | : Joseph Warren Teets Mason |
| Publisher | : |
| Total Pages | : 568 |
| Release | : 1926 |
| Genre | : Metaphysics |
| ISBN | : |
