The Meeting of Eastern and Western Art

The Meeting of Eastern and Western Art
Author: Michael Sullivan
Publisher: Univ of California Press
Total Pages: 358
Release: 1989-01-01
Genre: Art
ISBN: 9780520059023

The meeting of Eastern and Western art is always more than a synthesis; it offers creative possibilities for interaction between East and West, a process in which the great civilizations preserve their own character while stimulating and enriching each other. In this book, Michael Sullivan leads the reader through four centuries of exciting interaction between the artists of China and Japan and those of Western Europe. From Hokusai to van Gogh, Sullivan shows how the study of artistic interpretation has significantly enlarged and enriched our vision of artists and their aims and ideals both East and West.

The Meeting of Eastern and Western Art

The Meeting of Eastern and Western Art
Author: Michael Sullivan
Publisher: Univ of California Press
Total Pages: 360
Release: 1997
Genre: Art
ISBN: 9780520212367

The exchange of art provides a vehicle for creative interaction between East and West, a process in which great civilizations preserve their own character while stimulating and enriching each other. Here scholar Michael Sullivan leads the reader through four centuries of exciting interaction between the artists of China and Japan and those of Western Europe. 24 color plates. 174 halftones.

The Meeting of Eastern and Western Art, Revised and Expanded Edition

The Meeting of Eastern and Western Art, Revised and Expanded Edition
Author: Michael Sullivan
Publisher: Univ of California Press
Total Pages: 485
Release: 2023-12-22
Genre: Art
ISBN: 0520324080

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

Art and Artists of Twentieth-century China

Art and Artists of Twentieth-century China
Author: Michael Sullivan
Publisher: Univ of California Press
Total Pages: 451
Release: 1996
Genre: Art, Chinese
ISBN: 0520075560

"Sullivan presents a wealth of material that has never before appeared in a Western language. I expect it will be the standard book on twentieth-century Chinese art for the foreseeable future."--Julia F. Andrews, author of Painters and Politics in the People's Republic of China "A most sympathetic and useful guide to twentieth-century Chinese art. Long the leading scholar on the subject, Professor Sullivan has presented a lucid account of a most dramatic chapter in Chinese art in a complex interplay of aesthetics, politics, cultural, and social history."--Wen C. Fong, Princeton University "So much of China's art in the twentieth century has to do with artistic (and political) ideas from the West that is is appropriate that one of its first comprehensive histories should be written by a Western scholar--especially one who has known personally many of China's leading artistic figures of the last fifty years. Not only does Professor Sullivan tell the complex story of twentieth century China art with lucidity and style, his learned text is also illuminated with witty anecdotes and incisive observations that can only come from an indsider."--Johnson Chang (Chang Tson-zung), Director, Hanart Tz Gallery, Hong Kong

The Buddha in the Machine

The Buddha in the Machine
Author: R. John Williams
Publisher: Yale University Press
Total Pages: 367
Release: 2014-06-24
Genre: Technology & Engineering
ISBN: 0300194471

The writers and artists described in this book are joined by a desire to embrace 'Eastern' aesthetics as a means of redeeming 'Western' technoculture. The assumption they all share is that at the core of modern Western culture there lies an originary and all-encompassing philosophical error - and that Asian art offers a way out of that awful matrix. That desire, this book attempts to demonstrate, has informed Anglo- and even Asian-American debates about technology and art since the late nineteenth century and continues to skew our responses to our own technocultural environment.

The Arts of China

The Arts of China
Author: Michael Sullivan
Publisher: Univ of California Press
Total Pages: 292
Release: 1977
Genre: Art
ISBN: 9780520033672

Sullivan has thoroughly revised this classic history of Chinese art which covers the period from Neolithic times to the 1990s. 224 photos. 164 color illustrations. 14 maps.

Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili

Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili
Author: Paul Gladston
Publisher: Bloomsbury Publishing
Total Pages: 249
Release: 2019-10-17
Genre: Philosophy
ISBN: 1350041998

In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.

Chinese Landscape Painting as Western Art History

Chinese Landscape Painting as Western Art History
Author: James Elkins
Publisher: Hong Kong University Press
Total Pages: 208
Release: 2010-06-01
Genre: Art
ISBN: 9622090001

This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.

Art Without Borders

Art Without Borders
Author: Ben-Ami Scharfstein
Publisher: University of Chicago Press
Total Pages: 558
Release: 2009-08-01
Genre: Philosophy
ISBN: 0226736113

People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.