The richly illustrated book is the first part of a series on the history of uniform. This particular installment is an historical treatise on the origins, development and diffusion of the Death's Head badge among military units throughout the Western World, from the 17th century onward. It describes the different occurrences of this potent symbol and tries to shed some light on the reasons and motivations involved in the choice and implementation of so charged an image as the skull and crossbones. It tries to attenuate some of the justified aversion incurred since the Second World War and the use the Nazis made of the emblem, as it delves into the noble and honorable motives usually associated with the struggle against oppression, connected to the Death's Head during the nineteenth century. The sheer number of occurrences documented and illustrated (101) in the book is enough to generate some astonishment and will surely spark the curiosity of the reader. Most people are not aware of the use of skulls by any military unit other than the SS, let alone its employment by such irreproachable regiments as the Queens Royal Lancers. Even those interested in military history will probably not have realized the measure of proliferation the Skull & Bones badge has known nor the significance attached to it. A few of the instances I have discovered in my research will generate some interest as well, as these were not yet widely known or put together in a extensive study. For example, until now, the oldest known use of the emblem was usually attributed to the Prussian Von Ruesch hussars of 1741. I have been able to push back this date by a hundred years with my ‘discovery’ of the Von Menzel Pandurs and especially the Cronberg Cuirassiers of the Thirty Years War. Another point of interest is the depiction of many colorful and sometimes even extravagant uniforms of irregular units or even individual officers. For instance the attire of the (in)famous Baron de Géramb of 1810 stands out, but also the somewhat theatrical outfit of Josef Zienkowics of 1830, is of particular interest to uniformologists and historians of fashion alike. As the image of the skull and bones gains popularity among the numerous adherents of countless subcultural lifestyles, the interest in the subject also grows significantly outside the more usual circles of militaria buffs. Other proposed titles in this series: • The Sense of Uniform, Why are armies in uniform? • The Origins • The Fringe, Cords, ribbons and plumes • Headgear • Fashion, How do uniforms and civilian fashions interact? • Cavalry • Infantry • Guards • Navy and Marines